In the play “Antigone” written by Sophocles, many issues arise regarding morality and pride. While there may be many evidence to argue whether Antigone is in the right or Creon is, the German philosopher Hegel argues that both are right, to some extent. When the argument is analyzed from both point of views it is evident that they both have some moral reasoning to both cases being correct; however, neither side is willing to view the situation in the eyes of the other person because they both feel that they are inexplicably correct, which causes them to both be wrong. Both Antigone’s and Creon’s judgement is clouded because of their inability to understand why the other views the situation in the way that they do.
The story of Antigone is
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To prevent this his biological parents have him sent away and Oedipus in adulthood finds out of such prophecy and leaves his adoptive parents’ home to avoid that from happening. On his way to Thebes, Oedipus then killed his father and married the queen of the land, which also happens to be his biological mother. Although when it comes to light that he has married his biological mother, it is already too late because they have offspring. Later, when Oedipus is exiled his sons form a pact that allows Eteocles to become king, then lets his brother Polyneices rule for the same amount of time. When the time comes, Eteocles refuses and Polyneices leaves Thebes and returns with his own army to fight and take the crown by force. After the war both brothers have died and the closest living male relative is Creon, which consequently gives him the right to the crown. Creon states that no man shall be above his law, including family members and he will be a wise and just ruler. As his first edict, he states that Eteocles was a brave warrior for Thebes and will receive an honorable burial, while Polyneices on the …show more content…
But by believing this notion, she closes off her mind to other options, and doesn’t leave any room for her situation to be compromised. She also is very bold in her statements and does not back down to Creon like it was expected of a woman to back down to a man, especially one in power like Creon. By taking this position she effectively becomes a martyr for her cause because she is seen as someone who will stand by their beliefs no matter what the consequences. She says she would rather be put to death than follow Creon’s edict and leave her brother unburied. Antigone places her sister and fiancé in a complicated situation without intending to, while she is arguing with Creon she successfully manages to divide her family and in the end Haemon and Antigone’s sister also end up dying as well, this contradicts Antigone’s purpose because she was trying to remain a loyal sister, and by doing so ultimately caused the death of the few family she had left. In addition to this, Antigone leaves Creon no options because she even begins asking to be put to death, further complicating the situation because she isn’t willing to
Moral and Political Law in Sophocles' Antigone In Sophocles' play Antigone, the tragedy is brought by the conflict between the moral laws and manmade political laws. Neither Kreon nor Antigone is clearly "right" or "wrong". In other words they are both "right" and "wrong".
On the surface, Antigone is the classic tragic hero, it is she that Sophocles wants us to be drawn to. It is Creon against who he stacks the cards. A writer's value judgement, nothing more. So then, once more assuming Antigone is a male instead, are her or his actions noble or foolhardy, and irresponsible. While on the surface it appears noble to risk death for a principle, is it really ? Aren't relationships more important than principles ? Much is made of Creon sentencing his own son's fiance to death, did she not by her foolhardy, kneejerk reaction sentence herself. Where is her consideration for her husband to be ? And her sister, who has lost so much, and now clings to her so desparately, is rebuffed and dismissed as not worthy of the glorious Antigone.
Oedipus accidentally killed his father and married his mother. Because of that act, Oedipus ended up cursing his family and died a horrible death. After his death, his sons inherited his kingdom and in a power struggle ended up killing each other. One of the sons, Polynices attacked the city to try and claim power from his brother. But since both of the brothers died and the city was not taken Polynices was labeled as a traitor whereas the other brother who died defending the city was celebrated as a hero. Creon decreed at the beginning of the play Antigone that no one was to bury the body of traitorous Polynices. Antigone felt that it was here responsibility to bury the body because he was still a member of her family. This led to a huge argument with Creon who felt he shouldn’t be crossed because he was the leader of the state. Eventually both Creon and Antigone are destroyed by the gods (and by each other) through their own actions.
At first she tries to convince her sister Ismene to join her in her plans, but Ismene refuses, she is not willing to give up her life at all, when Antigone is not only risking her life but also her marriage with Haemon. When Antigone meets Creon she proves her strength and spiritual power. Some say she is not a saint but a martyr. She combats Creon with insolence towards the civil authority, following always the laws of heaven.
Envision a sibling of yours imprisoned for a blasphemous reason. There are only two paths left for your sibling, life in prison or demise. Would you labor tirelessly for their freedom in the sacrifice of yours or forsake them for your own liberties? Well, that depends on your morality. Morality has been around for many centuries, but only recently have two theorists, Lawrence Kohlberg and Carol Gilligan, been able to define morality. Kohlberg’s scale has six stages that primarily focuses on justice and fairness, while Gilligan’s scale of three stages is based upon care and social relationships. My moral judgment is an embodiment of both of these scales and more as I consider morality to not be confined to subjective scales, but boundless. Remember the question imposed above? Well, in the play “Antigone” by Sophocles, Ismene is living exactly through that. Even more, she challenges the limits of her morality to question her ability to save Antigone from Creon’s clutches. Ismene displays the most change in a character’s morality according to Kohlberg, Gilligan, and my personal scale, while attempting to extricate Antigone, which results in Creon becoming the tragic hero.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
After studying the critical excerpts following Antigone, I found two to be beneficial to the understanding Antigone. When first reading this play I found I could relate to Antigone and the way she stood up for what she believes in. Going against any King during this time, and facing death, to act upon what she believed to be right was pure admiration in my eyes. There was one part of the play, however, that I had a little trouble relating to Antigone. Before she is led to the tomb of her death, Creon and Antigone have one final conversation where Antigone is explaining her reasoning for the defiance of her king’s laws. She speaks as if speaking to her dead brother Polyneices saying, “Had I been a mother of children, and my husband been dead and rotten, I would not have taken this weary task upon me against the will of the city” (Sophocles 1587). I believed Antigone to have stood up for the rights of what was right by burying her brother with the sacred ash and water, as any blood relative would in my opinion do for another; however, if this were the case then why would she have not done for her children or her beloved husband what she fought so hard to do for her brother?
Antigone is almost hailed to a god like status, as Oedipus was before her. She is extremely strong and unbelievably willing to sacrifice everything in the name of honor and pride. She so easily makes her decisions and chooses to die willingly without a second thought. The minute Creon questions her on breaking the law, she states: “Die I must, -I knew that well (how should I not?)-even without thy edicts.” What is even more is that Antigone was a woman, a woman in a time of extreme male domination. This makes her even stronger of a person in the play and shows the growing strength of the gender that we know of today.
"I would not count any enemy of my country as a friend." In the play Antigone, written by Sophocles, Antigone finds herself torn apart between divine law and state law. The play opens up at the end of a war between Eteocles and Polyneices, sons of Oedipus and brothers of Antigone and Ismene. These brothers, fighting for control of Thebes, kill each other, making Creon king of Thebes. Creon, as king, gives an important speech to the citizens of Thebes, announcing that Eteocles, who defended Thebes, will receive a proper burial, unlike his brother Polyneices, who brought a foreign army against Thebes. This speech introduces the major conflict of divine law versus state law. Furthermore, Creon cherishes order and loyalty above all else. He cannot bear to be disobeyed or watch the laws of the state be broken by anyone, especially by a woman. However, Antigone places her individual conscience and love for her brother Polyneices above and against the power and authority of the state, which costs her life.
Antigone had good reasons for her actions. She did obey the rules of her gods, which were that any dead body must be given a proper burial, with libatations. This would prevent the soul from being lost between worlds forever, along with wine as an offering to the gods (page 518- side note). Nor could Antigone let Creon's edicts go against her morals (lines 392-394). She chooses to share her love, not her hate (line 443). She couldn't bare to see one family member be chosen over the other because of what a king had decided was right, which she contravened. Why condemn somebody who stood up for what they believed in and is now dead for it anyway? Bringing homage to the family was very important to Antigone (line 422-423).
The views of Antigone and Creon are opposed, and they both possess the same stubborn belief in their own righteousness. This ultimately brings them both to their tragic fate. At first we believe that Creon acts from sincere, patriotic and unselfish motives, and that he is acting out of a sincere belief that his decision is best for the state. This is shown in the first episode (lines 163 - 331), where Creon hopes to be a wise and good ruler. Later on we learn that he is too inflexible and narrow to heed criticism or admit fault, and that this causes all the misery in his life. The same is true of Antigone. She appears to be a very compassionate individual in the prologue; however, later on we learn that she is also stubborn and unwilling to bend in her beliefs, which ultimately leads her to her tragic fate.
Being a good citizen often involves doing something out of the ordinary to help others. Sometimes, that involves going against the will of others to do what the good citizen might think is best. Although this is traditionally the case, the biggest factor in being a good citizen is great respect for the nation in which one lives. If one wants to be a good citizen, he or she might go out of his or her way to help others, however, must do so within the rules of the nation. In the Greek Drama by Sophocles, entitled Antigone, the hero, Antigone, shows, what I would call, bad citizenship. How is this? Why is she being a bad citizen?
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
In the play Antigone, Sophocles writing can be very controversial. He explains different perspectives of justice through the fates of the characters in the play. Creon and Antigone both would claim to have the law and Gods on their sides. They bring acceptable evidence for their reasoning to be true for their thought of the right way to carry out justice. Creon is certain that his ability to be king will justify leaving Polynices unburied. On the other hand Antigone sees justice as the ability to bury her brother. Conflict explodes with their inability to compromise over what is the definition of justice. Justice has a different role to play in any individual’s life because gender differs from man to women and society sometimes looks down upon women. Justice should be served and women should have the same divine rights that men do.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.