In the mystery genre one can agree that for a mystery to function as it does, it must have elements like a case that must be solved, a detective or someone who is playing as the detective, and, in most cases, murder. But in the short story “A Scandal in Bohemia,” by Sir Arthur Conan Doyle, a social scandal is a part of the theme, which is also seen in “Witness for the Prosecution,” by Agatha Christie and “Amber Gate,” by Walter Mosley. Just as a murder or a crime disrupts an aspect of society, a social scandal functions the same way. Normally, what we view as the “private life” and “public life” is kept separately because private life operates as the “fantasy” of the two worlds by creating the image of a “normal life”, which consists of a good and happy husband and wife, the ability to be financially stable, social wellbeing and even in some cases a child. On the other hand, the public life consists of the poor, who are considered to be liars and cheaters, crime, murder, and heinous women. The private life predominately functions in favor of the man, more so a white male, and when the public, or characteristics of the public, alters the established private life, then his happiness ceases and the private fantasy is then disrupted or destroyed. Specifically speaking, the marginalized threaten the exposure of the social hierarchy by disrupting the domestic private fantasy by unmasking its instability. On the condition that the fantasy surrounding private life functions mostly in favor of a man, we see this happen because the man is “in charge” of that fantasy. As a result, he is then primarily affected by the alternations of that fantasy. For instance, in “A Scandal in Bohemia,” Watson, our narrator says, “My own complete happiness, ... ... middle of paper ... ...ruster into the realm of social scandals. In sum, social scandals are important to the mystery genre because for a detective to be called into a private setting, that setting must be threatened or disrupted in a way and social scandals function as the disruption. Though the private life operates predominantly in regards to men and specifically white males, we can also analyze how they function in categories or themes such as race, class, and gender. This ultimately allows the mystery genre to challenge misconceptions by writing under the theme of the social scandal. Works Cited Doyle, Arthur C. “Scandal in Bohemia.” The Adventures of Sherlock Holmes. 1892. Project Gutenberg. PDF. Christie, Agatha. “Witness for the Prosecution.” The Hound of Death and Other Stories. October, 1933. PDF file. Mosley, Walter. “Amber Gate.” Six Easy Pieces. September, 2003. PDF file.
One striking characteristic of the 20th century was the women's movement, which brought women to the forefront in a variety of societal arenas. As women won the right to vote, achieved reproductive freedom through birth control and legalized abortion, and gained access to education and employment, Western culture began to examine its long-held views about women. However, before the women’s movement of the 20th century, women’s roles were primarily of a domestic nature. Trifles by Susan Glaspell indicates that a man’s perspective is entirely different from a woman’s. The one-act play, Trifles, is a murder mystery which examines the lives of rural, middle-aged, married, women characters through gender relationships, power between the sexes, and
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Professor’s comment: This student perceptively examines the role of the city as a setting and frame for detective fiction. Focusing on two early examples, Poe’s “Murders in the Rue Morgue” and Hoffmann’s “Mademoiselle de Scudery,” both set in Paris, his sophisticated essay illuminates the “cityness” or framed constraint that renders the city a backdrop conducive to murder—such as the city’s crowded, constricted nature, promoting vertical rather than outward movement and increasing hostility and the fact that so much urban life occurs at night, a reversal of the natural order and facilitating illicit activity. He compels us to look in new ways both at the city and at detective fiction.
Adler, Patricia A., and Adler Peter. Constructions of Deviance: Social Power, Context, and Interaction. 6th ed. Belmont: Thomas/Wadsworth, 2009.
The idea of a detective catching an elusive convict or solving an improbable crime has been prevalent in all corners of the world, spread throughout many cultures and societies. The detective genre is held as the idea that an individual has to solve a crime. This detective usually has nothing to gain from solving the crime, but they see it more as an obstacle. The detective doesn’t always take every case, as human beings, we are too often curious of the impossible; our natural instinct is to question why and how things work in this world. People crave mystery, to taste a bit of improbable, to see what the detectives see, to see what is overlooked by many. The idea of an intelligent witty, sharp “sleuth” with an obedient sidekick has been prevalent
Lycett, A. (2007). The man who created Sherlock Holmes: the life and times of Sir Arthur Conan Doyle. New York: Free Press.
A detective story is a genre of fiction in which a person attempts to solve a crime. The detective may be a professional or an amateur, and generally has nothing to gain from solving the crime. However in Sophocles’ “Oedipus the King”, the main character Oedipus is not only determined to solve a crime, but he is also in pursuit to find his own identity. This is similar to Arthur Conan Doyle’s “A Scandal in Bohemia” where Sherlock Holmes has been hired to work as a detective in return for monetary compensation. Both situations enable Oedipus and Sherlock to gain from unraveling the mysteries that sweep their towns hence making these stories different from most detective stories.
With the typical mystery novel falling between the common outline of victims and an unknown criminal that is painted in a dull and consistent palette of predictability, every single character in this storyline is a criminal but also a victim of their own guilt. Rather than exploring the mere surface of leveled justice, a deeper meaning of the concept is reached as death is doled out in an order of increasing guilt; those who are less guilty die towards the beginning of the purge to evade the anxiety and panic that haunts one as they continue their trek and witness their fate. Evading the governmental justice system before, the characters are emotionally tortured as they succumb to their thoughts and
Hawthorne, Nathaniel. "The Scarlet Letter." Nathaniel Hawthorne's Tales. Ed. James McIntosh. New York: Norton, 1987.
Larson begins his novel “The Devil in the White City” by setting the stage, mentioning the events and people who made the fair so great. But simultaneously Larson hints at the evil lurking in the shadows. Although the reader is not fully aware of the dual nature of the human condition till Holmes’s big unveil. Larson describes Holmes as “a murderer that had moved among the beautiful things Burnham had created” (Larson 6). Chicagoans were startled by how such gruesome acts could go unnoticed for so long. The juxtaposition of...
Susan Glaspell’s play, Trifles, was written in 1916, reflects the author’s concern with stereotypical concepts of gender and sex roles of that time period. As the title of the play implies, the concerns of women are often considered to be nothing more than unimportant issues that have little or no value to the true work of society, which is being performed by men. The men who are in charge of investigating the crime are unable to solve the mystery through their supposed superior knowledge. Instead, two women are able decipher evidence that the men overlook because all of the clues are entrenched in household items that are familiar mainly to women during this era. Glaspell expertly uses gender characterization, setting, a great deal of symbolism and both dramatic and verbal irony, to expose social divisions created by strict gender roles, specifically, that women were limited to the household and that their contributions went disregarded and underappreciated.
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
While both detectives from “Chee’s Witch” and “Devil in a Blue Dress” have exceptional knowledge about their community, Easy still struggles to solve the case because of the racial tension within the white community while Chee solves the case free of racial conflict. Both stories demonstrate how racial tension and identity play an important role in a detective’s success. A contrast and comparison between the detectives in the play “devil in a blue dress” to his community is as follows. Firstly, from the novel, we can tell that both Easy and his community members view and treat the white man as different species from themselves. Easy and other members of the society are quick to point out a white man from a mile off and not only by use of the skin colour but from other intermediate factors such as the smell or dressing.
Doyle, Sir Arthur Conan. The Hound of the Baskervilles. Great Britain, Penguin Groups, 2004. New York, Berkley Publishing Group,1993.
Sir Arthur Conan Doyle writes a short story about how innocence gets victimized by a royal subject. When a royal figure clashes with someone who is not equal in social class, he will do anything to hide his mistake. This is when the King hires Sherlock Holmes. Arthur Conan Doyle based Holmes off of a man named Dr. Joseph Bell, who was a friend of his in medical school. When Doyle saw that medical practice was not a success, he began writing Holmes stories for money. The public became infatuated with not only the stories, but mainly Sherlock Holmes. When Doyle wanted to write in more respectable genres (Duncan 3), he made one enormous mistake.