Howitt utilizes a sound bridge to connect the shot of Gerry helping a drunk Helen into bed with the next shot, in which Gerry is chastising himself for nearly getting caught cheating. At this point, the audience is made to feel disgusted by Gerry’s lies. He should feel bad for lying, not for nearly getting caught. While talking to himself in the mirror, Gerry states, “you’re taking to yourself in the mirror again...
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...ry and Lydia, while simultaneously causing them to cheer for the relationship between Helen and James. Elements of mise-en-scene, such as lighting, clothing choice, and setting all help further this contrast. Though the film represents a relatively short period in Helen’s life, many life-changing events occur during this time. Howitt punctuates these major events with the image of sliding doors, thereby driving home the film’s central theme of chance, possibility, and change. Our allegiance with Helen is inevitable, because we follow her story and are made to understand her motivations and agree with them; therefore, it is the allegiance, or non-allegiance, to the other characters that Howitt must work the hardest to elicit in the audience and he does so by manipulating the actions of each character to suit his needs and obtain a certain reaction from the audience.
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