Although one might expect a literary work with moral seriousness as its theme to be homiletic, GGK lacks the preachy tone because the Gawain¬-poet chooses to write the poem as a romance inspired by Arthurian legend rather than following the same format of the poems Patience and Cleanness. This, perhaps, is what leads Sandra Pierson Prior to her assertion that for the most part, romance poets care more about telling a good story than “spending time examining the implications of those events,” and consequently, GGK should just be read for the romanc...
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...rre Toelken. “Gawain and the Green Girdle.” Critical Studies of Sir Gawain and the Green Knight. Eds. Donald R. Howard and Christian Zacher. Notre Dame: UP of Notre Dame, 1968: 236-244.
Mills, M. “Christian Significance and Romance Tradition in Sir Gawain and the Green Knight.” Critical Studies of Sir Gawain and the Green Knight. Eds. Donald R. Howard and Christian Zacher. Notre Dame: UP of Notre Dame, 1968: 85-105.
Prior, Sandra Pierson. The Pearl Poet Revisited. Ed. George D. Economou. New York: Twayne, 1994.
Putter, Ad. An Introduction to the Gawain-Poet. New York: Longman, 1996.
Savage, Henry, Lyttleton. The Gawain-Poet. Chapel Hill: UP of North Carolina, 1956.
Sir Gawain and the Green Knight. Trans. Keith Harrison. Medieval English Literature. Ed. J.B. Trapp, Douglas Gray, and Julia Boffey. New York: Oxford UP, 2002: 356-416.
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