The Road’ is a post-apocalyptic novel of a father and son’s journey through a scorched horror-scape blasted by an unspecified catastrophe that left ash dispensing from the sky, no visible sun and only a few of civilisation - most have turned into cannibals . Nineteen Minutes’ is similar to ‘The Road’, as there are survivors, but after a specified cataclysm, a high-school massacre, in which Peter, a bully victim, carried out in nineteen minutes, killing ten and wounding nineteen – the guileless and his tormentors. Consequently, beautiful passages may seem to be dependent on violence and depravity as it’s the aftermath of a terrible event they overcame, their light at the end of the tunnel “maybe bad things happen because it's the only way we can keep remembering what good is meant to look like” – Nineteen Minutes.
For example, when the man had woken up to everything being alight it was like “the lost sun were returning at last”, thus bringing a sudden surge of colour that made the “snow orange and quivering”, bringing life into the dead world. The sheer liveliness of it “flaring and shimmering against the overcast like the northern lights” moved something in him that had long been forgotten, prompting him to “make a list”, “recite a litany” and “remember” it. This is a distant step from instances in the novel where he withheld good memories as he believed “the right dreams for a man in peril were dreams of peril”, same with good memories, otherwise “all else was the call of languor and of death”, as it would lure him into a false sense of security.
However, McCarthy’s use of the word “litany” connotes prayers; hence his recollections become sacred. This implies that the beauty depends on the violence and depravity as something a...
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...immune because of where you live or who you are. It’s easier that way, isn’t it?” Picoult knows how to include the readers in her work; she uses the justice system to help them understand the tragedy as the myriads of point of views and flashbacks mirror the evidence gathered for and against Peter “Ms. Picoult has a way of finding reassurance even in a standoff that would have stumped King Solomon. Her proficiently constructed books are not about chaos, or even loose ends”- Janet Maslin, NY-Times. Her words are beautiful, honest and sometimes that honesty could cut like a knife “sometimes when your vision was that sharp and true, it could cut you”. Accordingly, the violent imagery prompts the readers to open their eyes, reach out to others, value loved ones and life as a whole as “only if you’d felt such fullness could you really understand the ache of being empty”.
In Cormac McCarthy’s book The Road, the two main characters struggle to keep moving forward. Their motivation to push onward is found in the bottom levels of Maslow’s hierarchy of needs; which are physiological, safety, and emotional. Each of the levels are equally important in order for the man to reach self-actualization. In order to reach the top level, however, the man must fulfill the bottom levels first.
In the work The Road by Cormac McCarthy a father and son struggle to survive in a post-apocalyptic world with evil surrounding them. They always refer to themselves as, “The good guys,” (McCarthy 66) and try to not become evil. They see things like cannibalism as evil, and would rather go hungry than succumb to this evil. The father constantly tries to keep the child’s eyes away from the gruesome scenes that characterize this environment.
Cormac McCarthy's The Road, is an award-winning novel about an unidentifiable man who is traveling with his son. The protagonists are trapped in a post-apocalyptic world that has been besieged by nothingness and entirely stripped of life, food, and most of all, morality. They travel a treacherous road leading south where they encounter cannibals, burnt bodies, and the ruins of former houses. The world and people around them has turned amoral and unforgiving. For the protagonists, however, morality and goodness still exist. With each day, they are able to maintain faith, hope, and goodness which gives them the motivation to continue their journey. McCarthy's novel shows that even during the worst of times, love and morality will prevail and goodness will be found.
Imagine a world where everything is black and covered in layers of ash, where dead bodies are scattered throughout the streets and food is scarce. When earth, once green and alive, turns dark and deadly. A story about a man, his son and their will to survive. Within the novel Cormac McCarthy shows how people turn to animalistic and hasty characteristics during a post-apocalyptic time. Their need to survive tops all other circumstances, no matter the consequences. The hardships they face will forever be imprinted in their mind. In the novel, The Road, author Cormac McCarthy utilizes morbid diction and visual imagery to portray a desperate tone when discussing the loss of humanity, proving that desperate times can lead a person to act in careless ways.
Imagine a devastating event that does not just change the world but alters all aspects of life to the point of being unrecognizable. How does one keep hope alive in a world where everything is either dying or has turned evil? In Cormac McCarthy’s novel The Road, this is the daily struggle that confronts the man and boy. This remarkable story is about a father and son's attempts to survive in a barren landscape, faced with the constant threat of starvation, murder, exposure, and illness; they must continually decipher between good and evil, preserve the goodness of civilization, and find a purpose to continue their journey, especially when the existence of God is questionable. McCarthy's thematic purpose is to show that the qualities that mankind
Billy Collins has been called “accessible without being [mundane]” (Pool, par.1). Collins is relatable because he takes situations that most people have been through and puts them into words that are at the same time comic and thought provoking. (Collins once said, “The perfect poem for me to write would be a poem in which the reader couldn’t tell at any point whether the poem was serious or humorous”). In the poem “Forgetfulness”, Collins describes the frantic feeling that comes when a fact floats out of the brain. The person experiencing this tragic but everyday occurrence struggles to bring it back, but “the memories [the person] used to harbor decided to retire to the southern hemisphere of the brain, to a little...
The Road, a post-apocalyptic, survival skills fiction book written by Cormac McCarthy and published in 2006 is part of the Oprah Winfrey book club. During an interview with Oprah, McCarthy answered questions about The Road that he had never been asked before because pervious to the interview he had never been interviewed. Oprah asked what inspired the heart breaking book; it turns out that McCarthy wrote the book after taking a vacation with his son John. While on the vacation he imagined the world fifty years later and seen fire in the distant hills. After the book was finished, McCarthy dedicated it to his son, John. Throughout the book McCarthy included things that he knows he and his son would do and conversations that he thinks they may have had. (Cormac). Some question if the book is worth reading for college course writing classes because of the amount of common writing “rule breaks”. After reading and doing assignments to go along with The Road, I strongly believe that the novel should be required for more college courses such as Writing and Rhetoric II. McCarthy wrote the book in a way to force readers to get out of their comfort zones; the book has a great storyline; so doing the assignments are fairly easy, and embedded in the book are several brilliant survival tactics.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
Cormac McCarthy manifests his novel, The Road, in a post-apocalyptic world on the east coast of the once famous America. The novel tells the simple tale of a man and a boy who must journey forward to find a way to survive in the wastelands. However, when analyzed with the techniques shown in Thomas Foster’s How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines, The Road’s complex structure in unveiled. The once simple journey transforms into a quest filled with exploitive vampires and meaningful conversations with food. The novel explores the depths of heart and strengthens the end with the parallel of the return of Jesus Christ. The concepts complete the novel as a whole and brings an interesting
Cormac McCarthy’s novel, The Road, is set sometime in the future after a global disaster in which tells a story of a nameless boy and father who both travel along a highway that stretches to the East coast. This post-apocalyptic novel shows the exposes of terrifying events such as cannibalism, starvation, and not surviving portraying the powerful act of the man protecting his son from all the events in which depicts Cormac McCarthy’s powerful theme of one person sacrificing or doing anything humanly possible for the one they love which generates the power of love.
Jack Kerouac's On The Road is the most uniquely American novel of its time. While it has never fared well with academics, On The Road has come to symbolize for many an entire generation of disaffected young Americans. One can focus on numerous issues wh en addressing the novel, but the two primary reasons which make the book uniquely American are its frantic Romantic search for the great American hero (and ecstasy in general), and Kerouac's "Spontaneous Prose" method of writing.
Vladimir Nabokov’s Speak, Memory is a novel written with symbolism, imagery, and metaphoric language. He writes his novel in a detail orientated structure with each chapter separated into sections. This shows us that Nabokov is a detail orientated person and wants his reader to understand his thought process throughout the novel. An example of Nabokov using such imagery and symbolism is when he writes about his bedtime ritual.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
Throughout all of her moralising (a word which I use divorced from its modern negative associations) Byatt writes extremely expressively, bridging the gap between flat text on a page and vivid mental imagery; her short stories are compelling in a way that makes the reader curious, engaging our interest in what is to come. This is the essence of the storyteller's art. Even were it not to be her message, one could not come away from this collection of Byatt's work without the feeling that here, within these words, stories and constructs of art that there was an internal logic which offered a positive alternative to the negativity which seems to be a feature of this dispossessed age; a sense of purpose and innate meaning that channels and releases us, "as though the [emotion] was still and eternal in the painting and the [soul] was released into time." (p230) And be touched by it.