In Machiavelli’s The Prince, he stats that it is better to be feared than loved, but that one should avoid being despised and hated. With these concepts at hand we can compare these philosophies to one of Shakespeare’s most famous plays Macbeth. This play can be analyzed through two important characters Macbeth and Duncan. They both have their own tragic flaws and how they came to power. But Macbeth had gained his title illegitimately.
Before comparing the two characters to Machiavelli’s Prince, we must understand Machiavelli’s views on the subject. In chapter XVII Machiavelli stats that it is good to be both loved and feared but that combination is rare to exist in one person. So instead he says “that every prince ought to desire to be considered clement and not cruel. Nevertheless he ought to take care not to misuse this clemency.”(Machiavelli) What I believe Machiavelli was trying to say was that to both be feared and loved is very uncommon to see in people. So instead people should inspire to be good and just, but sometimes you must be cruel, or else you won’t be taken seriously. In chapter XIX he also mentions that there is a fine line between being feared and hated. To be feared allows you to be respected by you subjects or followers. However being too cruel to people will cause hatred to spread and will do more harm than good.
So when comparing Shakespeare’s characters we can see that this is true. When comparing Duncan of being clemently, we can see that he was being too nice to the point where he trusted everyone and had developed his tragic flaw; being the inability to see past someone’s appearance. This further proves Machiavelli’s idea’s on being too kind. So when we compare Macbeth to Machiavelli’s ...
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...g feared and respect to being hated by your subjects. And when comparing his ideas to the play Macbeth it holds true. It proves that Duncan who was a merciful and kind king, however he was seen as being too weak and was killed by Macbeth. Then Macbeth was viewed as a respected and feared king, but had crossed the line to the point where he started killing people to get what he wanted. In return he was eventually hated by his subjects and was eventually killed.
Works Cited
"Machiavelli: The Prince: Chapter XVII." Machiavelli: The Prince: Chapter XVII. Web. 02 Feb. 2014. .
"Machiavelli: The Prince: Chapter XIX." Machiavelli: The Prince: Chapter XIX. N.p., n.d. Web. 02 Feb. 2014. .
Shakespeare, William. The Tragedy of Macbeth. New York: Washington Square, 1992. Print.
Niccolò Machiavelli was a man who lived during the fourteen and fifteen hundreds in Florence, Italy, and spent part of his life imprisoned after the Medici princes returned to power. He believed that he should express his feelings on how a prince should be through writing and became the author of “The Qualities of a Prince.” In his essay, he discusses many points on how a prince should act based on military matters, reputation, giving back to the people, punishment, and keeping promises. When writing his essay, he follows his points with examples to back up his beliefs. In summary, Machiavelli’s “The Qualities of a Prince,” provides us with what actions and behaviors that a prince should have in order to maintain power and respect.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
William Shakespeare's play Macbeth is a five-act drama that shows a clear example of how pride, greed, and power can alter a man's actions and personality. The taste of power blinds the story's main character, Macbeth. Sparked by Lady Macbeth, he becomes heartless and cruel as he kills anyone who is a threat to his power due to his paranoia of losing the throne. This fear ironically leads to his downfall and loss of the throne. The theme of the story is deceit and evil and how they affect a man's decisions. Critics pose interesting views concerning the identity and significance of the mysterious third murderer.
Throughout Macbeth, Shakespeare illustrates Macbeth’s journey to becoming a ruthless and tyrannical man who will do anything and everything to gain more power. Macbeth’s actions of killing prove Machiavelli’s theory that men are cowardly and dishonest, which leads those similar to Macbeth, to believe being feared is safer than being loved. Macbeth has demonstrated Machiavelli’s theory by his actions of murder and betrayal towards individuals, such as Banquo, under his ruling. Macbeth believes that being feared is safer than loved by his people, which causes citizens under his ruling to think he is a bad king. Since individuals believe Macbeth is a negligent king due to his cowardly and dishonest actions, individuals won’t put their trust or
Machiavelli discusses assertive and bold ideas in “The Prince,” revealing his radical and courageous nature. His treatise is deceptively self-soliciting, because he disguises his extreme notions behind a veil of feigned expertise. His frank approach makes him appear confident and deserving of the utmost respect; however, he cautiously humbles himself by pouring immense flattery for the ruling prince into his work and, in doing so, assures protection for himself and his notorious ideas.
Typical of Shakespeare’s works, the play Macbeth has a protagonist who ultimately experiences a downfall that lead to his demise. The protagonist or tragic hero of this play is Macbeth, once brave and honorable, who eventually becomes tyrannical and feared by many due to what Abrams describes as his “hamartia” or “error of judgment or, as it is often…translated, his tragic flaw.” In this case, Macbeth’s tragic flaw proves to be ambition; however, he cannot be held solely responsible for his downfall. As a result of many outside influential factors, including the witches’ prophecies and a rather coaxing and persuasive wife, one should not hold Macbeth entirely culpable for his actions and tragic end.
Macbeth is a play revolving around many key ideas observed in Shakespeare’s time with various messages communicated to the audience successfully, despite the lack of the cinematic effects present in today’s literature entertainment. The interweaved themes of immoral ambition and corruption are displayed throughout the text, unveiling the corruptive nature of one’s excessive greed for supremacy, affecting both themselves and others. This idea in Macbeth is successfully conveyed to the audience in Shakespeare’s time through the literary devices of characterisation, soliloquy and plot.
In Niccolo Machiavelli 's book The Prince, is an series of advice given by Machiavelli himself to a prince. During the chapters of 14 to 19, Machiavelli unravels the ideas and qualities it takes to be a prince. In the following sections, he also explains the virtues and vices that might be required for a prince. This paper will analyze certain sections from the reading and how the traditional interpretation of Machiavelli which advises immoral choices and from a different standpoint showing other possible ways that Machiavelli 's advice would be a moral or ethical choice. The idea of understanding these advices is to help the readers understand what the prince needs to know and what choices he needs to make, whether moral or immoral.
Machiavelli, Nicolo (1532) The Prince. In Peter Bondanella’s and Mark Musa’s (eds) The Portable Machiavelli. (pp. 77-166) New York, New York: Penguin Books.
Although Machiavelli gives numerous points on what it takes to excel as a prince, he also shows some raw examples of how he feels a prince should act in order to achieve maximum supremacy. First, when he says, "ought to hold of little account a reputation for being mean, for it is one of those vices which will enable him to govern" proves Machiavelli feels mighty adamant about his view that being mean will help a prince achieve success (332). It is absurd to imagine the meanest prince as the most successful. Also, when Machiavelli states, "our experience has been that those princes who have done great things have held good faith of little account, and have known how to circumvent the intellect of men by craft" revealing his attitude to manipulate people into fearing and respecting the prince (335). Also, Machiavelli shows that for a prince to be successful, he must not think about good faith.
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
This key paragraph of advice is given by Machiavelli to all aspiring rulers who are contemplating the act of obtaining a principality through the use of criminal methods. Macbeth is an example of someone who obtains his kingdom in a criminal manner, as he and his wife conspire together to kill the present king and blame his murder on his drunken guards, but in order for Macbeth to be considered completely Machiavellian, he would have to partake in all of the characteristics that Machiavelli urges for leaders of his sort to display. While Macbeth exhibits certain Machiavellian characteristics, he does not heed Machiavelli's advice regarding rulers who desire to obtain their principalities through crime, and through either the ignorance of, or disregard for, this advice, Macbeth cannot be considered Machiavellian.
Machiavelli, N., 1988, The Prince, Q. Skinner and R. Price (eds.), Cambridge: Cambridge University Press.
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeths critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that result in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words
Strauss, Leo. Machiavelli’s Intention: The Prince . Ed. Leo Strauss. N.p., 1958. Web. 1 Dec. 2010. .