Essay about The Silk Road International Film Festival

Essay about The Silk Road International Film Festival

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The Silk Road International Film Festival (SRIFF) is the third international film festival in China. It has been alternatively hosted in Xi’an and Fuzhou annually for three times since 2014. As a newcomer to the festival circuit, SRIFF has its own feature which can trace back to the idea of the ancient Silk Road as well as connect to the recently Chinese economic strategies of the “One Belt and One Road” (OBOR) and the “21st Century Maritime Silk Road”. The main purpose of the OBOR strategy is to create the economic bond between China and the countries along the path of the ancient Silk Road which would encourage the trading from one’s supply to the other’s demand. Under such strategic concept, SRIFF was invented in the supports of the Chinese government in 2014 and works as a platform to present the different culture from all the countries along the Silk Road, from China, Russia, Turkey, to Poland, German, Romania and etc. However, through researching and examining the programming and advertising of the festival, the problem keeps arise is that SRIFF does not really have a clear and accurate positioning to present. In another word, one cannot clearly distinguish SRIFF to be either a unique feature film festival or an international film festival as it is currently aiming for both directions. The potential reason behind this issue could because of this film festival is still young and progressing so that it is still trying to find its own identity. Moreover, another ambiguity of SRIFF is in terms of the “model” that it can be categorized in. Therefore, it is worthy to separate the issues and to take a close look individually about what has SRIFF done so far for presenting itself to be either feature or international film festival, ...


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...crossing so many borders from China to the Mediterranean Sea. Therefore, although the festival is currently hosting in the two cities of China, even from the geographical aspect, there is no way to limit SRIFF within the boundary of any national border. An effort that is rather more significantly put into spreading SRIFF to the worldwide is that “SRIFF [signed] cooperation contract with Busan International Film Festival, Moscow International Film Festival, Göteborg Film Festival and Hawaii International Film Festival” during the 2nd SRIFF forum (3rd SRIFF official website, Photos & Articles). Presumably, by signing cooperation contracts with these well-established international film festivals, SRIFF would have more assistance such as learning their matured programming techniques, or very least be known by the scholars in the film festival fields about its existence.

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