On Easter Sunday in 1928, Luster drives Benjy to the cemetery, after much convincing of his grandmother Dilsey. As the carriage approaches the Confederate soldier monument on the courthouse square, Luster attempts to show off in front of a “group of negroes,” and decides to change the route that Benjy is accustomed to, which proves to be utterly disastrous (Faulkner 319). Luster only alters the route slightly, and ...
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... order of the Compson family is, especially the family’s treatment of Benjy, it is better for Benjy to have a sense of pattern and order in his life. Through the last scene, the reader can see that Benjy was happiest when Jason restored order back into their trip, even though he did it violently and with questionable intentions. It is easy, and justified, for the reader to be disgusted by the family’s treatment of Benjy, but he generally seems content in his life, probably because he has never known any other option. This was a sad reality of mental deficiencies at the time of the novel, but its depressing nature does not change the fact that keeping patterns and order, even if they were negative, was the best thing for Benjy to function at his highest level possible.
Faulkner, William. The Sound and the Fury. New York: Vintage Books, 1990. Print.
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