The Sights and Sounds of DIY

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Art and music have had a natural association with one another in almost every culture of the world since the beginning of history. When it comes to punk rock and its visual counterpart, the connection goes beyond just similar styles and ways of working. The artists participating in these two sides of the spectrum not only broke the same rules and appealed to the same audiences, they were members of the same social groups and frequented the same neighborhoods and clubs. This made way for collaboration and the parallel growth of both art forms. Through DIY ethic, both visual and musical punk artists created their work and distributed it cheaply, directly avoiding participation in mainstream media and larger corporate agendas. The most notable contribution from punk visual culture is the zine. A punk zine is a cheaply made magazine about punk music and the scene that corresponds with it. It is then reproduced using photocopies or other cheap printing and bound with a staple, if at all. Because of this, a majority of the zines were black and white, cheaply made and done in copy shops. They intentionally ignore the layout of standard magazines and exhibit a level of anti-design. One of the DIY methods they used quite often was the use of cut out, “ransom” style letters cut from other magazines and newspapers to spell their messages. Most zines were extremely low budget and the photocopied images gave it a raw look while also costing very little1, something they used to their advantage and embraced as part of the style. Jamie Reid, the designer of the Sex Pistols’ album cover for Never Mind The Bollocks, used the same basic idea of high contrast. The bright colors used were fluorescent pink and yellow with black. These co... ... middle of paper ... ...15/the_permanent_revolution/ 3Triggs, Teal. “Scissors and Glue.” Oxford University Journals of Design History, 2006, HYPERLINK "http://www.jdh.oxfordjournals.org/cgi/content/abstract/19/1/69" http://www.jdh.oxfordjournals.org/cgi/content/abstract/19/1/69 4 Pomoni, Christina. “How the DIY ethic of punk rock influenced indie record labels.” February 28, 2009, HYPERLINK "http://www.associatedcontent.com/article/1521552/how_the_diy_ethic_of_punk_rock_influenced.html?cat=33" http://www.associatedcontent.com/article/1521552/how_the_diy_ethic_of_punk_rock_influenced.html?cat=33 5Heller, Steven. “Putting the punk in DIY:an interview with John Holstrom.” AIGA, August 9, 2005, HYPERLINK "http://www.aigi.org/content.cfn/putting-the-punk-in-diy-an-interview-with-john-holstrom" http://www.aigi.org/content.cfn/putting-the-punk-in-diy-an-interview-with-john-holstrom

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