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Suicide in literature essay
Essay on suicidal ideation
Essay on suicidal ideation
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Essay #1 The Shell of Despair When I was an adolescent, perhaps four or five years of age, I came face to face with despair. At the time, I did not know this would be the closest encounter I would have with it, but I did know I was meeting it. I had a friend from preschool who was my best friend. She lived in my neighborhood and we would always play together. Then one day she called me and I was expecting a happy voice if I anted to come over. Instead I heard a confused, puzzle voice coming through the phone. To quote her verbatim, she said, “Andrew, I think my cousin is dead. My parents said he committed suicide.” Neither of us knew what that meant, nor was it explained to us. So I went over her house and her father asked me if I wanted to go with them. I could tell he was very sad because usually he was an absolute lunatic…the good kind. So I went with them, knowing I could offer some consolation in the form of happiness. We went to the house, and in the car ride, we learned the definition of suicide. The act of killing yourself defines suicide. So, we drove silently and glumly to the house. Instantly, I saw bright colors, almost like someone dropped neon paint everywhere. Grass as green as a granny smith apple lay in front of me, opening up to a large hill. At the peak of the hill, a sunflower colored house perched, almost like a yellow canary perches on a branch. The walkway, of course, was a bright red, almost hot pink. A swing set stood in the backyard with blue swings. There in the back, hanging from a tree, was an unused climbing rope. I saw my friend’s dad point to the rope and the mother gasped, tears flew down her cheeks. It was an odd state for me to be in, especially as a young child. I walked into the bright house ... ... middle of paper ... ...han the north. Despair is shown throughout the poem in both the morbid sense of the poem, and also the deeper meaning of the poem. The last two lines capture this perfectly. For if “Love is a naked shadow on a gnarled and naked tree”, then love must be lost when the soul of a human is lost. In both the painting and the poem, a human soul is expressed to be lost through a lynching. Through their works, both artists tell a tale of a lynching and how it had broken the heart of “the people who were reluctant to leave”. It also showed how through the loss of a loved one, abandonment was a mutual feeling felt, for none can qualm the ache of despair. Together, in both the poem and the painting, despair was shown as a cold soul, clinging on to all that let it in. For without the shell of an empty human being, despair could not strut around, pretending to be a human being.
Authors use many different types of imagery in order to better portray their point of view to a reader. This imagery can depict many different things and often enhances the reader’s ability to picture what is occurring in a literary work, and therefore is more able to connect to the writing. An example of imagery used to enhance the quality of a story can be found in Leyvik Yehoash’s poem “Lynching.” In this poem, the imagery that repeatably appears is related to the body of the person who was lynched, and the various ways to describe different parts of his person. The repetition of these description serves as a textual echo, and the variation in description over the course of the poem helps to portray the events that occurred and their importance from the author to the reader. The repeated anatomic imagery and vivid description of various body parts is a textual echo used by Leyvik Yehoash and helps make his poem more powerful and effective for the reader and expand on its message about the hardship for African Americans living
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
When I was twelve years old, a close friend of mine passed away. At first, I didn’t know how to process what was happening. How can someone I’ve known for the majority of my life be gone? But then it finally hit me. My friend was really gone. There would be no more days challenging
Death, despair, and revenge, these three words form a treacherous triangle to any reader who dare enter the mind of Edgar Allen Poe. In many of his works these expressions seem to form a reoccurring theme. Comparing the works "The Mask of the Red Death" and "The Cask of Amontillado", we will discuss these themes while analyzing the method behind Poe’s madness.
When first approaching this work, one feels immediately attracted to its sense of wonder and awe. The bright colors used in the sun draws a viewer in, but the astonishment, fascination, and emotion depicted in the expression on the young woman keeps them intrigued in the painting. It reaches out to those who have worked hard in their life and who look forward to a better future. Even a small event such as a song of a lark gives them hope that there will be a better tomorrow, a thought that can be seen though the countenance by this girl. Although just a collection of oils on a canvas, she is someone who reaches out to people and inspires them to appreciate the small things that, even if only for a short moment, can make the road ahead seem brighter.
I will discuss the similarities by which these poems explore themes of death and violence through the language, structure and imagery used. In some of the poems I will explore the characters’ motivation for targeting their anger and need to kill towards individuals they know personally whereas others take out their frustration on innocent strangers. On the other hand, the remaining poems I will consider view death in a completely different way by exploring the raw emotions that come with losing a loved one.
The last poem “The Fish” illustrates the sorrow of life itself. The skin, the blood, the entrails, everything of the fish depicts vividly and dramatically. The poet seems to share the same pain with the fish observing the scene and enjoys the detail just like enjoying an artwork. The poet lets the fish go because she is totally touched by the process between life and death; she loves life but meanwhile, is deeply hurt by the life. In the poem, the fish has no fear towards her; the desire to life is in the moving and tragic details when faces the
An elegance in word choice that evokes a vivid image. It would take a quite a bit of this essay to completely analyze this essay, so to break it down very briefly. It portrays a positive image of blackness as opposed to darkness and the color black normally being connected with evil, sorrow, and negativity. The poem as a whole connects blackness with positivity through its use of intricate, beautiful words and images.
As the first poem in the book it sums up the primary focus of the works in its exploration of loss, grieving, and recovery. The questions posed about the nature of God become recurring themes in the following sections, especially One and Four. The symbolism includes the image of earthly possessions sprawled out like gangly dolls, a reference possibly meant to bring about a sense of nostalgia which this poem does quite well. The final lines cement the message that this is about loss and life, the idea that once something is lost, it can no longer belong to anyone anymore brings a sense...
Death can both be a painful and serious topic, but in the hands of the right poet it can be so natural and eloquently put together. This is the case in The Sleeper by Edgar Allan Poe, as tackles the topic of death in an uncanny way. This poem is important, because it may be about the poet’s feelings towards his mother’s death, as well as a person who is coming to terms with a loved ones passing. In the poem, Poe presents a speaker who uses various literary devices such as couplet, end-stopped line, alliteration, image, consonance, and apostrophe to dramatize coming to terms with the death of a loved one.
This painting has deviated from the standard Renaissance model in that it goes beyond depicting subjects and scene, and employs exaggerated form, color emphasis, abnormal planar depiction, and visual directionality. The aspects of this painting have become the embodiment of the story told and the characters there held. The artist has used various techniques of color, line, and juxtaposition in order to portray an idea which supersedes the sum of its parts, and thereby leads the viewer through a thought.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
The idea of losing a loved is a powerful emotion and one that virtually every person can relate to. It was with this concept in mind that Edgar Allan Poe crafted his classic narrative poem “The Raven.” For some, poetry acts as a means to express different ideals, either social, intellectual, or philosophical. For Edgar Allan Poe, poetry was at its best when it conveyed beauty through the expression of simple yet powerful emotion. In Poe’s mind, there was no purer manifestation of poetic beauty than the deep emotion felt from the loss of a beloved woman. Is with this in mind the Poe employs setting, tone, and symbolism to relate the powerful emotion of never-ending despair to connect with his audience in the classic poem “The Raven.”
Two years and four months ago I died. A terrible condition struck me, and I was unable to do anything about it. In a matter of less than a year, it crushed down all of my hopes and dreams. This condition was the death of my mother. Even today, when I talk about it, I burst into tears because I feel as though it was yesterday. I desperately tried to forget, and that meant living in denial about what had happened. I never wanted to speak about it whenever anyone would ask me how I felt. To lose my Mom meant losing my life. I felt I died with her. Many times I wished I had given up, but I knew it would break the promise we made years before she passed away. Therefore, I came back from the dead determined and more spirited than before.
On the day my father died, I remember walking home from school with my cousin on a November fall day, feeling the falling leaves dropping off the trees, hitting my cold bare face. Walking into the house, I could feel the tension and knew that something had happened by the look on my grandmother’s face. As I started to head to the refrigerator, my mother told me to come, and she said that we were going to take a trip to the hospital.