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Influence of Shakespeare on modern culture
The effects of sound in the tempest
Influence of Shakespeare on modern culture
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There are many benefits as to why plays are used to deliver entertainment rather than an author just writing their story on paper. A play pleases visual and auditory senses, while still delivering an entertaining storyline. Words on a page are simply no match for a play with the “extras” that come into the making of a play. Quoted to for his plays he wrote Ben Jonson said about William Shakespeare, “Soule of the Age! The applause! delight! The wonder of our stage!” William Shakespeare is one of the most influential playwrights to have ever existed. He was aware of what could be done on stage through his plays and the different roles that the effects of sound could have in his plays. This is specifically shown in Shakespeare’s play The Tempest. In The Tempest the different sounds that are featured throughout the play have a role of their own. Several different sounds are included throughout the play, including thunder, music, and several sounds that are made by the spirit Ariel. The many sounds in Shakespeare’s The Tempest are included to guide the completion of Prospero’s plan of forgiving his enemies. Although the sounds may seem at first as only to be extra text Shakespeare included in his play, with a further in depth look the magnitude of their role can be seen.
The most evident of sounds that is seen in the play, happens to be the first text seen in the play. The play opens up with the stage directions, “On a ship at sea: a tempestuous noise of thunder and lightning heard” (I.i.1-2). This was not just filler to start off the play. Shakespeare had a specific purpose as to why he starts off The Tempest in this way. The sound of the thunder in this case literally sets the scene for the entire play. This sound may be arguably...
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...tage performances and great number of plays of Shakespeare that are read, one needs to remember to use their imagination while reading Shakespeare. As Mitchell writes in her explanation of Shakespeare’s many sounds throughout his many plays, “Since sound effects contribute to emotional impact, it is useful to interpret them correctly” (Mitchell 127).
It may be possible to argue that The Tempest by William Shakespeare, should add the character “sound” into the lead role. The influence that the various sounds have throughout the play truly alter the characters paths and cause them to fall deeply into the plan of Prospero. Without sound, the plot of Prospero could not have been completed. William Shakespeare incorporated sound perfectly, again proving his genius as a playwright and giving anyone who reads or watches the play and witty and entertaining plot.
The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
The Globe Theater, home of many of William Shakespeare’s plays became exciting to watch and hear. Shakespeare’s plays will forever be heard from generation to generation. People would come from all over to watch his creative side from costumes to props and his actors. Shakespeare’s writing will always influence writers to write great poems and plays.
The ability of an author to capture the interest of the audience has and will always be an important factor in the art of storytelling and even the expression of research or related material. When an author is able to seize the attention of any partaking of their work, curiosity will develop which will lead to the wonder of what the conclusion my bring about. Not only is it important to snatch the audience’s attention in the beginning, it is necessary to hold it prisoner throughout the tale. Authors do this by having an interesting plot development in which many unexpected details come into play and the course of the story is thrown from the norm and into the conflict. Shakespeare was a master of this art in the work he produced throughout his life and was able to create stories of humor and those of tragedy. For example, his play King Lear is a terrible tragedy in which many awful things take place and the story ends by disastrous means. While in the play Much Ado About Nothing, very little conflict is present and if it is, it is resolved quickly and the play concludes with the joyfulness of marriage nuptials. His ability to develop plot and story in a way in which the audience who love to devour, Shakespeare will in a way immortalize himself, “Shakespeare proved himself to be both the "soul of the age" his works reflected and adorned and the consummate symbol of the artist whose poetic visions transcend their local habitation and become, in some mysterious way, contemporaneous with ‘all time.’” (Andrews) As stated, Shakespeare went beyond his time and created traditions, symbols, sayings, and even stories that people today will remember forever. King Lear and Much Ado About Nothing are each examples of Shakespeare's detailed ...
When a play is presented on film, the director takes the script, and with poetic license, interprets it. A film not only contains the actual words of the author (in this case Shakespeare), but it includes action, acting, and cinematographic techniques; the three are used to better portray the author’s story. Using these elements, the director’s interpretation of the plot is reinforced. The film provides symbolic images and a visual interpretation, hence Shakespeare’s play “Macbeth” is better understood by the viewers.
John Wilders' lecture on The Tempest given at Oxford University - Worcester College - August 4th, 1999.
Shakespeare to create a lot of contrasts and moods, as and when he wants to.
Shakespeare, William. The Tempest. The Norton Shakespeare. Ed. Greenblatt, Stephen. New York: W.W. Norton & Co. Inc., 1997.
In the tragedy Othello Shakespeare uses imagery to talk between the lines, to set moods, to create a more dramatic impact on the mind of the audience, and for other reasons. Let’s consider the types and impact of imagery.
Macbeth, the shortest and perhaps darkest play by Shakespeare, is a tale of over-riding ambition, human nature, and supernatural meddling. Macbeth is the main character in the play, and although he begins the story a loyal subject and brave hero, the power bestowed on him poisens and corrupts him until he eventually turns evil and seeks more, to his downfall. As the central figure of the play, Macbeth sets in motion a sequence of events that brings about the destruction and eventual rebirth of Scotland, giving the play an essentially dark tone. There are, however, varying degrees of evil, subtly different in texture and context. One way Shakespeare indicates the styles of evil throughout the play Macbeth is through the use of sounds. Sounds in the play fall under four categories: nature, man-made, the sounds of battle, and human cries.
Shakespeare’s plays are a product of the Elizabethan theatrical context in which they were first performed. A lot of pressure was put on Shakespeare as he wrote his plays because he was not allowed to upset the royal family. His style would have been different than others in those times and a lot more thought has gone into his writing than people listening would think. Usually, the audience take for granted the cleverness and thought of Shakespeare’s writing, however, now we have studied and gone into great detail about Shakespeare’s writing, we can appreciate it more than they did:
Shakespeare, William. The Tempest. The Norton Shakespeare: Based on the Oxford Edition. Ed. Stephen Greenblatt, Walter Cohen, Jean E. Howard and Katharine Eisaman Maus. New York: W.W. Norton and Company, 1997. 3055-3107.
Shakespeare has created stories that are so powerful, emotional, comedic, tragic and romantic that they are still continuously remembered and studied in the modern era. Though the essence of his talents does not lie in the simple themes behind his plays, but more so in
The Tempest by Shakespeare and A Tempest by Cesaire both bring attention to the themes that are seen in present day society. A Tempest mostly speaks on behalf of the reference to Malcolm X and the never-ending gain of freedom for both Caliban and Ariel and brings in Eshu, who is a black-devil god. The Tempest speaks of the unity and justice among the different classes of people and discrimination from the beginning. There is a great amount of detail in both stories that is useful. The way society had developed and worked when both stories were published and even written is presented in today’s world, even though it’s not exact references, it still leaves plenty of room for interpretation. Justice, freedom from oppression and discrimination
Long, John H. Shakespeare's Use of Music: A Study of the Music and its Performance in the Original Production of Seven Comedies. Gainesville: U of Florida P, 1961. HSU ML8O.55.L7
Compared to plays written for public playhouses, The Tempest offers a unique emphasis on music. Hiring extra musicians, along with the time constraints usually resulted in small attention given to this area (Long 95). Given the large degree of detail allotted to music in the play, it is believed the audience to have been upper class, however, music of The Tempest serves a variety of functions beyond that of mere entertainment. By exploring the evidence provided in The Tempest, we can reveal some of these functions that music serves in the play.