In chapter 5 of Frankenstein, Victor has just finished his creation, with seemingly great regret. To begin with, the use of pathetic fallacy allows the readers to gain definite expectations.
“It was on the dreary night of November...”
The fact that this particular scene is set during November, a wintery, cold, dark season, makes it obvious that Mary Shelley is trying to create a chilling atmosphere in order to get the readers to know that an abominable event is bound to happen, creating a Gothic foundation for the rest of the chapter. This way, it fuels the intensity of the climax, which is when the creature finally comes to life. Beforehand, Victor seems to acquire mixed-emotions about his achievement. He calls the creature an “accomplishment” which may suggest his realization that he has reached his objective (to create life from the dead). Nonetheless, he still knows that what he has done is wrong by calling his work “toils”, a word used to define troublesome events. Correspondingly, his description of the creature appears to alter from positive to negative, as if he is constantly overcome by the joy of succeeding his goal (Romanticism), blinding him from the horrific image.
“...his hair was lustrous black...teeth of pearly whiteness...”
On the contrary, he describes the creature having “dull yellow eyes”; the negative use of the word “dull” defines the fact that, to Victor, the creature is the exact picture of death, a person with no identity. There is also his use of sarcasm, as if he is sensing his changing feelings; he stated that:
“...his features are beautiful...”
But soon adding, “Beautiful—Great God!” this may be clarifying that he cannot believe what he just said or maybe even the fact that he just used God, a g...
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...an, therefore, saying that the creature is from the depths of hell, an evil spirit which Victor is trying to avoid. Thus, it is being gothic. Besides that, Mary’s decision on choosing a Coleridge poem may be due to the fact that he is known for creating poems related to purgatory. The definition of Purgatory is when a soul is made ready for heaven, which means that it is neither in heaven nor in hell. This shows the exact state of the creature, he is neither dead nor alive; he is in a limbo between two worlds. Generally, the use of language creates horror by using excessive amounts of vicious words and phrases to describe the monster as well as Victor, allowing the reader to acknowledge that fact that nothing good is going to result from this event, and also the fact that it is humankind that creates the “monster” within the creature (Victor’s abortional attitude).
At first, Victor believes himself superior to nature, and he builds a creature to prove his dominance. After gathering the information and materials needed to create life, Victor begins to fantasize about what he is about to do. He sees “life and death [as] ideal bounds, which [he] should first break through, and pour a torrent of light into [their] dark world. A new species would bless [him] as its creator and source, many happy and excellent natures would owe their being to [him]” (Shelley 55). Life and death are natural things, but Victor thinks that he can “break through” them and create life. He alone would be the person to “pour a torrent of light into their dark world,” as if he was God, ruling over all of the world. This shows Victor’s lack of respect towards life and how he intends to overcome the boundaries set by nature. Unlike the Romantic who revered and honored nature, Victor wants to use it for his own gain. He expects “happy” and “excellent natures” to obey him, and he doesn’t dwell upon the consequences of his actions. His outlook changes after the Creature comes to life. As Victor stares into the watery, lifeless eyes of his creature, he finally realizes his mistake in trying to disrupt the natural order of the world. Scared by the outcome of his actions, Victor attempts to run away and find comfort in nature. He travels to the Arve Ravine, where “the
At the beginning or the story, Victor lives in ecstasy, reveling in life’s every joy. Desolation and darkness no doubt had minor roles in his life, but these were glanced over in an instant, as Victor was remembering the times as good and perfect. The harsh dichotomy of this perspective and the perspective he maintained for the majority of the novel after the creation of the creature is stunning. After, he saw the world as always filled with darkness and loneliness. He even stated that he almost caught himself feeling happiness at one point and stopped himself. This distortion that the world became a fruitless wasteland is simply untrue, but it sheds light on how totally our feeling twist our perception of the world. By shoeing the polar opposites, the novel further emphasizes how our outlook on life shapes what we see in the world around us, for better or for
This was Victor's response to the reaching out of the monster towards Victor on the night of his creation. Victor, who for months had worked on this creation, was suddenly confronted with the results of his scientific pursuit. He had labored night and day in an effort to do something that had never been done by man before. He had figured out the scientific way to bring life to that which was dead, so he blindly went forth and did it. He never really stopped to think what the consequences of his action might be. He knows that the creature he is making is ugly, but he never wonders what will happen to the creature after he is brought to life as a result of that ugliness. The monster is made oversized so it's easier for Victor to work on him, yet no thought is taken about how the creature might feel about such a form.
On the other hand, he never takes a gander at the general appearance of his creation until the creature is enlivened. At the present time he sees the repulsive creature he has made, Victor is dismayed. Victor 's response is finished when he doesn 't assume liability for the creature that he has made. He values physical appearance more than inside excellence, so he tries to disregard the creature and proceed onward with his life. Shelley, nonetheless, needs to create an impression about society when all is said in done, so she lets the reader get inside the beast’s head in a section. In this section the reader sees the beast battle to discover who he is, in this way creating sensitivity for him. The reader can now look inside appearance and see the error that Victor is making. The main path for Shelley to finish this articulation about society is for the beast to be dismisses by the family he tries to get to know. The friendship the beast needs, he is denied, and left to escape for the mountains. Shelley 's capacity to put the reader into the beast 's head and her depiction of Victor 's conclusion of "excellence", put forth her expression on society become animated. Never judge a man, and so on by its outside appearance, it is just within that
The Creature, after learning what it is to love, requests that Victor creates a companion for him. Victor rejects the creature’s proposition, as Victor now understands the consequences of animating what shouldn't be alive, the Creature wants nothing more than for Victor to suffer, to feel the pain that he, as a wretch, faces. The Creature does so by devoting his life to the destruction of Victor’s. In chapter 24, the Creature states “But it is even so; the fallen angel becomes the malignant devil.” The creature is viewed as entirely evil by the characters of the novel, despite the scenes in which his benevolent nature is shown. It is ironic that Victor and his creature are foils of one another, yet they suffer a similar fate: their desire to destroy one another led to their ultimate
Romanticism deals with duality through everything, the moon and sun, heaven and hell, and good and evil. The Creature and Victor throughout the story are perfect dual characters that mirror each other. Victor is stripped of all his loved ones by the Creature and the Creature loses his loved ones (the cottagers). They are also thought of as evil, but have good intentions at heart. Romantic examples flood this novel and make it intriguing for scholars even today because of its remarkable ability to give subtle nods to things that strike our inner most emotions.
Furthermore, Victor had a vision to create life out of death but didn’t fully comprehend his outcome then when the results came in then it was too late to destroy the atrocity he has made, he ran away from his creation and hid under his blanket as a victim instead of the criminal. In fact, Victor should’ve made it his main duty to take the responsibility as the creator of a benevolent being, but he ostracized his own creation and ran away like he had done to many of his problems throughout the story. Instead, Victor claimed himself a victim and personified the creature as a manipulative, murderous monster that was in evil entity and had a soul black as the vast night. For example, Victor mentioned to Captain Walton near the end of the story that the monster needed to be stopped and his actions will cause chaos in the world of man if Walton were to step down from Victor’s request to eliminate the monster before he were to murder again. Yet, the monster was in a constant circle of injustice from his own creator, Victor Frankenstein, from being abandoned to being characterized as a villain without being given the voice and care he needed to in order to change his path of violence into the generosity of a cordial
I believe that Victor and the creature are both right about what they want and yet monstrous in their reactions. Victor is right about what he wants; one reason is because he is very committed to his work and in creating life for his creature. On the other hand he is evil because he abandoned the creature and left him on his own: "I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited" (Shelley 57). Shelley shows Victor's monstrous reaction to the creature in the way that he abandoned the creature to his own luck and he shows no responsibility for him.
First, Before the monster is created Victor says that he hopes this creation would bless him as his creator, and that the creature would be excellent nature and would be beautiful. After the creature is created Shelley creates sympathy for him by Victor’s description of him in a unique yet horrific way, “he’s ‘gigantic,” “deformed,” “yellow skin scarcely covered the work of muscles and arteries beneath” this makes the creature abhorrent to typical humans. When thinking of the descriptions together, Shelley has created a vivid, unnatural image of the monster in the mind’s eyes. The language Shelley uses is powerful and emotive “shall I create another like yourself, whose joints wickedness
When Victor died, the monster wept over his body. “‘But soon,’ he cried with sad and solemn enthusiasm, ‘I shall die, and what I now feel be no longer felt. Soon these burning miseries will be extinct,’” (277). This quote from the monster exhibits the void he felt after Victor died. The realization that his creator is dead becomes too much to bear for him, so he proclaims that he will die. This is symbolic to Mary Shelley’s real life.
As a romantic novel Victor is responsible, because he abandoned his creation. As an archetype novel, Victor is the villain, because he was trying to play god. Finally, Victor as a Gothic novel, Victor is at fault, because, he and the creature are two different parts of the same person. If Frankenstein is looked at as a romantic novel, Victor, not the creature, is truly the villain. When Victor created the creature, he didn't take responsibility for it. He abandoned it, and left it to fend for itself. It is unfair to bring something into the world, and then not teach it how to survive. The creature was miserable, and just wanted a friend or someone to talk to. On page 115, the creature said, "Hateful day when I received life! Accursed the creator. Why did you form a monster so hideous that even you turned from me in disgust." This line shows the agony the monster was in, because of how he looked when he was created which led to even Victor running away from him. If Victor didn't run, he could have taught the monster and made his life happy. After the creature scared the cottagers away he said, "I continued for the remainder of the day in my hovel in a state of utter ...
In Shelley?s Frankenstein, Victor brings a monster to life, only to abandon it out of fear and horror. ? gThe beauty of the dream had vanished, and breathless horror and disgust filled my heart? (Shelley, 35). The reader must question the ethics of Victor. After all, he did bring this creature upon himself.
Victor had created the creature with the vision from his dreams of a strong, tall perfect being with no flaws. His years of study with the unnatural and science had come to this final conclusion and masterful idea that he was determined to finish. To his surprise, he had created the opposite, “For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” (Shelley 35) Victor is saddened by what he thinks of as a failure. He leaves his own apartment to go sleep in his court yard outside following his creation. He begins to isolate himself from the creature because of his fear of the creature’s outward appearance. He loses all hope for the creature without even learning anything about him. The fact that Shelley begins to refer to the being that Victor created as a “creature” shows Victor’s ignorance and lack of acceptance. It is Victor’s prejudice that blinds him of the creature’s true potential due to the unwanted preconception that follows the creature as he finds meaning in
In the first half of the novel Frankenstein, Victor Frankenstein is the narrator telling his story. Victor tells how he spends night and day for nearly two years working nonstop on his creation. After all his effort and constant dedication, he is only found disappointed in his creation once finished (Britton 5). “How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavored to form?” says Victor (Shelley 55). All of Victor’s hard work was of waste. He has abandoned his health, family, and social life working on creating this monster to only be left shameful (Prince 2). Victor states “For this I had deprived myself of rest and health. I had desired it with an ardor that far exceeded moderation; but now that I have finished, the beauty of that dream vanished, and breathless horror and disgust filled my heart” (Shelley 42). He is so disgusted with his work, that he does not even want his best friend Henry Clerval to know about his creation that went wrong. He shrieks at the thought of Henry even finding the least bit about this disaster (Shelley 58). Upon entering Victor’s apartment, Victor makes Henry wait downstairs while Victor searches his apartment to make sure the wretch he ...
Although “Frankenstein” is the story of Victor and his monster, Walton is the most reliable narrator throughout the novel. However, like most narrator’s, even his retelling of Victor’s story is skewed by prejudice and favoritism of the scientist’s point of view. Yet this could be attributed to the only view points he ever gets to truly hear are from Victor himself and not the monster that he only gets to meet after he comes to mourn his fallen master.