Senses are primarily emphasized and are seen throughout the first section of the poem. Although the "blind" (1) visitor is first seen as dependent and "holding the arm of his helper" (1), Ruark emphasizes that the blind man's lack of sight is not a hindrance: he is a "piano tuner" (2), which seemingly requires sight. Ruark has already produced an oxymoron, capturing the interest of the reader, while simultaneously illustrating that the blind man has overcome an obstacle. The similar sounds and location of blind and "finds" (3) illustrate likewise that the blind man is not impaired and that he can still function without sight. Moreover, while the blind man "hesitates" (3) at first, once he locates the keyboard, his hands "glide" (4) over the piano keys. Ruark emphasizes that the man is fluidly, confidently, and masterfully touching the piano k...
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...piness through the use of his other senses. At the conclusion of this poem, I felt as if the narrator had gone through a small journey, in which he developed his own senses and is now in control of them. The comparison between blindness and lucidity at the beginning and end of the poem also reverberates within me as a simplified example of how the narrator changed over time, essentially making me feel fulfilled and satisfied at the end of the poem.
At the conclusion of the poem, the narrator is finally aware of his other senses and does not merely rely on sight. Through this new-found awareness, Ruark forms a feeling of satisfaction within the reader, and through this feeling, he emphasizes that solely relying on the sense of sight is comparable to being blind and that once the other senses are utilized and developed as well, only then can happiness be achieved.
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