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As Irving Howe once observed, “The knowledge that makes us cherish innocence makes innocence unattainable.” In a dynamic society, innocence evades even the youngest members of our world; it evades even the nonexistent members of our world. J.D. Salinger explores this elusive innocence in his short story, "A Perfect Day for Bananafish." Distinct similarities appear between the main character, Seymour Glass, and Salinger including the World War II experience and attraction for younger, more innocent people (Salerno). Salinger conveys this through Seymour’s preference of a young girl’s company over his own wife's company. Throughout the story, “Salinger constantly draws attention to himself and his precocious intellect” (Daniel Moran). “A Perfect Day for Bananafish” revolves around an army veteran post-World War II who visits a beach resort with his wife but spends more time there with the young Sybil Carpenter. Using a historical context of World War II and portrayal of many different characters, Salinger effectively depicts the story of a man in a desperate search for innocence. In “A Perfect Day for Bananafish,” J.D. Salinger uses symbolism and figurative language to stress the concept of unattainable innocence.
The symbolism in “A Perfect Day for Bananafish” allowed Salinger to communicate his main theme. One of the most prominent symbols, the colour blue, implies both innocence and depression. In the story, the constant appearance of blue supports Seymour Glass’s search for innocence. For example, Seymour remarks, “That’s a fine blue bathing suit you have on. If there’s one thing I like, it’s a blue bathing suit" (Salinger). However, Sybil’s bathing suit is yellow, and she proceeds to correct him. This seemingly impossible mist...
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Moran, Daniel. “Critical Essay on ‘A Perfect Day for Bananafish.’” Short Stories for Students. Ed. David A. Galens. Vol. 17. Detroit: Gale, 2003. Literature Resource Center. Web. 21 Jan. 2014.
Salerno, Shane, dir. Salinger. American Masters. PBS, 3 Sept. 2013. Web. 6 Mar. 2014. .
Salinger, J. D. A Perfect Day for Bananafish. 1948. Nine Stories. N.p.: n.p., n.d. N. pag. American Heritage School. Web. 21 Jan. 2014. .
Wallace, Carey. “Critical Essay on ‘A Perfect Day for Bananafish.’” Short Stories for Students. Ed. David A. Galens. Vol. 17. Detroit: Gale, 2003. Literature Resource Center. Web. 21 Jan. 2014.
Back in 1990, a man named Gary Soto decided to write an autobiography about himself, titled A Summer Life. One of the more interesting portions of the book was when Mr. Soto described a summer day back when he was six years old. On that day, young Gary found out what it felt like to be a true sinner, as he stole an apple pie from the local bakery. Some readers found this as one of the more interesting parts, not because of the plot, but because of the literary devices used, such as detail, imagery, and pacing. The three aforementioned literary devices are almost a backbone to the story, because without those three, the story would be shortened and fairly bland. The following three paragraphs will each describe a literary devices used by Mr. Soto to enhance the quality of his story.
Salinger, J.D. The Catcher in the Rye. New York: Little, Brown, and Company, 1991. Print.
Salinger, J. D. The Catcher in the Rye. Boston: Little, Brown and Company, 1991. Print.
Salinger, J.D. The Catcher in the Rye. New York: Little, Brown and Company, 1991. Print.
Salinger, J. D.. The Catcher in the Rye. [1st ed. Boston: Little, Brown, 19511945. Print.
Bishop's initial description of the fish is meant to further develop this theme by presenting the reader with a fish that is "battered," "venerable," and "homely." Bishop compares the fish to "ancient wallpaper." Even without the word ancient preceding it, the general conception of wallpaper is something that fades into the background. One is not supposed to take much notice of it. To add to this impartial picture, the fish is brown, the signature color of dullness. "Shapes like full-blown roses stained and lost through age" (lines 14-15) further cement the image of something with little time left. Fully bloomed roses conjure the image of a flower whose petals are at t...
Wildermuth, April. "Nonconformism in the Works of J.D. Salinger." 1997 Brighton High School. 24 November 2002.
Salinger, J. D.. The Catcher in the Rye. [1st ed. Boston: Little, Brown, 19511945. Print.
Roemer, Danielle M. "The Personal Narrative and Salinger's Catcher in the Rye". Western Folklore 51 (1992): 5-10.
Goodman, Anne L. "Mad About the Children." Critical Essays on Salinger's The Catcher in the Rye. Joel Salzberg. Boston, Massachusetts: G.K. Hall & Co., 1990. 23-24.
J.D. Salinger recently pasted away at the age of 91. With his passing, several people speculate he left behind a treasure of completed novels and short stories involving their beloved characters. A person with a gift of writing that Salinger processed would not give up writing even though he stop publishing his stories. Salinger used writing as a way of expressing his ideas and feelings. Also he took his life experiences and inserted them into his stories making them entertaining for the readers but at at the same time provided a glimpse into what he experienced. Possibly with the discovery of new stories , Salinger's fans can get a greater understanding of his life because as he stated in a interview, “It's all in the books, all you have to do is read them.”
Salinger, J. D. "A Perfect Day for Bananafish." Nine Stories. 3-9. Excerpt from Nine Stories. PDF file. http://materlakes.enschool.org/ourpages/auto/2013/2/25/50973306/Nine_Stories_by_J_D__Salinger.pdf
"A Perfect Day for Bananafish" is set during post-World War II at a beach resort in Florida, U.S . To summarize, Seymour, a clearly disturbed war veteran, has taken his wife to the beach where the two had vacationed before the war. At the beach, Seymour meets and becomes fascinated with Sybil, a little girl who he enlists to help him search for a made up "bananafish". "Salinger appears to have an inherent understanding of dramatic technique, and he is able to integrate this into his writing of short stories" (Shurman). The story's structure is similar to the flow of a play with on-point dialogue and moments of rising intensity. Throughout the short story, "A Perfect Day for Bananafish", J.D. Salinger effectively develops the themes of loneliness, uncertainty and pain in a difficult situation by using symbolism, foreshadowing, and mood. As the story unfolds, ...
He cleverly disguises his suicide farewell in the story. Seymour claims that BananaFish are fish that eat bananas in a hole, in which they get stuck in, and eventually die. He states that this is a deadly disease known as Banana Fever. Seymour Glass is a BananaFish as the story can be interpreted as war and the loss of innocence. Soldiers go into the war and kill and kill and kill, and they cannot get their mind off of the acts that they committed and eventually die; mentally, emotionally, and spiritually. The soldiers are the BananaFish, the war is the hole that they cannot get out of, the bananas are experiences that weigh a soldier down, and Banana Fever is Post-Traumatic Stress Disorder. He explained to a child in a metaphor of what he went through and is continuing to go through. Seymour Glass’s thinking is that all BananaFish are doomed to death, just as all soldiers are doomed to go crazy. But, when he says, “This is a perfect day for BananaFish,” (Salinger 8) he is saying that it is the perfect day to die. And that is exactly what happens, as he kills himself later that
Wallace, Daniel. Big Fish: A Novel of Mythic Proportions. North Carolina: Algonquin Books of Chapel Hill, 2012. N. pag. Print.