The Western Subjectivity Thought Since modern times subjectivity thought has been one of the fundamental contents and the significant achievements of western philosophy. It is faced with many difficulties in its development process and has been declared to "have died", but I think that it indeed still has bright prospects of development. 1. Historical Development of Western Subjectivity Thought The word "subject" comes from the Latin word " subjectum ", which means something in front,
Exploring Subjectivity in Teaching Philosophy ABSTRACT: In the teaching of philosophy, we need to be connect with everyday life. Students in introductory courses can be more motivated when philosophical problems have personal significance. Take the topic of 'selfhood.' Introductory textbooks generally begin with the oracle at Delphi: "Know thyself!" But this motto is usually treated as the search for general knowledge of the individual or of human nature. Is it possible for a student to acquire
Subjectivity in Edith Wharton's The House of Mirth Edith Wharton's The House of Mirth presents an interesting study of the social construction of subjectivity. The Victorian society which Wharton's characters inhabit is defined by a rigid structure of morals and manners in which one's identity is determined by apparent conformity with or transgression of social norms. What is conspicuous about this brand of social identification is its decidedly linguistic nature. In this context, behaviors
Feminine Subjectivity The oppressed, repressed, and impressed subjectivity of feminism finds a new opportunity to assert its true self against the stultifying atmosphere of modernism and identity-oriented crisis of postmodern ambience by appealing to the unique characterization of Anna Livia Plurabelle which frequently oscillates phallocentrism and proves the me'connaissance of male selfism and female-otherness to establish a new doctrine based on the fact that the male subjectivity as a desceptionary
Other Subjectivity in Eudora Welty's The Golden Apples The language, meaning, and otherworldliness of Eudora Welty's The Golden Apples, like the golden apples in Yeats' Song of the Wandering Aengus, invite yet often defy grasping. Gratefully, Lowry Pei has offered an informed and lucid perception of this collection, enabling readers to gain that much more ground towards achieving a valuable understanding of the stories, individually and as a whole. Pei states initially that with The Golden
capable of safeguarding the development of subjectivity and freedom. Language does this in a twofold manner: on the one hand, it is an action that does not phenomenally alter being, but that has the capacity of altering consciousness; on the other hand, language, more particularly written text, is a mode of communication that is delayed, hence that occurs outside the present, i.e. in a different space and a deferred time. As such, it preserves the subjectivity of both writer and reader. The argument
The Character of Safie in Frankenstein Even though she is only mentioned in Mary Shelley's Frankenstein for a relatively brief period, the character, Safie, is very interesting as she is unique from the other characters in that her subjectivity is more clearly dependent on her religion and the culture of her nation. Contrasts can be made between the Orient and the European society which attempts to interpret it. Often, this creates stereotypes such as western feminists that have
while utilitarians believe that the good life is acting for the good of the rest of society. Philosophers, too, have their own interpretation. Plato alludes to the philosopher's good life when he uses the phrase "my greatest pleasure." The inherent subjectivity of the word "my" tells the reader that philosophical conversation may not necessarily be everyone's greatest pleasure. "After all, my greatest pleasure comes from philosophical conversation, even if I'm only a listener, whether or not I think
experience of, nor sufficient justification for inferring, the existence of an independently subsisting self. Buddhists for instance point out that, careful attention to the empirical evidence reveals that all the experiences we have of human subjectivity per se may be characterized in terms of five skandhas or aggregates. These are 1) Form; understood as the Body, including the sense-organs, 2) Feelings and Sensations, 3) Perceptions, 4) Mental Formations (or volitional tendencies) including habits
Descartes is the first thinker who discovers the "cogito sum" as an indubitable and the most certain foundation and thereby liberates philosophy from theology. He is the first subjectivistic thinker in the modern philosophy and he grounds his subjectivity on his epistemology. The orientation of the philosophical problems with Descartes starts from the "ego" (the "subject") because in the modern philosophy the "subject" is given to the knower first and as the only certain thing, i.e., the only
Lily Bart’s Tragic Oscillation in The House of Mirth In his article “Disowning ‘Personality’: Privacy and Subjectivity in The House of Mirth,” William Moddelmog explains that the interaction between Selden and Lily in Selden’s apartment the second time captures “the novel’s drama of subjectivity” (337) This drama exists at the core of Edith Wharton’s novel of upper-class manners and social morality, where a conflicted protagonist presents an amicable appearance in spite of her complex internal
"transitional period"— the immediate consequence of mankind’s intellectual advance, in the preceding period, viz., the Modern or Age of Reason, beyond the Middle Ages, the Age of Belief. With the apotheosis of the development of the principle of subjectivity in Modern philosophy, i.e., with the attainmeUnprioritized— SDO meetingnt of "absolute knowing," or Reason’s "knowing of the absolute," humanity had outgrown its former manner of relating to substance, the divine: — its eyes opened, it could not
subjected to these pressures, in addition to the need to turn a profit, and, therefore, also influence the reporting of the news. Because of these influences, the final product is rarely an objective reporting of the facts. News sources convey their subjectivity, sometimes subtly, other times blatantly, through many methods. Listeners, readers, and viewers of all media should consume all information with a grain of salt. The goal of this paper is to take one single news topic, somehow related to the United
depart from the tradition, but absorbed some of its basic tenets, as his concept of death echoes major elements of Cartesian doubt. 1. The Critique of Subjectivism One of the major features of Heidegger's thinking is his criticism of Cartesian subjectivity. According to Heidegger, in regarding the ego cogito as the guarantor of its own continuing existence and as the basis of all things... ... middle of paper ... ...d: Basil Blackwell, 1980); Abbau can be find Heidegger's Basic Problems of Phenomenology
create humour and tension. The perils of noting incorrectly are portrayed and this leads naturally to the investigation of another major theme, the discrepancy between appearance and reality. Shakespeare uses the problems of illusion, deception and subjectivity of perception to examine the Elizabethan patriarchy, and he shows how adhering to convention can distort the views of society’s leaders. Plot development and comedy in Much Ado rely heavily on the use of noting. The play appears to have a simple
that there have been long-standing suspicions that he was not even familiar with Fichte's writings. It is perhaps ironic, then, that Fichte's writings are as helpful as they are for clarifying Sartre's views, especially his views on subjectivity and inter-subjectivity. Here I want to look closely at a key concept in Fichte's mature writings: the concept of the Anstoss, a concept which Dan Breazeale has called "Fichte's original insight." Fichte introduces the Anstoss, or "check," to explain why the
‘Rashomon’ is produced by the different director and released different year. Nevertheless, both films are related with the historical event, which is the postwar occupation of Japan. I will be using Noel Burch’s concepts “sense of victimization” and ”subjectivity” in the ‘To the distant observer’ to prove how well those films are reflected the situation and how they overcome with the historical event of Japan. Between 1945 and 1952, the situation of postwar occupation and rehabilitation brought big changes
the elaboration of Lonergan's understanding of human freedom. II. Consciousness and Subjectivity What Lonergan wants to propose concerning human freedom cannot be understood apart from his view of the human subject who is free. In many ways, in fact, Lonergan's understanding of freedom, like his cognitional theory and his theological methodology, is simply an application of a more basic theory of subjectivity. In Lonergan's view, while there is a great emphasis on the human subject in contemporary
camera's original 'gaze' comes into play in the very act of filming" (Kaplan 15). The gaze is associated with subjectivity and control and as Kaplan later suggests in the chapter "Is the Gaze Male?", "to own and activate the gaze...is to be in the masculine position" (Kaplan 30). Therefore the visual pleasure in cinema is mainly geared towards a male spectator who maintains subjectivity and a sense of voyeurism, while his female counterpart must be both subject and object, she must see herself being
CHAPTER TWO SUBJECTIVITY AND TRUTH AS BASIS FOR SELF-ACTUALIZATION The Human Subjectivity Existentialist “protest against the dehumanization and depersonalization of man” and “hold on to the subjectivity of man: as the original center, the source of initiative, who has depth, who transcends determinations, the openness and giver of meaning to the world.” Thus, existentialist “stressed on man’s existence, on man as situated” and also, “on man’s freedom.” For Sartre on the other hand, man makes his