Self-identity is singular. The belief in this existence of one’s self, presupposes all our experiences of consciousness. We all hold that this identity is ours alone. I speak of my experiences as experienced by me. I would seem to be talking nonsense , if I referred to myself in the plural or spoke of how the multiplicity of ‘me’s’ experienced an event. Although most will submit to the existence of levels of consciousness, we categorize those people who exhibit distinct personalities as non-ordinary
Masculinity, Femininity and Simone Benmussa’s Singular Life of Albert Nobbs The semiotics of traditional theatrical form reinforce an oppressive patriarchal system. The physical body becomes the catalyst by which gender is assigned and expected. This emphasis on the body is amplified in the theater. Simone Benmussa’s play The Singular Life of Albert Nobbs, adapted from the short story by George Moore, deals with issues of femininity and masculinity and how these are portrayed within the theater
Form and Structure of Absurd Person Singular by Alan Ayckbourn Plays are usually divided into acts and scenes. However in Absurd Person Singular we can clearly see three acts although there is evidently one scene in each act which in itself is a continuous sequence of events. Playwrights often have parallel scenes at different points in a play, or juxtapose two very different scenes to make a point. However Alan Ayckbourn juxtaposes the acts by having each act as the consecutive year therefore
our understanding of the limitations of our physical world. To us the figure is a picture of an impossible situation, because it is not possible within the reality we perceive. However, it can be argued that the figure is possible as a figure of a singular plane object. We are only trying to create an impossible situation when there really is none. But if we chose to claim the figure is meant to be a representative of a three dimensional object then we have to analyze how Wittgenstein would describe
often contradictory, with one passage exploring the inescapable weight of history and heredity on her characters, while the next admires her characters' capacity to resist cultural prescriptions, to exercise agency, to transform themselves, to be "singular." Identity in many Stein texts, especially in The Making of Americans, is, then, a negotiation between cultural prescriptions, biological and historical determinants on the one hand, and self-definition, change, and agency on the other. In this sense
Intertextuality The difference between short stories and novels extends far beyond the obvious, Short stories are often read in a single sitting and can be defined as a brief version of logical events usually revolving about a singular plot. Whilst a novel may retain many of the characteristics of a short story the format builds upon these basic ideas and concepts, expanding on themes and extending the plot and shaping the story through complicated interaction between characters. The process of
understandings based on their prior experiences and information. The idea of a fixed intelligence has given way to a more flexible perception of gradual intellectual development dependent on external stimulation (6) Our intelligence, therefore, is our singular, collective ability to act and react in an everchanging world (1) In my first two web papers I researched two defined disorders, ADHD and Autism, following a train of thought which began with a question: given that the apparent bottom line concerning
integration as this unified and connected series of higher order thinking skills, many people (including teachers) confuse integration with a multidisciplinary approach. Multidisciplinary attempts at teaching thematic units relate individual subjects to singular topic without making connections. For example, during a unit on fish, a teacher could have his or her students read literature about fish and do fish word problems; however, unless the connections of synthesis, analysis, and evaluation are made,
whole stanza to complete the question. The author delays the meaning so long by putting in the description of time and place to create a feeling of distance to the destination. And "thee, thou, thy"--these are all poetic ways of saying "you" in the singular form. In a sense, focusing on a single distinctive "you" with no possibility of it being the plural "you." So, maybe it is more than just poetic diction, but the emphasis of solitude. Seek'st thou the plashy brink Of weedy lake, or marge of river
light and dark. It is of evil and good, concrete and abstract, black and white, planes and curves, stark and subtle. Like the faces of the coin, these opposing forces can never fully merge into the other, yet as separate entities, they make up a singular material which cannot do without one of the two missing. This is Les Miserables, a never ending search for freedom which can only be the fruit of acceptance. This is Les Miserables. The obsessed law man and the saintly criminal. The good who is not
"Frankenstein." Although he was an extremely well educated person, who aspired for nothing more than love and happiness, they would never be his to have. The sole reason the monster was abhorred by all that knew of him was his appearance. This singular feature was the reason he was beaten by Felix, and nearly killed by the man whose daughter he had saved from river. His only curse was ugliness, but was this his fault? It was easy for the daemon to curse his creator, the man who had formed
wishes. The eldest son breaks his leg, the family has to sell or mortgage practically all it's worldly goods, and Jewel risks his life twice in order to get his mother's body to Jefferson. Why has Disney not snatched up the film making rights to this singular testament to Bundren family's love and dedication? The answer, and the source of my discomfort, is that the Bundren family is awful. They are almost completely and totally defunct. The fact that there is next to no mourning following Addie's death
far as education is concerned, however, this attempt to systemize and order something as complex as learning proves futile and detrimental to the basic tenet of enlightenment. The standardization of the learning process proposes a simplified, singular approach to providing education to those who can afford it. Limiting material provided and lessons taught, tests, grading, function to create an easily controlled system. “Education” has been transformed and has come to connote “the transmission
pool. Then again, the men crave for comfort of land and its soothing certain ways. But in between land and sea sky’s a tower that may mean hope and may mean death. Crane symbolizes the nature of waves as he alludes to the nature of human life. "A singular disadvantage of the sea lies in the fact that after successfully surmounting one wave you discover that there is another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats." Life parallels
passionately, trying to convince the majority that their side is right. However, emotion is only one part of deciding who is more persuasive. I offer two examples of disagreements regarding freedom, as proof that freedom is neither tangible, nor a singular idea. An example of a disagreement about freedom between two larger groups is offered in Michael Rossman's account of a student protest in "The Wedding Within the War". Feelings between students and the administration came to a head in an argument
punishment (3). It is irrevocable: it ends the existence of those punished, instead of temporarily imprisoning them. Further, although not intended to cause physical pain, execution is the only corporal punishment still applied to adults (4). These singular characteristics contribute to the perennial, impassioned controversy about capital punishment. Consideration of the justice, morality, or usefulness, of capital punishment is often conflated with objections to its alleged discriminatory or
thought he needed to experiment on or remove it. This was the basis of Hawthorne’s theme and the reoccurring themes that involved science, which he is emphasizing. The story of Aylmer and Georgiana goes on to tell how they made the removal of this “singular mark” the justification of science and human experimentation. Before Georgiana can get it removed she has to be convinced of the benefits of this experiment. But his fear that it might be fatal to keep the birthmark is revealed to her through talking
marked by strong regional characteristics as well as by significant influences from other cultures, it retains an overall coherence that is remarkable given its vast geographic and temporal boundaries. Of paramount concern to the development of this singular art is Islam itself, which fostered the creation of a distinctive visual culture with its own unique artistic language. Calligraphy is the most important and pervasive element in Islamic art. It has always been considered the noblest form of art
pointing at an object with a finger. A Kantian mode of demonstrative reference is characterized by the existence of a real, 2-placed affective relation between an intuiting subject and the referent. Parsons suggests that Kantian intuition is both singular and immediate, and immediacy demands an object of intuition to be present, a condition clearly satisfied by objects within our immediate perceptual field. But since we do not have an immediate relation with remote objects, the scope of our demonstrative
of view of deconstruction, the boundaries between any given text and that larger text we call language are always shifting,” (297). From this perspective, the reader/critic opens the doors of interpretation instead of narrowing their focus to any singular, exclusionary reading, and exposes the deconstruction at work within the text itself. Whether defined as feminist martyr, metaphorical lesbian, the triumphant image of social transcendence or a broken bird “beating the air above . . . circlin...