Macbeth: Responsible for His Own Destruction Shakespeare's play, Macbeth, is the tragic tale of the character Macbeth, a virtuous man, corrupted by power and greed. This tragedy could be explained two very different ways. One explanation is that the tragic hero, Macbeth, is led down an inescapable road of doom by fate. A second explanation is that there is no "outside" force working against Macbeth, which therefore makes him responsible for his own actions and inevitable downfall. The text
that man has acquired a greed and appetite for wealth. Kino, Juana, and the doctor have all undergone a change due to money. They’re all affected by their hunger for wealth and are the base for their own destruction, and the destruction of society. The theme of The Pearl is mainly of man's self-destruction through greed, and the hunger for wealth. There are several different symbols in this story. The scorpion that stung Coyotito could simply mean the vulnerability and the possibility of danger that
usually the main character, who starts out as a great and noble individual. Oedipus is not an evil man but a good, upright, man who suffers a downfall. Aristotle also says that this person begins to become fallible and eventually is doomed by their own “tragic flaw.” We see this with Oedipus when he displays hubris. Oedipus begins to think he can...
Roman Citizen, Paulus Orosius who condenses this historical phenomenon into his own words. He thoughtfully writes, "If only to this end have the barbarians been sent within Roman borders,…that the church of Christ might be filled with Huns and Suevi, with Vandals and Burgundians, with diverse and innumerable peoples of believers, then let God’s mercy be praised…even if this has taken place through our own destruction."(1, p231) The various people groups documented by Gonzalez are primarily groups
One can wonder if Macbeth ever had a chance of doing what was right after he met with the witches. He is overthrown and killed. Through his own ambitions, the ambition of his wife and the witches' prophesies, Macbeth has caused his own destruction and downfall. We can now clearly see that ambition not achieved through our own ability leads to destruction. 'Hail Thane of Glamis and of Cawdor and shalt be King hereafter'. (Act 1 Scene 3) These prophecies from three strangers are taken without question
Romeo and Juliet is a timeless tale of lovers who's misfortune and immaturity was a cause of their own destruction. The characters individually show immaturity and together demonstrate how ignorance of the world effects more than just their own lives. Romeo and Juliet, as expressed in the succeeding examples, fall in love quickly as a result of their naivety. Juliet is shown to be immature in a opening scene where her father tells the bride-seeking Paris his daughter is not old and grown-up enough
Hubris in Antigone and Oedipus The idea of hubris is monumental in a plethora of Greek mythological works. In many ways the excessive pride of certain characters fuels their own destruction. This is certainly true with respect to the characters of Pentheus, Antigone, and Oedipus. All three of these characters demonstrate, through their actions, various degrees of arrogance that seem to undercut the traditional role of the Gods, and thus largely contribute to their downfall. However, it should
satirical way, that todays culture has all but completely lost touch with what nature really is, and that unless we as a nation change our morals regarding the role that nature plays in human existence, we may very well be witnessing the dawn of our own destruction. An Evaluation of: Save the Whales, Screw the Shrimp Williams is very satirical in the presentation of her topic, and the way that she addresses the reader from the very first paragraph is very interesting inasmuch as she is almost offensive
immensely popular figure in Victorian literature that uses scientific deduction to solve criminal mysteries, and his curiosity to solve mysteries has become his obsession. However, he is so cool and distant from his own emotions that he does not care if the obsession leads to his destruction, as long as he solves the mystery to appease his voracious mind first. The only thing that truly excites him in a passionate way, the one thing that causes any emotion within his cool demeanor, is his curiosity
insists on being himself, when he feigns the love letters for Christian, and when he hesitates to tell the truth and confess his love to Roxane. These acts ultimately aid in his defeat, leading us to conclude Cyrano is the only one to blame for his own destruction. Throughout the play, Cyrano exhibits his obstinate and presumptuous personality. He adamantly believes that his way is the only way and he defies any opposing force that comes against him. He refuses to listen to any sound advice from his
characters - Willie Stark and Jack Burden - whose lives focus on and, in some cases, depend upon history and how they relate themselves to it. While Willie Stark views history as a tool with which to manipulate people for his own ends, an attitude resulting in his own destruction, Jack Burden's view of history changes over time and eventually allows him to accept his relationship to the past and, therefore, present. Since each man has such a differing view it is no wonder that history becomes important
continues to fascinate modern literary critics and film makers. Is she a romantic idealist, striving for perfect love and beauty in dull bourgeois society? Is she a willful and selfish woman whose pursuit of the good life brings about her own destruction and that of her family? Or is she, like Ibsen's Hedda Gabler and Nora Helmer, a rebel against the repressive, patriarchal society in which she finds herself? Is she, perhaps, a bit of all three? Two prominent modern film directors have
has unwittingly helped to bring about his own destruction and the absence of freewill in the tragic hero's life. Oedipus was a good ruler: just, compassionate and sympathetic. When the priests of Thebes approached him, pleading for help on behalf of the people of Thebes who were suffering from death and famine. Oedipus immediately agreed and promised them that he would do his best in solving the problems, saying that his heart bore ?the weight of his own? and ?all of his people?s sorrows?. He promised
and Frankenstein's monster. Though the reader is hearing the stories through Walton's perspective, Walton strives for accuracy in relating the details, as he says, "I have resolved every night,...to record, as nearly as possible in his [Victor's] own words, what he has related during the day" (Shelley 37). Shelley's shift in point of view allows for direct comparison and contrast between the characters, as the reader hears their stories through the use of first person. As the reader compares the
Inviting Destruction in Duchess of Malfi It has been asserted that, through her willfulness, the Duchess invites her own destruction. However the assertion has to be looked at from a 17th century point-of-view, as well as a modern one. The assertion is firmly rooted in the issue of human rights, and that issue has changed and evolved an enormous amount over the past few centuries, since Duchess of Malfi was written. Society in the early 17th century was very different from ours today; then
In accordance with the Aristotelian tragedy, the hamartia of the character Macbeth is undeniably through his own flaw. William Shakespeare, in his play Macbeth, historically portrays the nobility of the protagonist and his gradual descent into an ambitious fiend whose disregard for the great chain of being cost him his honour, wife and status. Through his interference with fate, succumbing to the voice of his wife rather than reason and ambition are the catalysts for his fall from grace. An interference
Journey To Self-Destruction in One Flew Over The Cuckoo's Nest In One Flew Over The Cuckoo's Nest, the character of Randle P. McMurphy undergoes a gradual journey towards self-destruction. His actions go from the minuscule, such as changing minor ward policies, to the act of trying to strangle Nurse Ratched. All of his actions, minor and major, lead to his self-destruction. He continues this behavior even after he discovers he's only hurting himself with his actions. McMurphy begins by protesting
violence exists for its own sake. Graham Green, in his short story “The Destructors,” reveals certain intangible needs met through one central act of violence. One need we all have as humans is the need to be creative, to express ourselves, to use our imagination. All little boys use their imaginations, which is based on what they see in their environment, whether that be television or their own neighborhood. The gang of boys in “The Destructors” witnessed destruction every day of their lives
Ishmael - The Destruction Continues Ishmael The Biblical depiction of Adam and Eve's "fall" builds the foundation of Daniel Quinn's novel, Ishmael. In this adventure of the spirit, a telepathic gorilla, Ishmael, uses the history of Biblical characters in order to explain his philosophy on saving the world. Attracting his final student, the narrator of the novel, with an advertisement "Teacher seeks pupil. Must have an earnest desire to save the world. Apply in person," Ishmael counsels the narrator
The Destruction of Love Between Hamlet and Ophelia Ophelia describes Hamlet as 'the courtier's soldier, scholar's eye, tongue and sword, Th'expectancy and rose of fair state, the glass of fashion and the mould of form, Th'observed of all observers (Act 3 Scene 1) He is the ideal man. But, after his madness and the death of her father she sees him as 'a noble mind o'er thrown!' (Act 3 Scene 1). Ophelia suffers from Hamlet's disillusionment; his attitude to her in Act 3 Scene 1 is hard to