Modern Architecture

  • Architecture In Modern Architecture

    734 Words  | 3 Pages

    Modern Architecture since its inception from the early 19th century took the form of classical architecture, then developed into forms to meet the emerging aspirations of architectural function getting engaged to nature. Modern Architecture emphasized on the combination of the tradition and the new, this is assimilated by Wright in his architectural forms as depicted in his design of architecture, Fallingwater. In the year 1934 titled, Fallingwater was designed by Frank Lloyd Wright. This is the

  • Modern Architecture

    2467 Words  | 10 Pages

    As some critics contended, postmodernism represents a break with the modernist notion that architecture should be technologically rational, austere and functional, discuss the ways in which one postmodern architect has developed strategies which overcome these tendencies. Juxtaposition is seen between the characteristics of early 20th century modern architecture and the artistic endeavours of postmodernism that followed. To represent the ‘Less is More’ (R.Venturi, 1966, pg16) notion the modernist


    557 Words  | 3 Pages

    Architecture began to develop with human life.This development is the impact of the environment is inevitable. Different geographical conditions,climate properties are some of them .In addition different cultures,thoughts,reqyests,expectations,life style are social effects.These differences in line with consist of original thinking in architecture.These thoughts are lead up to formation of architectural movements in over time.Some of these movements are Baroque,Impressionism,Modernism and Art

  • Impact Of Architecture In Modern Architecture

    957 Words  | 4 Pages

    uniform independent architectural movement in the early 20th century, ideas influenced by the Bauhaus and architects like Le Corbusier brought to India were modern. They were then influenced by both regional and interesting ideas. Modernism in India at that time was more like an overall approach to life. Modernist architects believed modern architecture was a medium of improving the lives of people. It meant designing the world positively, improving it, doing better than the required standard, being progressive

  • The Preservation Of Modern Architecture

    836 Words  | 4 Pages

    Conserving Modern Architecture Heritage The preservation of modern architecture brings new challenges to the conservation of the building. These challenges refer not only to the technical problems, like the functionality of the building, the materials, the lack of maintenance; but also with relation to the social and cultural importance of the building. The importance of modern architecture, however, does not lie only on its materials, but also in the way architects overcame problems during the years


    764 Words  | 4 Pages

    for shelter. And people attach importance to architecture. Different architectural styles composed in time. Architectural styles, shape, form, material are different each others. Architectural styles can be similar. Architectural styles can also be the opposite to each other. Modern architecture emerged in the 19th century. Modern architecture reveals the modern era that is shaped by democratic revolution and the industrial revolution. Modern architecture is against the Eclecticism. Originality is

  • What is Modern Architecture?

    1991 Words  | 8 Pages

    Trying to define modern architecture was a problem that many architects struggled to explain. No one before had created what we now know as “modern” architecture. In the past architects were able to look into history to gain an inspiration for buildings however, this approach would not fit in this new age of the machine. Industrialization changed the way people thought. The Industrial Revolution allowed products to be produced on an industrial scale, allowing ordinary people access to goods that

  • The Machine And Modern Architecture

    2349 Words  | 10 Pages

    society and this inspired the architecture. The belief that machine based mass production would mean a better world and the artists would apply this ideology to the production of art to the designing of kitchens. The machine challenged design and the period was one of experimentation and invention. The new world of machines forced artists to develop new thoughts about their environment and this revolutionised the way the public participated in this new world. The modern designers insisted that they

  • The Development of Modern Architecture

    1543 Words  | 7 Pages

    With the interaction between the development of computational approaches in architecture and the contemporary forms of spatial design intelligence, some new architectural design theories emerged to make differences between architects and control designing processes. These theories are almost employed in all designing realms, from architecture to urban design to provide fields of ideas and solutions that privilege by complexity. Most of these theories are oriented to relay on understanding and using

  • Modern Architecture Essay

    2337 Words  | 10 Pages

    philosophical notions which developed our culture. This characteristic has also been part of architecture, translated in radical designs capturing the imagination of architects who explore philosophical and spatial possibilities or to experiment the built form. The work of Boulle, PiranesI and Ledoux, and in the twentieth century the projects of Tatlinb and Sant’Elia continue to inspire and stimulate the practice of architecture. The realization of projects which were ahead of their time though, was generally

  • Cubism In Modern Art And Modern Architecture

    1510 Words  | 7 Pages

    led to new art and architecture introduced to the world. Josef Chocol was an architect who implied cubism forms and function into his building. Cubism was predominantly located in Paris France during the early 20th century. The cubism movement was a revolutionary new approach of objects having meaning instead of representing reality. Artists dismantled the rules and values of traditional Beaux Art and formed a new approach to art. Cubism was the first approach to abstract modern art. Artists showed

  • Cultural Transformations Of Modern Architecture

    1692 Words  | 7 Pages

    What makes modern architecture? Before answering this, one would need to understand what the term “modern” exactly describes. In architecture, modernism is the movement or transition from one period to another, and it is caused by cultural, territorial, and technological changes happening in the world. In Kenneth Frampton’s Modern Architecture: A Critical History, he details these three major societal changes that impact and create modern architecture. Cultural Transformations: Society’s Impact

  • Modern and Post-Modernism Architecture

    1083 Words  | 5 Pages

    There is often some confusion when people start talking about the post-modernism and modernism in architecture in terms of  their philosophical terminology differences. Modern architecture is known for its minimalism (Linder, 2004); buildings were functional and economical rather than comfortable and beautifully decorated. The post-modernism architecture, however, is called a “neo-eclectic, significantly assuming the role of a regeneration of period styles for designing houses, and a never-ending

  • A Study of Ancient and Modern Architecture

    1501 Words  | 7 Pages

    “The history of the world’s great architecture is the astonishing story of how individuals and groups have taken that basic necessity of building and transformed it into possibly the greatest manifestation of the human spirit—more profound, more lasting, more inexhaustible than any other art, a vital and truly wonderful expression of the experience of mankind, in every part of the world (Nuttgens 9).” As Nuttgens eloquently expressed, architecture is a “vital…expression of the experience

  • Modern Architecture: Le Corbusier

    846 Words  | 4 Pages

    exploration of the topic of modern buildings planning and design. Le Corbusier tried to embody his vision of architecture, as a means of emotional relations establishment, in his works. Le Corbusier managed to develop his own vision of beauty in architecture, which was often challengeable to the viewers at first. Nevertheless, living in the era of technology, he understood the necessity of comfort, convenience and logic in architecture, thus developing principles of modern, practical constructions.

  • The Bauhaus On Modern Art And Architecture

    1777 Words  | 8 Pages

    3. The Bauhaus had a major influence on modern art, design and architecture. Drawing from writings by and about the Bauhaus, and with reference to two or three visual examples, critically assess this influence and the ongoing relevance (or not) of the Bauhaus today. Established in 1919 by the designer and architect Walter Gropius, the Bauhaus radically changed the history of art, design and architecture, shifting away from the old gothic style to a more simplistic approach of design which we know

  • Modern vs. Postmodern Architecture

    1622 Words  | 7 Pages

    If modernism and postmodernism are arguably two most distinguishing movements that dominated the 20th century Western art, they are certainly most exceptional styles that dominated the global architecture during this period. While modernism sought to capture the images and sensibilities of the age, going beyond simple representation of the present and involving the artist’s critical examination of the principles of art itself, postmodernism developed as a reaction against modernist formalism, seen


    1982 Words  | 8 Pages

    groups as follows Buddhist 42.5%, Muslim 14.9%, Taoist 8.5%, Hindu 4%, Catholic 4.8%, other Christian 9.8%, other 0.7%, none 14.8% (2000). Architectural influences Largest early influence to Singapore’s architecture comes definitely from the British. From 1826 to 1963 the country’s architecture had its roots deep in the Great Britain, because of the colonial rule that was introduced by Stamford Raffles who arrived to Singapore with William Farquhar in 29th of January 1819. Their mission was to establish

  • Nature and Tectonic in Modern Architecture

    1690 Words  | 7 Pages

    In Kenneth Frampton’s Rappel a L’ordre, the Case for the Tectonic, he reinterprets modern architecture “through the lens of techne.” Techne can be traced back to its Greek origins, which embodied the ideas of art, craft and skill in the making of an object. Techne came to be tied with the materiality and construction methods used in buildings. Technology then came to refer to the making and using of tools and the methods to solve a problem. Implicit in the word “technology” is the act of construction

  • The Modern Era Of Gothic Architecture

    1314 Words  | 6 Pages

    other places, one can recognize an evolution of ideas and adaptation to the tools available in the area. Architectural styles and remnants of these can be seen trickling down from the more modern era of Gothic work all the way back to the Egyptian halls dating back as far as the 1400s BCE. Gothic architecture can be seen clearly in the construction known as the Chartres Cathedral. The structure is in Chartres, France, and was built around 1134. This style of building was highly ornamental, growing

  • Post Modern Design Of Architecture

    1591 Words  | 7 Pages

    building of my choice, the building can be modern, post modern or post-post modern. In doing this I am required to discuss the historical formation of the movement and analyse the building I chose with particular reference to technologies. The ‘History of Architecture’ module itself and the topic of this assignment was interesting and rewarding. It is remarkable to see how the design of buildings has evolved throughout history. I decided to choose a post-post modern building as I am particularly interested

  • Traditional vs. Modern Architecture in China

    1940 Words  | 8 Pages

    Traditional culture in architecture is being eroded by modernity of the present architecture in China. Analyze the causes and effects of this problem and possible solutions. In China, urbanization is at dramatic pace but in static patterns. This leads to the Chinese cities losing their own styles, and being built in the static architecture modes which are introduced from developed countries. Moreover, the traditional architecture cultures are being eroded by the static modern architecture patterns. Some

  • The Modern Era Of Architecture And Interior Design

    874 Words  | 4 Pages

    The modern era of architecture and interior design since the nineteenth century has often been an exciting expression. The contemporary designers were not only trying to break through traditions such as Rietveld 's Schroder House, but some also taking a leap back to the classical antiquity of style in the form of Empire Style was taken by Charles Percier and Pierre Fontaine in Chateau de Malmaison. Although being very different in term of their contemporary cultural-socio-political state, to a certain

  • Modern Architecture: Frank Lloyd Wright

    1615 Words  | 7 Pages

    encourage the homeowners to repair and do their own maintenance on their standard house. However, there are residential homes that are nonconforming and their architectural designs are of those who have brought these homes into the forefront of Modern Architecture. One who is most noteworthy and is synonymous with residential homes is Frank Lloyd Wright. Known for his unique style of residential design, Frank Lloyd Wright was ahead of his time, however, the materials he used in these designs have proven

  • Modern Japanese Architecture: The Kunio Maekawa House

    929 Words  | 4 Pages

    1941(Reynolds, 2001). Since the war was going on, he was only able to construct his home with limited materials (Reynolds, 2001). Nevertheless, he was still able to incorporate the traditional Japanese architecture with influences of the western style. The Maekawa House is considered to be modern because of the introduction it had of a different type of design in Japan (Reynolds, 2001). Maekawa obtained the traditional wood construction and spacious garden; he added the living/dining room in the

  • Modern Doemstic Design and Traditional German Architecture

    2396 Words  | 10 Pages

    rooms and bath rooms on the second floor. Tessenow’s layout and style demonstrates that he was a traditional architect, who built traditionally designed houses. Tessenow was described by one of his students as a person with a preference for architecture that expresses national culture and simplified forms. What he understood by form and function was best captured in his well known saying that, “the simplest form is not always the best, but the best is always simple” Marvin J. Chomsky, (1982) Meaning

  • Modern Architecture During The World War II

    1188 Words  | 5 Pages

    It is considered that modern architecture settle after the World War II around 1955, however there was numerous factors before this happened. Names like Wright and Richard Neutra or the Rockefeller Centre (1930) in New York are some of the clear picture to prove that this movement started before. Brazil was another country in architectural development in the spotlight. There is also to say that this pre-war Modern Architecture had its differences regarding to the post war. Nevertheless, there is

  • Maison de Verre and Its Contribution to Modern Architecture

    1785 Words  | 8 Pages

    Maison de Verre and Its Contribution to Modern Architecture “Form follows function.” Every great Modern architect thought, designed by and breathed these very words. Or at least, their design principles evolved from them. Modern architects Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Pierre Chareau, and Rudolf Schindler to name a few believed that the function determined the space whether the space was solely for a particular purpose or they overlapped to allow for multiple uses. Form didn’t

  • Mies Van Der Rohe Vs Modern Architecture

    1279 Words  | 6 Pages

    In the Modern movement of architecture there was an impulse to break from the classical styles and regulations that had been governing design. Through this break many new designers emerged. Ludwig Mies van der Rohe became widely regarded as a Modern architect with his simplistic designs and attention to details. Alvar Aalto of Finland was known as a Romantic Modernist as he paid homage to nature through his undulating surfaces and allusions to the landscape. Both men embraced the new movement

  • Anicent Roman Buildings and There Affect on Modern Day Architecture

    710 Words  | 3 Pages

    which remained durable and lasted for years. Roman works are adapted from Greek architecture and made a major impact on modern buildings. Because of how major Roman architecture is, learning more about it will enhance your knowledge about Ancient Rome and even more about how our some of the buildings made today. You may know that the Romans have achieved many feats of architecture. An example is the Arch of Constantine made in 312 AD. It is a arch that celebrates

  • Analysis Of Charles Jencks The Language Of Post Modern Architecture

    2290 Words  | 10 Pages

    his book “The Language of Post-Modern Architecture “shows various similarities architecture shares with language, reflecting about the semiotic rules of architecture and wanting to communicate architecture to a broader public. The book differentiates post-modern architecture from architectural modernism in terms of cultural and architectural history by transferring the term post-modernism from the study of literature to architecture. Jencks briefly explains post-modern aesthetics from their modernist

  • British Influence on Malaysian Vernacular Architecture and Modern Mosques

    1475 Words  | 6 Pages

    distinctive mark on Malaysian history, design, and culture. This paper presents a comparative analysis of Britain's influence on mosques built during different periods in the Malaysian history and analyzes the changes in the mosque architecture between vernacular, colonial, and modern periods. Traditional Middle Eastern Mosques, known as hypostyle and originally widespread throughout Malaysia, generally consisted of a minaret1 calling tower, a court yard, domes, flat roofs, and a mihrab2, all constructed

  • Antoni Gaudi's Works and Their Influence on Modern Spanish Architecture

    2489 Words  | 10 Pages

    and works. Barcelonian architecture in the time of Gaudi was characterised by the Catalan Modernisme movement. Gaudi, being one of the movement’s representatives, showed his creativity and his individuality though his works which were inspired by nature. Many of the other architects of the Modernisme movement used their own individuality and depiction of nature as well. (Inman, ed. 20) Contemporary Spanish architects also incorporate Antoni Gaudi’s style into their architecture. Antoni Gaudi

  • Contemporary Articles Of Furniture Are Influenced By Modern Architecture

    1421 Words  | 6 Pages

    furniture. However, contemporary articles of furniture are most influenced by the introduction of mid century modern design. The furniture designed by the likes of Charles and Ray Eames, Le Corbusier, Arne Jacobsen, Eero Saarinen and Verner Panton among others were sleek and lightweight pieces as well as stylish to behold. In a way these designs revolutionised the appearance of the modern interiors. Experiments were made not only with shapes and sizes, but also materials. Besides natural wood, cast

  • The Industrial Revolution's Impact on Modern Architecture in the Early 1900's

    2568 Words  | 11 Pages

    generation. This sensation of development quickly spread worldwide and had a changing effect on culture, economics and social idealism. Most importantly, the Industrial Revolution completely metamorphosized the architecture world. It opened new doors for designing which led to the Modern Architecture movement today. The first sign of a new architectural era was seen in Britain. With the production of new materials, Sir Joseph Paxton was able to design the Crystal Palace (1850-1851, 1852-1854) which boasted

  • How Mies Impacted The Modern Movement Of Architecture Through His Groundbreaking Ideas Using The Barcelona Pavilion

    940 Words  | 4 Pages

    more commonly known as the Barcelona Pavilion, is one of the most recognizable buildings of the modern period during the early 20th century. It encapsulates every element of modern architecture in one structure. Ludwig Mies van der Rohe, one of the fathers of modern architecture, was the architect of this beautiful building. In this essay I will explore how Mies impacted the modern movement in architecture through his groundbreaking ideas using the Barcelona Pavilion as a case study. The German Pavilion

  • The Modernism Of The Twentieth Century

    1460 Words  | 6 Pages

    The categorization of architecture in the twentieth century has been an ongoing process that relies, to a certain extent, on the subjective input of the classifier. Post-modernism in particular has only one definite classification; it is the movement of architecture that emerged following the Modernism of Europe and the International Style of the world. This literal definition is not only an implication of its chronological order in architectural history, but the notion of post-modernism itself depicts

  • Architecture, Design, Architecture And The Origin Of Architecture

    1176 Words  | 5 Pages

    Architecture (Latin architectura, from the Greek ἀρχιτέκτων arkhitekton "architect", from ἀρχι- "chief" and τέκτων "builder") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. "Architecture" can mean: A general term to

  • Technology In Architecture Essay

    1284 Words  | 6 Pages

    New Technologies in Modern Architecture and Design “Technology” is a terminology which has just entered the contemporary literature of architecture. Despite the high significance and the widespread use of it, there is much ambiguity and inconsistency in the use of this term. It is certainly arguable that during the past decades, the world has been undergoing the most significant period of technological innovation and global restructuring since the first decades of the 20th century. Cities have always

  • Preservation of Modern Buildings in Cincinnati: An overview of the challenges, history and arguments to preserve modern buildings.

    1435 Words  | 6 Pages

    the buildings are being built. Taking into account the need, the scale and the pace of construction posed by rapid industrialization, the style of building took an unprecedented form of architecture starting in early twentieth century. History of Preserving Modern Architecture Preservation of modern architecture is unique in its own way and adds a whole different dimension of preserving old buildings. The vast difference in the materials of construction from the traditional ones, the complexity

  • National Identity- A Semse of a Nation as a Cohesive Whole

    1277 Words  | 6 Pages

    culture, and language1 The architecture of the Twentieth century has been shaped by powerful social, economic and political forces. This has stemmed from influence of war, diverse political regimes, national and international architectural movements and technological development. Along with this architects and ideas has been able to travel around the world more than ever before and from this designs have become apparent that sought to break with the past. Architecture that was once specific and

  • Architecture And Typology

    2475 Words  | 10 Pages

    Type refers to an object that belongs to class with similar characteristics. In architecture type refers to the objects with same formal structure or use. Typology in turn signifies the study of types And analysis their characteristics. In order to understand the work of architecture, we need to understand the concept of type. The work of architecture can either be characterized by a condition of individuality or it can also be referred as a class of repeated objects. The concept of type is

  • Ottoman Architecture

    1013 Words  | 5 Pages

    beliefs, and architecture are among the few that actually do last. Architecture can be defined as a practice of constructing and designing a building project. However, the Islamic architecture has a distinctive range of both religious and secular styles that have been influenced by the Islamic culture. Furthermore, The structure of Islamic architecture that is used in mosques, tombs, palaces and fountains is unavoidable in sight. The relationship between early Islamic architecture and modern foundation

  • The Rise of Architecture

    1215 Words  | 5 Pages

    The rise of architecture Over the past few years, countless architects have been famous because of their awe inspiring works. Most of their works inspires architects to improve their creations aesthetically. Thus creating new and more modern styles. High rise buildings, homes and structures are built, they are aesthetically enticing to the eyes and pleasing to the clients and clientele. Architects today prove that things are possible with the aid of a great mind, logic and creativity

  • Architectural Realism

    1436 Words  | 6 Pages

    urban planning. Although Wagner began as a traditional architect, he promoted the transition from historicism to the idea of an architecture that spoke to its time. As an architect, Wagner began his career with buildings that were designed in the conventional Baroque and neo-classical styles. Wagner attempted to turn away from the accepted traditional forms of architecture by bringing together structural rationalism and technology. However, he retained a sense of historicism and eclecticism. (Wagner

  • Ideas And Inspirations For Modern Houses

    1613 Words  | 7 Pages

    Ideas and inspirations for modern houses Nearly all of us secretly harbour a dream of building a home for ourselves. Some us may buy an old structure and renovate it into a style suited for modern time. Others invest in a plot to build from a scratch. Every era has its own distinctive style that reflects in art, architecture and design. A variety of reasons, including changing socio-economic conditions, can be identified behind this unceasing evolution in tastes and design. The magnificent structures

  • Victorian Architecture

    309 Words  | 2 Pages

    Victorian Architecture During the Victorian period, there was a revival of classical (Greek and Roman), Gothic, Renaissance and Baroque architecture. Romantic architects replicated Greek and Roman buildings, which were revered as the ultimate examples of beauty (Sporre 487; Tansey 932). Increased nationalism in England also sparked a revival of Gothic architecture. After the Houses of Parliament burnt down in London (1834), the task of redesign the new building was assigned to Charles A. Barry

  • J.J.P. Oud and Dutch Architecture

    1962 Words  | 8 Pages

    the Munich Polytechnic. These, along with other lectures and experiences in Germany, finally gave Oud what he was looking for in an architectural education. He returned to Purmerend, desiring to focus on new construction and materials in his architecture. He began his own practice, working mostly on residential projects In the projects of his early career, Oud was influenced mainly by Berlage's ideas of honesty in construction and Frank Lloyd Wright's use of floating planes and volumes. In 1917

  • Cultural Relativism Essay

    588 Words  | 3 Pages

    When linking the concept of cultural relativism to architecture, one would realize that both these components depend on each other. One cannot exist without the other (Kohler, 2003). Kohler remarks that in order for architecture to be progressive, The transfer and acceptance of technologies and techniques has to be based on a sound knowledge of regional culture (Kohler, 2003). In other words, the existing architecture or urban environment has to distinguish the features of regional diversity. Cultural

  • Analysis Of The Book ' From Bauhaus On House ' By Tom Wolfe

    766 Words  | 4 Pages

    In his opinionated book, From Bauhaus to Our House, Tom Wolfe describes his views on the way architecture has framed our modern world. He frames his book long essay with an excerpt from America the Beautiful, "O Beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today? . . . Every child goes to school in a building