Lena Horne Lena Horne was born on June 30, 1917 in Brooklyn, New York. Her parents were Teddy and Edna Scottron Horne. After her father left her at the age of two in order to pursue his gambling career; her mother leaving soon after that to pursue her acting career; she went to live with her grandparents. Through her grandparents influence she became involved with organizations like the NAACP, at an early age. In 1924 she went back to live with her mother, traveling and being schooled all
Singer/actress Lena Horne's primary occupation was nightclub entertaining, a profession she pursued successfully around the world for more than 60 years, from the 1930s to the 1990s. In conjunction with her club work, she also maintained a recording career that stretched from 1936 to 2000 and brought her three Grammys, including a Lifetime Achievement Award in 1989; she appeared in 16 feature films and several shorts between 1938 and 1978; she performed occasionally on Broadway, including in her
Character of Lena Lingard in My Antonia Lena Lingard is the best example of a non-domestic central character which appears amidst the domesticity of My Ántonia. Often the sections which feature Lena instead of Ántonia are seen as confusing divergences from the plot line of a novel that purports to be about the woman named in the title. However, since Lena appears in the novel almost as often as Ántonia, and more often than any other character except Jim, she is a central character. Lena is a working
Lena Mary Calhoun Horne was born in Brooklyn, New York, on June 30, 1917 to Edwin and Edna Horne. Unfortunately, Horne’s father left the family when she was only three. Since her mother was an actress with a black theatre troupe that traveled, she lived in places like Georgia, and Miami. She also stayed with her grandparents for a while. After their deaths Horne moved in with a family friend. Shortly after she moved back in with her mother, whom just gotten married. When she was younger Horne
effects on human beings when a long-awaited dream is thwarted by economic and social hardships. Each of the characters in A Raisin in the Sun has a dream for which they base their whole happiness and livelihood on attaining. However, the character of Lena Younger, or Mama, differs from the other members of her family. Time after time, Mama postpones her dream of owning a house and garden to perpetuate the dreams of her family members. Finally, when Mama receives the $10,000 insurance check, she feels
Hansberry?s play since it shows how ?deferred dreams? of the Younger family shrivel up like ?a raisin in the sun? leading to disillusionment and leaving very little hope for the future. The Younger family includes Lena Younger, who is the head of the family; Beneatha, Lena?s daughter; Walter, Lena?s son; Ruth, wife of Walter; Travis, Walter and Ruth?s son. Other than the Younger family, Joseph Asagai shown as Beneatha?s Nigerian friend also has an important role in the play. Each of the members in Younger
addition, Sandra remains all on her own and has to find ways in which to survive each day. But on the other hand, Lena lives in a nice size home with her two parents, her two brothers, and her grandmother, all who love her very much. Moreover, Lena has many family members who look after her and take extra special care for her because she is the baby of the family. Although, both Sandra and Lena lead very different lives, both are faced with challenges as a minority and as a child which questions their
to commit towards one of these roles, she is blamed for renouncing her expectant role for something that is associated with a man's world - talent. Many readers judge Thea Kronberg and Lena Lingard according to these female roles, and hence place the accusation of sacrifice upon them. Thea Kronberg and Lena Lingard in Willa Cather's The Song of the Lark and My Antonia, respectively, are accused of sacrificing too much for their art because they apparently choose to overlook their families and
they are ready to settle down, they choose a respectable woman to marry. After having an intellectual awakening at college and reuniting with Lena Lingard, one of the “hired girls,” Jim discovers that “if there were no girls like them in the world, there would be no poetry” (Cather 173). At this point he realizes why he preferred the company of Tiny, Lena, and Antonia to that of even the most well refined girl in Black Hawk. These girls embodied life, wilderness, adventure, and goodness. To Jim
was to be done with the money. I also agreed with Lena by not wanting Walter to use the money for a liquor store. When Walter went against Lena’s wish for the rest of the money to go to Beneatha’s college fund, and gave the money to Willy, it made me mad. Walter was being so selfish. In the end Walter redeemed himself by pulling some strings to let Beneatha go to school and be able to move into the new house. Lena was very wise. I think that Lena was the only thing keeping the family together. They
a man in the entire course of the novel. From the Hired Girls to Tiny Soderball and Lena Lingard women are capable of self sufficiency and happiness. The majority of the truly contented people are either alone or living without the opposite sex. Antonia and Cuzak are the only example of a ³normal² happy couple, all others have some problems that prevent a normal relationship. In the Hired Girls Antonia and Lena are depicted as strong, independent women who work to support themselves and their families
novels such as Tina McElroy Ansa's Baby of the Family and Donald Goines' Black Girl Lost are increasingly becoming more popular with the public. Baby of the Family is a wonderfully written "coming of age novel" ("Reviews 2") about a young girl named Lena McPherson as she grows up and must learn to deal with her extraordinary powers. Much unlike this, Black Girl Lost is a "shocking novel" (Goines 208) about a young girl named Sandra, who is forced to live on the streets. Though each of these novels
than the "problems of the human heart in conflict with itself." Nothing else is worth writing about and Faulkner's work is living proof. The characters in Light in August are full of the conflicts and virtues Faulkner describes in his speech. In Lena, Hightower, and Christmas, one can find endurance, sacrifice, and honor. In other characters, such as Byron Bunch, the main ingredient is hope. Yet regardless of who he is describing, Faulkner does not forget that only the ancient feelings innate in
Search for Identity in The Joy Luck Club "Imagine, a daughter not knowing her own mother!" And then it occurs to me. They are frightened. In me, they see their own daughters, just as ignorant, just as unmindful of all truths and hopes they have brought to America. They see daughters who grow impatient when their mothers talk in Chinese, who think they are stupid when they explain things in fractured English. (Tan 40-41) Amy Tan frames The Joy Luck Club with Jing-mei Woo's search for identity. When
from society. It is often argued that Lena Grove is an exception to this, but I have found that I cannot agree with this view. Consequently, this essay will show that Lena is lonely too, and that the message in Faulkner’s work on the issue of human contact is that everyone is essentially alone, either by voluntary recession from company or by involuntary exclusion, and the only escape from this loneliness is to have a proper family to comfort you. As a child, Lena was involuntarily isolated from a society
An example of such a circumstance is observed with the character Walter Lee Younger. He is the son of Lena Younger in the play A Raisin in the Sun by Lorraine Hansberry. Walter is caught up with his dream to lead his family out of the ghetto by opening a liquor store (1736). He hopes to do so with an insurance settlement his mother will receive due to the death of her husband (1741). Mama (Lena Younger) is opposed to the idea because of religious beliefs(1740). Walter then becomes li... ... middle
religion. Community ties are still strong: an outsider is really identifiable, and people gossip about their neighbors. In this part of the country, the past lives on, even physically. For example, the cabin in which Joe Christmas stays and in which Lena Grove gives birth is a slave cabin dating back to before the Civil War. And finally the South of this epoch is still close to nature. Right outside the town are the woods. All these aspects of the setting lend themselves especially well to Faulkner's
within the Hispanic-American and African-American cultures primarily through the dream sequences in each novel. Dreams are the mechanism used in each work to magnify the individual experiences and conflicts Tony and Lena encounter. In addition and perhaps, more importantly, Tony and Lena deal with ambivalence and find their voices not only through the relationships with other characters, but through the resolution of their dreams. To truly fathom how integral and dependent the dreams are in the
history and culture have to offer. At times they experience difficulties because the mothers and daughters, although they are as one, share different cultures, while their history is the same. Ying-Ying St.Claire is the mother of Lena, who is a Chinese-American women. Lena and her mother don’t see eye to eye at all times because of the fact that they were raised in different cultures. Ying-Ying grew up in China in a very well-to-do family. At first she had very few worries, other than being obedient
men in practical matters but also proclaim their dependence in defining their personality. Tony, Tiny, Lena, and any other country girl ever to work in town can clearly survive without a male influence. They are, in fact, supporting the men with the funds they send home. However, as each is independent from men for survival, each is still defined by their actions and attitudes toward men. Lena Lingard is most outwardly defined by men. In the fields and the cattle she exists in a male vacuum where