• Iconography

    398 Words  | 2 Pages

    Iconography Iconography, in art history, the study of subject matter in art. The meaning of works of art is often conveyed by the specific objects or figures that the artist chooses to portray; the purpose of iconography is to identify, classify, and explain these objects. Iconography is particularly important in the study of religious and allegorical painting, where many of the objects that are pictured—crosses, skulls, books, or candles, for example—have special significance, which is often

  • Death Iconography : Overview Of The Maya Death Iconography

    1162 Words  | 5 Pages

    Maya Death Iconography The entirety of Maya culture was based on the experience and knowledge accumulated by their ancestors. They were passive, modest, religious people who believed in the cyclical nature of their reality, events and phenomena (Bower 1986). The Maya can be deeply understood due to their elaborate calendar, numerical system, logographic glyphs, and detailed recording of dates and events on various media. Maya glyphs are known for depicting place names, political events and religious

  • Iconography Of Athenian Women

    670 Words  | 3 Pages

    society as well as the family were. However, there is also an alternative way to research Athenian women, and this way is through iconography. Iconography can be defined as the study of visual images and symbols in a work of art. By looking at iconography concerning Athenian Women, we can get certain information that we would not have gotten from written material. From iconography, we can obtain different images of women from the way they are portrayed in the various pieces of artwork. This can show us

  • Iconography and Iconology of an Advertisement

    794 Words  | 4 Pages

    Iconography and Iconology of an Advertisement Looking at the art of the past, we see many images depicting nude women. From Botticelli’s The Birth of Venus to Ingres’s Grande Odelisque, many artists like the idea of painting a woman in the nude in an interesting pose. Even modern images in contemporary magazines depict nude images. Yves Saint Laurent’s advertisement of their fragrance Opium depicts a nude woman covering her breast. Her pose is a symbol of the iconography, while beauty serves

  • Nuclear Iconography in Post-Cold War Culture

    1760 Words  | 8 Pages

    Nuclear Iconography in Post-Cold War Culture I wish in this paper to sketch a project involving nuclear iconography and post-Cold War culture. At the heart of this project is the claim that the current historical moment forms a legitimation crisis for the scientific, military, industrial, governmental, and "cultural" institutions whose interests are configured in the design, manufacture, deployment, and "use" of nuclear weapons. Within this moment, a variety of progressive and regressive movements

  • Comparing the Iconography and Mythology of Two Major Hindu Deities

    1597 Words  | 7 Pages

    Comparing the Iconography and Mythology of Two Major Hindu Deities In Hindu tradition, Brahma created the universe, Vishnu maintained it and Shiva destroyed it. These three gods comprise the Hindu trinity (the trimurti) and are considered to be the leading gods of the religion, especially Brahma, who is the oldest of all the gods. This point is questionable though as the Visnu Purana talks of Brahma emerging from Vishnu's navel to maintain the world after Vishnu has

  • How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet

    884 Words  | 4 Pages

    How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can

  • Connoisseurship In Art Essay

    1934 Words  | 8 Pages

    if there is another, similar theory that has evolved from formalism that is still being used. November 16th: Iconology: Warburg and Panofsky This week we discussed the different levels of iconography as well as the use of iconography in Jan van Eyck's Arnolfini Portrait. Iconography relies on the history of types, but allows the meaning of the symbols to change in response to the time period. For Warburg, the symbol of the serpent is not purely ornamental, but can be interpreted as

  • Textual Analysis Of A Film

    842 Words  | 4 Pages

    topic, format, plot and the target audience. Some of the genres in film are drama, romance, comedy, romantic comedy, action, horror, family and sci-fi. According to Nick Lacey, the repertoire of elements in a genre are character types, setting, iconography, narrative and the visual style(Lacey).In this essay, I would be analyzing the scenes from 10:02-14:33 in season 7 episode 7 of Suits. Suits is a legal drama created and written by Aaron Korsh. A legal drama is a genre which involves drama and crime

  • Comparing Dark Water and The Mothman Prophecies

    2352 Words  | 10 Pages

    into an art form. This genre relies heavily on the basic horror conventions. These have been adapted from the early twentieth century, and have developed a whole series of genre conventions into a familiar variety of scary settings, iconography, and stereotyped characterisation. Audiences have a clear understanding of this, and they use it to their advantage. They can keep putting the audience through the jolts that horror conventions continue to give. An effective way

  • Tap Water Equals Clear Water?

    733 Words  | 3 Pages

    particular cartoon, the cartoonist expresses the idea of criticizing E.P.A. 's role and actions in the protection process for our environment that affects on public health through the text in captions and special techniques like irony, symbolism, and iconography. Background information together with the text in captions helps the reader to clarify and understand the issue the cartoon explores. In this cartoon we need to know about Flint 's water crisis in Michigan and accident happened in Colorado with

  • Role Of The Patron During The Renaissance

    1174 Words  | 5 Pages

    artist along-side the values of its audience. The skills and values to be discussed in the paragraphs to come are revealed through the study of iconography implemented by the Renaissance masters. Artist grew to compete against each other through their iconography as an effect of their patrons on their work. If we understand paintings through the iconography displayed, then each piece becomes a snap shot of the people’s sense of culture at the time and sense of self. The Northern Renaissance in the

  • The Changes in Police and Crime Drama Over Time

    731 Words  | 3 Pages

    crime drama to change with the times, become more realistic and retain its former popularity. Throughout time many crime programmes featured on T.V have changed through Media language (Iconography, editing, camerawork and music). The Bill, first created in 1984 featured a lot of Iconography. At the start of the title sequence the camera focuses on a police shield on top of a police hat. This can be seen as one of the obvious symbols of the police. It can be compared to a

  • The Tell Tale Heart By Edgar Allan Poe

    951 Words  | 4 Pages

    example of a Horror story because of the iconography used throughout the story, the settings and time the story was set in, and the style the horrific author Poe uses throughout the story. Iconography can be linked to certain symbolic images that have appeared throughout the genre’s history, examples such as a haunted location or blood and dead people could be a good example of Iconography. Throughout Poe’s short story he showed examples of iconography and how they showed throughout the story.

  • Lorenzo Monaco's Crucifixion

    1330 Words  | 6 Pages

    century that exemplifies the specialized meaning of the devotional practice associated with Christian iconography. To understand the connection devotees have to the cross, one must dissect the depicted scene, which is decorated, vibrant and also immediately catches the viewer’s eye to idealize the gruesome suffering that the artist believed Christ went through while on the cross. Religious iconography like Monaco’s Crucifixion, serves as a way of symbolizing nobility thus being identified as a way of

  • The Tell Tale Heart By Edgar Allan Poe

    1144 Words  | 5 Pages

    example of a Horror story because of the iconography used throughout the story, the settings and time the story was set in, and the style the horrific author Poe uses throughout the story. Iconography can be linked to certain symbolic images that have appeared throughout the genre’s history, examples such as a haunted location or blood and dead people could be a good example of Iconography. Throughout Poe’s short story he showed examples of iconography and how they showed throughout the story.

  • Salutations to the Greek Theotokos

    1314 Words  | 6 Pages

    architecture and interior of the church. I will also explain the service I attended, Salutations to the Theotokos and my perspective of the service. But In order to fully understand all that I must first explain, leadership within the Church,and iconography. The Clergy of the Orthodox church are set apart through ordination and are divided into three orders, Deacons, Priest and Bishops. I found out by talking to Father Constantine that a priest can be married or celibate, as long as he is married

  • Passover and Easter

    1322 Words  | 6 Pages

    Traditions. These religions take different approaches to representational art and iconography which is found in their religious festivals. The Christian celebration of Easter and the Jewish Passover differentiate in their approaches to these icons in the history, the celebration and the symbols used during the commemoration of these holidays. Passover and Easter have many hidden representational art and iconography that are reflected in the historical stories behind Judaism and Christianity. For

  • Patriotism and The American Flag

    1007 Words  | 5 Pages

    There is much controversy surrounding the idea of patriotism and the iconography of the American flag in today’s society. Some believe patriotism is simply the act of supporting the decisions of the leaders of the country. Others say, to be patriotic, people should be outspoken and voice their oppositions to what is going on in the government. Opinions also differ on the idea of what the American flag represents. One opinion of the flags representation is that the flag represents our history, and

  • Sherlock Holmes Film Analysis Essay

    991 Words  | 4 Pages

    needed to meet certain audience expectations of how Sherlock Holmes would be portrayed and he would have also been required to approach all the conventions from a crime/murder mystery influence. Ritchie has especially fulfilled the character and iconography conventions because of the expectations that audiences will have about their traditional crime/murder mystery films, although he has challenged the cinematic style and mood conventions with a different approach. ‘Characterisation was a convention

  • Genre Films' Predictability and Formulaicity

    1595 Words  | 7 Pages

    in terms of iconography, then it would have to be agreed that genre is predictable and formulaic to a certain extent, as the western genre has to be predictable and formulaic because the films depict a certain part of the west in American history, so it therefore needs to show a realistic image of the west within all western films, as it is a true time in American history. In both 'The Searchers' and 'Unforgiven', there was examples of similar iconography, such as guns

  • Viewing A Work Of Art

    1503 Words  | 7 Pages

    Panofsky refers to as an image. The study of these images, alone and in collection, is what the historian uses to define iconographic analysis or, in more simple terms, iconography. By understanding the ideas that are denoted by the imagery in art, the viewer is better able to understand the meaning of the artwork itself. Iconography is especially relevant in interpreting concepts in religious art work. By its very nature, religious art aims to forge some kind of connection between the human viewer

  • The Annunciation: A Painting by Francisco de Zurbaran

    972 Words  | 4 Pages

    Painting by Francisco de Zurbaran Works of art can best be appreciated when the elements of design, the principles of design, and the iconography of the work are observed and understood. The Annunciation, a painting by the Spanish artist Francisco de Zurbaran, is a work of art that incorporates both the elements and principles of design. The iconography of the painting is of great importance as well as its aesthetic quality. The ability to create a picture of The Annunciation in one’s mind

  • James Bond, Die Another Day and Johnny English

    912 Words  | 4 Pages

    When Johnny English fired a missile into the speed camera they had to use special effects to make it look real. They also had to use a stunt man to climb out of the truck with Bough and into the sports car that it was towing. The iconography is very similar to James Bond, for example, the sports car, gadgets and the smart clothes. The only thing that makes this scene different is the humour used. As Johnny English’s character is supposed to mess up, he does things wrong

  • Genre and Narrative Establishment in the Opening of Pulp Fiction, The Krays and Goodfellas

    2175 Words  | 9 Pages

    this created a sense of realism, no iconography in the scene implied that the film's genre was gangster until Hunny Bunny pulled out his gun and slammed it onto the table. This is iconography generally used in this genre. Other iconography for a gangster film would reflect crime, drugs, and weapons, which Pulp Fiction, Goodfellas and The Krays all have at some point in the film. Goodfellas and The Krays also use iconography; the main use of this is to convey the

  • The Site of Mina Perdida (Lurín Valley)

    754 Words  | 4 Pages

    understood. The sacred effigy found at Mina Perdida had very unique characteristics. It had “Four deep vertical wrinkles above the nose and between the eyes which is a characteristic known from the Initial Period and Early Horizon religious iconography” (Berger and Salazar-Berger 41). The effigy is believed to represent a supernatural being although many of its characteristics resemble that of an anthropomorphic figure (Berger and Salazar-Berger 49). According to Berger and Salazar-Berger, it

  • Symbolism in Conrad's Heart of Darkness and Achebe's Things Fall Apart

    518 Words  | 3 Pages

    An iconography is a symbolic representation that carries hidden meaning of a term, image, and item. Both Conrad’s Heart of Darkness and Achebe’s Things Fall Apart fully describe many symbolisms of specific items and all of them are attached to different kinds of meaning behind. Although Heart of Darkness is a famous literature that was criticized by Chinua Achebe and each of their work represents different point of views during similar time of history, both literatures have a similarity that they

  • Science Ficiton Film Genre

    1856 Words  | 8 Pages

    both evidence to demonstrate the evolution of genre throughout history, while denoting reoccurring factors that have withstood change. When discussing about the iconography of a film, essentially it is addressing the “inherent meaning or intrinsic significance of objects and characters within any generic community” (Casper 278). Iconography comes from the narrative and visual repetition of certain aspects in genre films. This repetition creates a recipe of sorts that is expected from films that fall

  • Ancient Middle East And Roman Time Periods

    1042 Words  | 5 Pages

    Statue of Gudea, an Ancient Near Eastern work, and the Augustus of Primaporta, a Roman work, are good representations of art from their respective time periods. The two works have many similarities and differences within their formal elements, iconography, and historical significance to the time periods in which they were crafted. The Votive Statue of Gudea and the Augustus of Primaporta have similar formal elements through their subjects and differ through their styles and size. The Votive Statue

  • Indigenous American And European Culture

    1252 Words  | 6 Pages

    the composition and scale, and lastly, the subject and iconography of the work. This work appears to be made from sheet gold, feathers, and likely amatl (paper-like material made from tree bark) on wood. This medium, feather painting, (amantecayotl, in Nahuatl) was a traditional material in pre-colonial Latin America. Amantecayotl served as the original format that indigenous artists utilized to replicate European styles and iconography in the Viceregal time. This style was most commonly employed

  • Science Fiction : A Genre Of Speculative Fiction

    1537 Words  | 7 Pages

    Gorjira (Dir. Ishiro Honda, 1954) provide evidence that show how the genre has changed over time; the former film being set in the Silent Period and the latter film being set in the Posclassical Period. A genre is composed of myths, conventions and iconography. Myths of a genre tend to portray the content of a film as a defining force following certain ideologies. Science fiction follows the myths that extraterrestrial life forms are invading earth and here to harm humans or that shiny new technology

  • Essay

    693 Words  | 3 Pages

    tend to see ourselves differently than what is really there. An interesting nontraditional vanitas type painting that gives a great example of this is Pablo Picasso’s Girl Before a Mirror painted in 1932. The visual elements, unique design, and iconography that Picasso used smoothly communicates the theme of mortality while also influencing contemplation of self. There are many visual elements that help to balance the composition. The woman on the left and her mirrored image on the right gives the

  • The Woman in Black vs The Evil Dead

    1854 Words  | 8 Pages

    critical analysis aims to analyse one sequence from Sam Raimi’s 1982-film, ‘The Evil Dead’, and James Watkins 2012-film, ‘The Woman in Black’. Discussions will be made relating to the codes and conventions found in each film in which includes: iconography, mise-en-scene, cinematography, montage and sound, to emphasize that both films as fitting representations of the horror genre. A comparison and contrast of both films will simultaneously be given to highlight on the similarities and differences

  • Leonardo Da Vinci : Painting The Last Supper

    719 Words  | 3 Pages

    Leonardo da Vinci used flawless subject matter, form, content, and iconography to create his painting The Last Supper. Leonardo da Vinci painted his interpretation of what the Last Supper looked like through his work of art. In the center of his painting he painted Jesus Christ, the son of God, in the middle of all of his disciples. On each side of him there are an even number of six disciples sitting at a table pointing to themselves and to each other. Da Vinci painted this scene inside of a dark

  • Graeco-Buddhist Art in Gandhara

    975 Words  | 4 Pages

    Buddhist iconography (Fisher 1993). In a region called Gandhara (now Pakistan), we could easily see these kinds of influences in stone sculptures of Bodhisattvas. In this paper, we will see a comparison between a ‘Male Head From a Relief’ from Roman period with ‘Head of Bodhisattva’ from Gandhara, Kushan Dynasty and how sculptures in Buddhism had influence of Graeco-Roman period. This influence was said to be in North-Western region, Gandhara (now Pakistan). Gandharan Buddhist iconography emerged

  • Art And Art Essay

    1060 Words  | 5 Pages

    artists since the beginning of Christianity. Even some Christian churches are in the shape of crosses to reiterate this symbolism. An example of a church like this is the infamous Westminster Abbey. Another way to describe this symbolism is iconography. Iconography in art is basically the repetition of certain images or ideas that are identified with something significant. These icons help someone to identify what the work is associated with. An example of this in Buddhist art is the depiction of buddhas

  • Applying Showalter’s Idea’s to Branagh's Film of Hamlet

    1997 Words  | 8 Pages

    allows Ophelia to upstage Hamlet, and that this re-telling can be done by tracing the iconography of Ophelia in visual art, theater, movies, and even psychiatric theory.               Showalter's essay revolves around three linked themes. She believes that society's iconography of Ophelia demonstrates the cultural bonds between female sexuality and female insanity, and she thinks also that this iconography shows the historical exchange between psychiatric theory and the representation of Ophelia

  • The Beliefs Of Melissa Lynus By Melissa Dionysus

    2235 Words  | 9 Pages

    archaic times. These were: the wedding of Peleus and Thetis, which was a precursor to the Trojan War; the return of Hephaestus to Olympus after being thrown out by Hera; and the Gigantomachy, the battle between the gods and the giants. Changes in iconography of Dionysus can be seen in the evolution of vase art depicting these myths, as well as in art themes specifically focused on Dionysian activities such as cult worship, wine-pressing or theatre. The earliest known depiction of Dionysus in Attic

  • French and European Architecutre in 1600

    681 Words  | 3 Pages

    to the belief that this painting would have been the focus in the oratory. The size of St. John is extremely large in comparison to the size of the canvas. His presence encompasses most of the canvas making him the focus of the piece. The actual iconography of Caravaggio’s painting is typical of it’s time period, yet the portrayal of John the Baptist is what makes this piece unique. Unlike most portrayals of biblical figures, that St. John appears naturalistic and not idealized. Caravaggio expresses

  • The Impact Of Roman Influence On The Unc Library Website

    1796 Words  | 8 Pages

    of the UNC Library search. Once clicking on the link I was redirected to the Wiley Online Library where I was able to gain full access to the entire journal. This journal article is relevant to my research because it includes information on the iconography of Palmyrene art as well as how it includes aspects of both Greek and Roman art. This journal also shares why certain resources were used to create a vast amount of art in Palmyra as well as where the resources were found. The Quality of this paper

  • Miracle of St. Dominic

    354 Words  | 2 Pages

    color red attracts our attention to this man. There are also line of sight directed to him by St. Dominic and the spectators. He is also the only one kneeling down. Bartolo also demonstrates iconography. The horse (which is the only character that is out of scale) lying on top of the man may be an iconography of betrayal. He is out of scale because if he were to stand up he would be larger than everyone else on the picture plane. The horse being a symbol of companionship and reliability is lying on

  • The Mosaic in the Apse of San Vitale

    456 Words  | 2 Pages

    also mostly displayed in a frontal view. The globe on which Jesus sits also does not seem to be supporting him very well, adding to the two-dimensional feel. The work was done in 547 A.D.      Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monastery, on Mount Sinai, Egypt. It is another apse mosaic, depicting a frontal view of a bearded Jesus, suspended in a flat plane of gold. He is in a blue mandorla, and wears

  • The First Environmentalist

    1793 Words  | 8 Pages

    relationship with the environment. Buddhism new and old is intertwined with nature and the environment. Buddhism is intrinsically, at its core, environmentalism. Environmentalism shines through many aspects of Buddhism: the middle way, Samsara, Karma, iconography, and impermanence. These facets led to Buddhism containing an underlying theme of environmentalism. When the Buddha first began Buddhism he was concerned with how people live their lives. Before he was the Buddha, Siddhartha Gautama, was a wealthy

  • Maori Body in Paul Gauguin´s Western Eves

    1381 Words  | 6 Pages

    Gauguin that there were other ways to see, feel, understand, and organize the perceptual world. Through this new style, Gauguin hoped to invoke all of the senses through the means of musicality, mysticism, dream, and myth. Before analyzing the iconography of Gauguin’s Tahitian Eves within a colonial discourse, it is imperative to consider the Western impulses which would have necessarily colored Gauguin’s perspective of both Tahitian women and religion. Rousseau’s A Discourse on the Origins and Foundations

  • Is Veneration of Icons Idolatry?

    3459 Words  | 14 Pages

    hand, Dr. Cavarnos argues that holy icons serve to help believers to be transformed and sanctified and to lift them up to the prototypes which they symbolize, to a higher level of thought and feeling (1992:1). History shows that the subject of iconography precipitated the longest-running and most violent of the theological debates to shake the internal life of the Orthodox Church: the so-called iconoclastic controversy which produced many martyrs and confessors like St. John of Damascus during the

  • Stagecoach

    1190 Words  | 5 Pages

    clear that the industrialization of the economy had produced a social order in which wealth and power would increasingly be concentrated in the hands of relatively few men . . . "(p 31). It was this social order that influenced iconography of many 'B' westerns. Such iconography would create the ideal of the crooked banker, or the shoot em' up outlaw and even a brothel prostitute, all of which are found in Ford's Stagecoach. The social classes that each character can generally be categorized as an upper

  • Designing and Producing a Series of Advertising Posters for a New Horror Movie

    603 Words  | 3 Pages

    their own ideas of the film. That’s why we don’t give out to much information on the posters as to what the film is actually about. The understanding of audience and genre for this project will be important to its success. Things like iconography, stereotypes and generic conventions will be very important. When a film is being marketed to an audience the main aspect will be its genre, therefore the poster must attract audiences which will lead to the films’ success. It is

  • Women 's Image As An Ageing Queen

    728 Words  | 3 Pages

    had throughout her reign reclaimed the colours black and white as her own, and with her personal motto 'Semper Aedem ' – 'Always the same ' – the Procession Picture appears as a perfect example of the queen combining different elements of her iconography, as a permanent Virgin Queen, to convey the idea of supreme, and almost supernatural power.33 Elizabeth needed to be represented as unchallengeable, and by using the 'Mask of Youth ' not even time could affect her. By being represented forever

  • Vaishnavism: Brief Insight into one of the Main Branches of Hinduism

    1948 Words  | 8 Pages

    Kapilamuni. The faces of Varaha and Narasimha are depicted outward and not inwards to create a clear angular dimension. Surprisingly, Varaha is depicted as ferocious as Narasimha in the icons found at Avantipura. Towards this stage of Vaikuntha iconography there are three stages.They are Bija Mantra, 18 syllabled Murti Mantra and Dhyana Mantra.The Vaikuntha cult spread from the Ganga-Jamuna plain to present Bangladesh. The Vaikuntha form of Vishnu is a complex form of Vishnu and is also known as Vaikuntha

  • Example Of The Dolce & Gaybana (D & G Advertising Campaign?

    569 Words  | 3 Pages

    camera in conjunction with his pose would give off a very manly and over sexualized vibe to the audience, which would further incline them to purchase the one. The iconography of the unbuttoned shirt is a cliché in the romantic genre. This would require the addressee to have a prior knowledge on the romantic genre and by having this iconography this advertisement would narrow down the certain age demographic for a narrower portion of society. The image requires the addressee to an active audience forcing