An Overview of Electra Euripides' play Electra, produced in 415 b.c.e., starts with a peasant recounting past events: Clytemnestra and her lover Aegisthus
Deceitful Clytemnestra of Euripides' Electra Agamemnon returns from Troy, a victorious general, bringing home spoils, riches and fame. He is murdered
First Impressions of Clytemnestra in Euripides’ Electra The play begins with the dreary-eyed watchman, scared stiff ("old comrade, terror" 17) of
Euripides’ Electra is a tragedy that encourages readers to consider the problematic nature of humanity’s response to injustice: its quest to make fair
vs Euripides Sophocles’ and Euripides’ versions of Electra carry, among many similarities, a central theme of revenge. The characters, Electra and
Euripides was accused by his contempories of being a woman hater. Why do you think this was so, and how justified do you think the accusation was?
The Redeeming Features of the Characters in Electra In Euripides' 'Electra', there are a number of parts, speaking and non-speaking, that reveal the
Women Behaving Like Men in Antigone, Electra, and Medea Throughout Antigone, Electra, and Medea, many double standards between men and women surface
Euripides and Sophocles wrote their own versions of the Electra story. The basic plot is as follows: Agamemnon is killed by Clytemnestra and her lover
Importance of the Tutor in Electra When delving into a novel, drama or other character-based text, analysts often focus their search around the supposed
herself, the role of villain, the role of victim, and the role of heroine. Euripides (485-406 BC) is considered to be the most socially critical of all the
Vengeance in Electra, The Bacchae and Frankenstein In today's world, vengeance is still in existence, bubbling below our calm facade, waiting for
Euripides: A Greek Playwright Euripides is a keen witness to the human character and the father of the psychological theater. His plays were modern at
Introduction:- Since Sophocles and Euripides’s tragedies Electra and Orestes got so much success, name and received great critical acclaim they have been
In Clouds and Electra, Aristophanes and Euripides distinguish the evolution of maturity in Strepsiades, Orestes and Electra through each character’s response
Euripides Support of Women’s Rights One can hardly deny that in Euripides’ plays women are often portrayed as weak, uncertain, and torn between what
Language in Aeschylus Language is Aeschylus' juggernaut: he uses striking, innovative words to drive an image into the mind of his audience. Clytaemestra
Drama as a literary genre is meant to be enacted on stage by actors before an audience. Tracing back the genesis of western dramatic activity, one could
Revenge in Aeschylus' The Oresteia Trilogy and Sophocles' Electra The act of revenge in classical Greek plays and society is a complex issue with unavoidable
Vengeance in Oresteia From the beginning of time vengeance or retribution has been part of the human condition. This is especially true in Aeschylus's
Euripides had two disastrous marriages to unfaithful wives (Monogan). Thus, his general
The chorus’s perspective of justice works differently in Euripides’ Medea and Aeschylus’ The Libation Bearers. In both The Libation Bearers and Medea
Justice in the Oresteia Justice is often taken for granted in the world we live in today with a judicial system that gives fair punishment for most
Women in classical Athens could not have had an extremely enjoyable experience, if we rely on literary sources concerning the roles of women within the
Medea as Woman, Hero and God In Euripides' play the title role and focus of the play is the foreign witch Medea. Treated differently through the play