James Chambers English 12H Period 3 Mrs. Chappell 5/16/14 Background: Edmund Spenser was a poet who is most famous for his work “The Faerie Queen”. Unfortunately his ma¬¬-ster piece went unfinished. Spenser also held minor offices in Ireland. He owned and lived in the castle Kilcolman in county Cork until 1598 when the Tyrone rebellion burned his castle down because he was a tyrant who tortured and prosecuted the Irish people. He even suggested he favored the annihilation of the Irish people in
the English Renaissance author, Edmund Spenser, was influential in more ways than one. The Renaissance was a time of discovery and economic and artistic blossoming. After a challenging time, England was finally beginning to thrive. However, the creative influence of the Renaissance did not seem to reach them. While other countries, such as Italy, were growing artistically, England lacked the motivation and creative minds necessary to make change. But, once Edmund Spenser’s works began to be publicized
Edmund Spenser was a well-known poet during the 1500s, who greatly influenced the way poetry was written. There is not a lot to know about Spenser’s childhood life, but many people have heard of him because of his unique writing style. During the 1500s many poems were written in Petrarchan or Shakespearean sonnet form, but Spenser chose a different form to use. Spenser used a very creative style known as the Spenserian sonnet; Spenser’s poems were based on romance since his wife, Elizabeth Boyle
the works of William Shakespeare and Edmund Spenser it is clear that some similarities are apparent, however the two poets encompass different writing styles, as well as different topics that relate to each other in their own unique ways. In Shakespeare’s “Sonnet 18” and Spenser’s “Sonnet 75”, both poets speak of love in terms of feelings and actions by using different expressive views, allowing the similar topics to contain clear distinctions. Although Edmund Spenser’s “Sonnet 75” and William Shakespeare’s
Edmund Spenser (c. 1552 in London , † January 13 1599 ) was an English poet , elder contemporary and one of the models of William Shakespeare . • He was born in 1552 or 1553, the son of the tailor John Spenser and his wife Elizabeth, from Lincolnshire had come to London. Edmund attended Merchant Taylor's School , where the schoolmaster Richard Mulcaster tested a new educational idea. Mulcaster saw not only the Latin culture, but also the native language ie English, Education, to be important. Spenser
Edmund Spenser vs Virgil and Ariosto Some scholars believe Spenser did not have sufficient education to compose a work with as much complexity as The Faerie Queene, while others are still “extolling him as one of the most learned men of his time”. Scholar Douglas Bush agrees, “scholars now speak less certainly that they once did of his familiarity with ancient literature”. In contrast, Meritt Hughes “finds no evidence that Spenser derived any element of his poetry from any Greek Romance”. Several
Biography of Edmund Spenser I. Edmund Spenser (1552-1599) the Great English Poet. A. Edmund Spenser began, intentionally and calculatingly, to become the master English poet of his age. B. Unlike such poets as Wyatt, Surrey, and Sidney, born to advantage and upper-social class, Spenser was born of moderate means and class, in London, possibly in 1552. C. He received a notable education, first at the Merchant Taylor’s School, then at Pembroke College, Cambridge, where he was registered as
Poetry is continously seen as a way of leaving a mark in various poems, especially those of Sonnet 18 by William Shakespeare, as well as Sonnet 75 by Edmund Spenser. Spenser states to his love, that his “verse your virtues rare shall eternize,” basically declaring that through his poetry she will live forever (Spenser 11). It seems vain of the speaker to say that his poems will live forever, since he seems to regard himself in such a high standard. Shakespeare was also confident of his skills, as
Dragons in Beowulf and in Edmund Spenser’s The Faerie Queene When one usually thinks of a dragon, one thinks of dragon-slayers, adventure, damsels in distress, and cheap fantasy novels. Dragons in literature have not always been used for such meaningless entertainment. There are many precedents for dragons in medieval literature, two of the most prominent being in the Old English poem Beowulf and in Edmund Spenser’s The Faerie Queene. In both of these epic poems, dragons play major
In Edmund Spenser’s epic romance titled, The Faerie Queene, the author takes the reader on a journey with the naive Red Crosse Knight on his route to finding holiness. On the Red Crosse Knights journey to holiness, he encounters two very different women that affect his travels to becoming a virtuous man. The first woman the Red Crosse encounters is Una, a woman that represents innocents, purity, and truth. Una is beautiful and graceful yet appears to be the strong force that leads the Red Crosse
“Sonnet 55” and Edmund Spenser’s “Sonnet 75” from Amoretti both offer immortality through verse, only Spenser combines this immortality with respect and partnership, while Shakespeare promises himself immortality as long as the sonnet continues to be read. Spenser debates with his lover, treating her as his equal as Shakespeare takes an egotistical approach to the topic and praises himself. However, both Shakespeare and Spenser treat the subject in an original and individual manner. Spenser starts from
Imitative and Performance all interweave among each other in terms of literature. To play is to perform, to bring in our own evaluations are to enrich the developing recreational piece in progress. Key sections of Philip Sidney's Astrophil and Stella and Edmund Spenser's Amoretti will be assessed in terms of their dramatic qualities in forwarding the sonnet form to a stage appreciation. This essay will be situated around these poets of the sixteenth century, a period in which the sonnet broke away from
55” and Edmund Spenser’s “Sonnet 75” both present immortality through verse, only Spenser combines this wish for immortality with love and companionship, while Shakespeare promises himself immortality as long as the sonnet continues to be read. Spenser debates with his lover, treating her as his equal, whereas Shakespeare takes an egotistical approach to the topic and praises himself. Nevertheless, both Shakespeare and Spenser approach the subject in an original and individual manner. Spenser begins
The Faerie Queene Book I by Edmund Spenser is an allegorical epic poem in which Spenser describes adventures of a hero, Redcrosse, and his achievement in his quest taken on Una’s behalf. His quest is a spiritual allegory; it represents the Christian struggling heroically against many tribulations and temptations—dishonesty, the seven deadly sins, and despair—to some of which he succumbs before finally emerging successful. Although this poem focuses mainly on Redcrosse as the heroic protagonist Spenser’s
daughters and the love test or read it in a later version cannot be proven, but... ... middle of paper ... ...ly continuous was masterful. Despite the use of all the sources, the additions of the Fool, the earlier death of Cordelia, the plot of Edmund to take over the kingdom, and the blindness of Gloucester (literally) and Lear (emotionally) was pure genius of Shakespeare. The blending of both the sources and his genius led to a complete and amazing story of redemption, the same way that Jane
fourteen lines in a stanza. Love is one of the most popular themes that most people would think of when it comes to sonnets. Love is an emotion that people can relate to because everyone has a different opinion and experience when it comes to love. Edmund Spenser’s sonnets “Amoretti LXXV One Day I Wrote Her Name” and “Amoretti and Epithalamion XXX My Love is like to ice, and I to fire” are the two sonnets that capture my attention. Both sonnets are a form of the Spenserian sonnets due to the different
Mr. Novak British Literature H 22 March 2014 The English Renaissance The English Renaissance is one of the most important time periods in literature history due to its historical background, stunning authors, inspirational literature, and its use of literary devices. The English Renaissance dated from the late fifteenth century to the early seventeenth century. The English Renaissance was a cultural movement that affected all forms of art such as literature, painting, and music. The later sixteenth
"Sonnet 130," by William Shakespeare, is probably a mockery of love poems of his era which focus mainly on comparing the loved one to nature and heavenly characteristics. An example of such poems is "Epithalamion," by Edmund Spenser, which sticks to the conventionality of it's time. Shakespeare's style used conveys his love for his "mistress" in an honest and sincere way without "false compare," which makes it more acceptable than the poems of his time. He does not in anyway think of his love
Elizabeth I is considered to be the “Golden Age” of English history. During her reign, arts and literature flourished and became more diverse, which can clearly be seen in some of the greatest poets’ works, such as Sir Thomas Wyatt, Sir Philip Sydney, Edmund Spenser and William Shakespeare. Poetry in the Elizabethan age went through many changes and developments, in terms of form, imagery, subjects and themes. Most poets of this age tried to explore new genres and themes, however Queen Elizabeth I remained
Allegory is used in written works to reveal a hidden meaning of something. Typically the hidden meaning is a political or moral one. The Faerie Queene by Edmund Spenser and King Lear by William Shakespeare use allegorical references within its sentences. Spenser once wrote to Sir John Walter Raleigh about his planned structure of his epic poem and revealed that each character and event is supposed to be an allegorical meaning behind it. Shakespeare and Spenser’s characters and events within the epic