“Frankenstein”, otherwise known as the “Modern Prometheus” explores the prominent theme of scientific progression and the transgression of science threatening religion in the post-Augustan age where society valued the power of the imagination and the spirit. Allusions to Coleridge works such as “The Rime of the Ancient Mariner” act as an effective tool to re-iterate many Romantic values. Also, Shelley alludes to Galvani’s experimentations in the late 18th century to mirror that of Victor’s “infused spark of being” into a “monster of hideous proportions”. Shelley utilizes a framing device to parallel the expeditions of Walton to the trials of Victor through the use of Walton’s opening letters. Both men share an ambitious desire to achieve brilliance and fame such as to “discover the power of the needle…tread a la...
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...rayed as physically and mentally superior to humans. Paradoxically, most of the emotion displayed in the film is shown from the replicants, in particular when Roy experiences an epiphany “tears in rain” just before his expiration. This illustrates the replicants are in fact a manifestation of mankind in its purest form and the detrimental effects of the vices and follies of humanity.
In conclusion, both Mary Shelley’s “Frankenstein” and Ridley Scott’s “Blade Runner” are cautionary tales despite being written in different time periods. The central themes of scientific progression, science vs. religion and marginalization is explored within both texts, tied by various techniques to represent each text as a product of its time shaped by contextual values. Moderation within humanity is necessary to limit mankind’s transgression of knowledge and technological advances.
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