Satan’s Competing Desires in Paradise Lost In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character. …show more content…
Satan frequently characterizes “the tyranny of heaven” and employs negative diction in his depictions of both heaven and God (I.124). His negative portrayals of God and his kingdom highlight his utter dissatisfaction with being subservient to God and, from that, his desire for autonomy. In the exposition of the text, Satan’s emotions toward God make themselves apparent when Satan “throws his baleful eyes / That witnessed huge affliction and dismay / Mixed with obdúrate pride and steadfast hate” (I.56-58). Satan reveals himself to be furious with his continued subjugation to God as well as his inability to truly revenge himself against his subsequent punishment. According to Satan, God’s dissimulation of his power tempted Satan and others to rise …show more content…
The diction Satan employs in this sentence also illuminates his intense perturbation at the thought of acknowledging God as superior. Words such as “wrath or might”, “extort”, “bow and sue for grace”, and “terror of this arm” depict God as an overbearing tyrant (I.110-113). This conveys Satan’s despondency with God’s failure to reciprocally acknowledge Satan as God demands to be glorified. Although Satan can never reconcile his two rivaling desires, his attempts for autonomy and recognition from God result in catastrophic circumstances, both for Satan and humanity. As previously established, Satan travels to Eden in order to tempt mankind. In order to do this, Satan persuades Sin and Death to allow him to pass through Hell’s gate. The immediate result of this is that Satan also releases Sin and Death who paved a path:
From hell continued reaching the utmost orb
Of this frail world; by which the spirits perverse
With easy intercourse pass to and
Satan is very easy to sympathize because he is more like man than god is, he has more characteristics and feelings that god does not have. He has jealousy, fear, pride and he makes mistakes like we all do. His pride is what got him where he is today, thinking he could take over heaven for the better of the angels. But when has god ever made a mistake? He doesn’t because he’s so perfect. When one looks around it is clear every human around you is not perfect. We all make mistakes, regrets, but that does not mean we should be thrown away from earth. The way Satan thinks, feels, and acts is all very human and that’s one reason we can sympathize with him, because we’ve all been there at one point in time. At an all-time low, that’s we he ends up embracing his future like he should.
When a person hears Satan, a streak of fear, and the thought of evil, arises. People fear Satan, and think of him as evil, but in John Milton’s Paradise Lost, he displays a thought of the Father being the evil being, and Satan a tragic hero. In Paradise Lost, Book 1 and 2, the minor areas where God is shown, He is displayed as hypocritical. He contradicts himself by creating the humans to be of free will, but when Satan displays free will, he is shunned. Satan can be described in many terms, and by many people, but all can be disputed.
Satan proves his leadership by managing to cause the fall of other angels as well. He has a legion of rebel angels that he has somehow convinced to join him in his revolt against God. The angels and he mistakenly believe him to be just as powerful as God (line 40). Perhaps his futile attempts to win are what attract the sympathy and understanding of human beings, for mankind is constantly trying to change things they will never be abl...
We soon learn that we cannot get answers in hell, but we begin to see certain questions, and the possibility that their answers may appear when we see the actual dramatic presentation of the rebellion. For one thing, Satan’s “innumerable force” receives a definite tally later- it is only one third of the angels. And this fact will look different when we learn that God opposes the enemy force with an equal number only, and then puts a fixed limit on the individual strength of the contestants, and then sends only the Son against the rebels, and with His strength limited too. Satan puts so much concentration on having shaken the throne of god, against “His utmost power”-“Who from the terrour of this Arm so late/...
In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the first few Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satan's thoughts parallel the idea of "Evil, be thou my good," (p76, line 110) which is the opposite of what G-d intends.
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
The intent behind making Satan the protagonist of Paradise Lost could have very well been Milton wanted people to sympathize with Satan. People are all flawed in some way or another. This text is Milton 's explanation of why people aren 't and can 't be perfect. Adam and Eve yielded to the temptation of Satan so now we all have a little of the devil inside of us. Because of the evil inside of us all we are able to relate to Satan more than God. Satan in
Discuss Milton’s presentation of Satan in Paradise Lost. There has been considerable critical interest in the figure of Satan in Paradise Lost. and in the possibility that he may be the true hero of the epic poem. The opening of The poem finds Milton in a tough spot: writing an epic poem without an epic hero in sight. The sand is a sand.
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C. W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position: the individuals who believe that Satan is neither the hero nor the villain of the epic.
John Milton’s Paradise Lost continues the epic tradition developed by the ancient Greek and Roman poets. Composed in exact imitation of its predecessors, the work depicts all characteristics of a traditional epic poem—including the epic hero, a powerful embodiment of societal values. Milton presents his hero in a most unpredictable form: Satan. Despite the unorthodox oddity, the former archangel exhibits the conventions of an epic hero. Milton’s forced perception of Satan as the hero of the poem reflects his stated purpose for writing the piece. By placing Satan in a traditional heroic role, Milton illustrates his manipulative and cunning nature, which anyone can easily fall prey to, and resultingly fashions Satan into an antihero.
There have been many different interpretations of John Milton's epic, Paradise Lost. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. Through-out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
Seeing paradise only reminds Satan of what he lost as a result of his fall from Heaven. Satan comes to the conclusion that he is the very embodiment of hell, bringing it everywhere he goes : “The Hell within him, for within him Hell /He brings, and round about him, nor from Hell/One step no more then from himself can fly (20-22).” Compared to the Bible, we actually get to see the torment Satan suffers as he lives his life as God’s adversary. Satan actually takes responsibility for his fall , pointing out the flaws that led to it: “Till Pride and worse Ambition threw me down” ( 40 ) . Unlike the Satan in Genesis and Job, Milton’s Satan clearly understands why he has fallen. As Satan continues to ponder his situation , he realizes that even if there was a chance for his redemption, he would never be comfortable being God’s servant. Sooner or later, the same feelings of inferiority and the desire to overthrow God would rise. Satan becomes bitterer as his soliloquy goes on and resolves that his fate is sealed : “So farwel Hope, and with Hope farwel Fear,/ Farwel Remorse: all Good to me is lost;/Evil be thou my Good;”( 108-110). He then goes on to continue his revenge plot on God. Angry with God for putting him in the position to fall , Satan sees the same potential for failure in Adam and Eve. He then explains that it is in fact God’s fault that he must corrupt them and tells them to “ Thank him
In his epic poem Paradise Lost, John Milton presents Satan as a complex and multifaceted figure. As Jeffrey Burton Russell describes in The Prince of Darkness, Milton’s goal in writing this epic poem was to “justify the ways of God to men” (Russell, chap.12, p.15). With this in mind, it is easy to interpret the character of Satan as a mere foe, the evil at the opposite of God’s goodness, and to see God as the obvious protagonist of the poem. Things in Milton, however, are not quite as black and white, and while the justification of God’s actions is at the centre here, it is the character of Satan who drives the poem forward, as a protagonist should.
MacCaffrey, Isabel. "Satan’s Voyage". Modern Critical Views: John Milton . Bloom, Harold, ed. Chelsea House Publishers: New York, 1986.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)