George Schuyler’s article “The Negro Art Hokum” argues that the notion of African-American culture as separate from national American culture is nonsense. To Schuyler, all seemingly distinct elements of African-American culture and artistic endeavors from such are influenced by the dominant white American culture, and therefore, only American. The merit of Schuyler’s argument stems from the fact that it is practically impossible for one culture to exist within the confines of another without absorbing certain characteristics. The problem with Schuyler’s argument that Langston Hughes notes in his response article, “The Negro Artist and the Racial Mountain,” is that it assumes complete assimilation of African-Americans by a singular national culture. Fundamental to Hughes’ rebuttal is the allowance of a unique African-American culture extant of the standards of a singular American cultural identity. For Hughes, this unique culture lies within the working-class, out of sight of the American national culture. This culture, while neither completely African nor American, maintains the vibrant and unique roots of the African-American experience. Schuyler advocates cultural assimilation, while Hughes promotes cultural pluralism, in which minority cultures maintain their distinctive qualities in the face of a dominant national identity.
Throughout Anzia Yezierska’s novel “Bread Givers,” the character Sara Smolinsky goes through an elliptical journey from a rebellious youth appalled by the individual limitations of her cultural heritage to her gradual acceptance of her inability to escape her ancestry. At first rejecting her Orthodox Eastern European Jewish culture, Sara views the world in terms of a sole American identity. As ...
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...oreover, Hugo’s eager acceptance of Sara’s father and his cultural traditions draws Sara full circle into reconciliation with both her father and the traditional Jewish culture he personifies.
Sara Smolinsky’s culture, like the African-American culture promoted by Langston Hughes is neither purely Jewish nor American. As a student, Sara is not an American college student; as a teacher, Sara is not an American teacher. She is a Jewish-American student; she is a Jewish-American teacher. Her cultural identity is shaped by both worlds. She is Americanized to an extent, but her cultural origins remain distinct from those identified as purely American. Her American college education distanced her from the Old World culture embodied by her father, yet her return to the community marks the importance of—and the inability to remove herself entirely from— her roots.
The novel Bread Givers by Anzia Yezierska examines the roles and experiences of Jewish immigrants in America roughly after the years of WWI in New York City. The novel follows the journey of Sara, a young Jewish immigrant, and her family who comes to the country from Poland with different beliefs than those in the Smolinsky household and by much of the Jewish community that lived within the housing neighborhoods in the early 1900s. Through Sara’s passion for education, desire for freedom and appreciation for her culture, she embodies a personal meaning of it means to be an “American”.
... while she still has time (257). She fails at first, thinking her father is “bereft of his senses” in his second marriage (258). She believes this despite the Torah saying, “a man must have a wife to keep him pure, otherwise his eyes are tempted by evil” (259). Gradually, Sara begins to understand her father: the only thing he has in life is his fanatical adherence to traditions; “In a world where all is changed, he alone remained unchanged” (296). Reb has a deep and true fear of God, to expect him to change beliefs that he believes have been handed down by God, beliefs that have persisted for thousands of years, is illogical. It is impossible to reconcile fully the New World with the Old, and it is the responsibility of the New to be the more flexible, unfair as it may be.
Book three of the novel “Bread Givers,” written by Anzia Yezierska is set in New York. The story revolves around Sara Smolinsky, her family and the struggles they face in their daily lives. The main conflict in book three is Sara’s guilt for leaving her family and pursuing her career without seeing them for six years. For example, when she comes back to see her family, she realizes she is too late. Her mother is dying. Sara feels horrible that she didn’t come to see her mother and spend more time with her. She knows that she should’ve come to see her mother instead of investing so much time with school. Then, her mother dies a couple days later. She decides to stay and visit her father, Reb Smolinsky, often but doesn’t visit him after he gets married again only thirty days after her mother died. A couple months later, she sees Reb again but he’s working. She feels guilty for not supporting him and giving him money in his time of need. To see him working to get money for his greedy wife made her feel terrible. In the end, Reb can’t stand being in the same house as his wife and decides he wants to leave. He doesn’t know where to so Sara decides to take him in and let
Anzia Yezierska has written two short story collections and four novels about the struggles of Jewish immigrants on New York’s Lower East Side. Yezierska stories explore the subject of characters’ struggling with the disillusioning America of poverty and exploitation while they search for the ‘real’ America of their ideals. She presents the struggles of women against family, religious injunctions, and social-economic obstacles in order to create for herself an independent style. Her stories all incorporate autobiographical components. She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections.
In order to obtain religious, social, political, and equality 23 million Jews immigrated to America during the years between 1880 and 1920 (Chametzky, 5). Anzia Yezierska wrote about her experiences as a poor immigrant in her fictional work becoming a voice of the Jewish people in the1920s. She struggled to obtain an education that allowed her to rise above her family’s poverty and gain a measure of autonomy. Rachel and Sara, the female protagonists, mirror the author’s life going from struggling immigrant to college graduate. Yezierska uses her own experiences to portray the Jewish immigrant experience with a woman’s perspective. She successfully gained a commercial following that allowed her to mediate the cultural differences between the mainstream culture and the Jewish people that helped resolve differences between the established Americans and these new immigrants for a time (Ebes...
I chose to write about Jewish-Americans after my mother, who was raised Christian, chose to identify herself as Jewish. In my reading I examined Jewish culture and how it is in American society. I looked at how Jewish-American culture has become a prominent component of American society. I looked at the historical forces that have shaped Jewish-American experience in the United States. I looked at demographics of where most Jewish-Americans live. I examined how Jewish-Americans have contributed to our culturally pluralistic society in the United States.
Krupnick, Mark.. "Jewish-American Literature." New Immigrant Literatures in the United States: A Sourcebook to Our Multicultural Literary Heritage. Ed. Alpana Sharma Knippling. WEstport, Connecticut: Greenwood Press, 1996. 295-308.
This image is the author’s perspective on the treatment of “his people” in not only his hometown of Harlem, but also in his own homeland, the country in which he lives. The author’s dream of racial equality is portrayed as a “raisin in the sun,” which “stinks like rotten meat” (Hughes 506). Because Hughes presents such a blatantly honest and dark point of view such as this, it is apparent that the author’s goal is to ensure that the reader is compelled to face the issues and tragedies that are occurring in their country, compelled enough to take action. This method may have been quite effective in exposing the plight of African-Americans to Caucasians. It can be easily seen that Hughes chooses a non-violent and, almost passive method of evoking a change. While Hughes appears to be much less than proud of his homeland, it is apparent that he hopes for a future when he may feel equal to his fellow citizens, which is the basis of the “dream” that has been
Following the death of her mother and her father being tormented by his new wife, Sara, with her new lover Huge Seelig, decide to take him in. This decision is the product of her guilty conscience upon seeing her father old and alone on the street. When he contemplates whether or not he will decide to live with Sara and Hugo, Sara notes that she feels his tyranny once again. The book ends on a poignant line with Sara remarking that “I felt the shadow still there, over me. It wasn’t just my father, but the generations who made my father whose weight was still upon
The most important factor that shapes Sara Smolinsky’s decision is individual time. She is characterized as an intrapersonal individual. She is very concerned about herself and her life goals. Unlike her sisters Sara sees beyond her parent’s beliefs and the poverty surrounding her. Throughout the novel Sara endeavors a transition between her old World on Hester street and her new world as a clean idealist. In the novel Sara continuously mentions her need to become a person in society. For instance, at her mother’s funerals she refuses to rend her garment to show grief (297). This shows how extreme Sara is about completely neglecting the Torah. This also gives an insight to how self-observed she is that doesn’t wouldn’t even respect her traditions
According to Coming to America: A History of Immigration and Ethnicity in American Life, between 1880 and about World War I, the vast majority of Eastern European Jews and Southern Italians came to the United States populating neighborhoods in New York and the Lower East Side is the best example. One thing, which was common to the immigrant experience is that, all immigrants come to the United States as the “land of opportunity”. They come to America with different types of expectations that are conditioned by their origins and families. But every immigrant comes to America wanting to make himself/herself into a person, to be an individual and to become somebody. In this case, the author showed in Bread Givers, Sarah’s desire to make herself into something and bring something unique to America, which only she can bring. It is an effort to understand the immigrants, particularly Jewish immigrants, from a woman’s point of view. The book shows that it was a challenge for Jewish immigrant children, particularly females, on the account of the intensity of their family’s connections and obligations that was so critical for the immigrant communities. This was true for the immigrants who came to settle in the neighborhoods like the one Sarah and her family settled in.
Many immigrants came to America during the 1920s in hopes of escaping the harsh poverty of their previous country. After the initial excitement of the new country wore off though, immigrants once again found themselves poverty stricken but this time, in America. The novel, Bread Givers, written by Anzia Yezierska, reveals the struggles that immigrants often encountered in the new world through the eyes of seventeen year old, Sara Smolinsky, and her family. The Smolinsky family immigrated from Russia to America in the 1920s and lived in a dirty, crowded street tenement on the Lower East Side of New York. Living with her three older sisters, mother, and father, Sara became fed up with the life which she was living. She had to work hard every
From the late 1890’s to the early 1920’s Anzia Yezierska’s novel Bread Givers illustrating the immigrant experience with generational conflict. During the 1890’s to the 1920’s a massive influx of new immigrants, primarily from Southern and Eastern Europe resulted in the Americanization movement. These restrictions on immigration came from the western frontier closing, fast paced industrialization, city and rural emigration, economic distress and labor conflicts. Within cities immigrants were grouped into specific neighborhoods; the Jewish Religion was placed on the Lower East Side of New York City. The primary source of conflict between emigrants and their children at the turn of the twentieth century was Americanization.
“I have a dream that my four children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character” (Martin Luther King Jr., “I had a dream speech”). Racism, a strong weapon used against equality. Langston Hughes portrayed his view of societal racism in poetry and songs. Quite a strong soldier in the war against prejudice, his train of thought was precisely what society needs, yet fears. Racism should be distinguished, but is as strong as ever. The end of its reign would enhance the ability of minorities in terms of jobs, societal acceptance, and life in general. Langston Hughes communicates his theme of racism and overcoming it through his use of Symbolism, Tone, and Anthropomorphism.
Hughes explains the awareness of the black uprising and racial breakdown stories of submission essential to African Americans about the time of slavery. Weakening the traditional idea of what negroes were forced to think their lives were like for the past three hundred years. Hughes’s Harlem Renaissance poetry not only condemns white oppression, but it also disproves the condition of being lower class which was pointed toward black people being left out of human history. After the Harlem Renaissance, Hughes left his trends of poetry to move on to a Marxist art prioritizing social and political narratives that reflected on the interest of his people. Hughes’s shift from folklore poetry to revolutionary poetry in the 1930’s, is explained in his poem “White Man” where racial conflicts between blacks and whites is replaced with class struggle of most economic exploration and capitalism