In this play, Samuel Beckett creates two flat characters. Both Vladimir and Estragon do not develop from their experiences and learn something about themselves throughout the course of the play and do not possess a strong sense of creativity (Valentine). Vladimir and Estragon also lack a sense of individuality as displayed from the meaningless conversations that they partake in. The pointless conversations that they have on the first day are not much different than those that they have on the second; Therefore, this proves that they do not display change in their character from the first day to the second day. Since their lives have not developed much throughout the courage of the play, one can infer that they will not change after the experience of waiting for Godot. Despite being capable of thought, they do not develop over time. Perhaps they do not develop as characters because they are not capable of changing. If they are not capable of changing, then this implies that they do not h...
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...e an existential play because Samuel Beckett does not consider himself to be an existentialist, the characters presented can be existential. If the characters are existential in nature, then they are made to represent something greater than themselves and display hidden meanings. On the outside, the play is just about two men waiting for another man that never shows up. However, if you look deeper, the play was made to represent the greater message of hope. Vladimir and Estragon wait for Godot, or hope, to arrive that will relieve them of their life of suffering. Perhaps the hope that Vladimir and Estragon possess is the same hope that human beings possess in the hope for a better future. Maybe the meaning of Waiting for Godot is that it has no meaning at all, in which the readers are able to create their own interpretation instead of being told what to think.
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