He made a name for himself with soft-spoken, romantic roles. Lately it seems like Salman Khan's mission in life is to prove what a very good actor that makes him.
Son of scriptwriter Salim Khan (who co-wrote classics like Sholay, Deewar, Zanjeer, and Mr. India), Salman shot to fame as a gentle Romeo in the 1989 blockbuster Maine Pyar Kiya. He then went on to star in some of the biggest hits of the 90s, among them Hum Aapke Hain Koun...!, Karan Arjun, and Hum Dil De Chuke Sanam. In recent years, however, his drama off-screen proved more gripping than any movie. He moved from scrape to messy scrape with the law, the media, and his sometimes girlfriend, Miss World-turned-actress Aishwarya Rai. Columnists bemoaned his bad boy ways. Religious fundamentalists protested his taste in women (he was a Muslim; Aishwarya, a Hindu). But all along, diehard fans swore he was simply misunderstood.
Now he stands accused of manslaughter. And even those fans may reached their limit.
Fall 1998 marked the beginning of Salman's legal troubles. While in Jodhpur, Rajasthan to shoot the 'Mhare Hivda' song sequence for Yashraj's Hum Saath Saath Hain, he and several costars went hunting in the nearby Thar Desert. The group strayed onto a Bishnoi reservation, where Salman shot a black buck, a member of an endangered species that is illegal to hunt. The Bishnoi -- being a tribe that believes in the sanctity of all life, and not at all in the sanctity of film stars -- physically detained the actor, who was then thrown into jail by an unsympathetic magistrate. The scandal sent reporters scrambling for their pens -- which they then used to draw an indelible black mark next to the actor's name.
Media then turned their attention to his rocky relationship with Aishwarya Rai, whom he began to date after acting across from her in 1999's Hum Dil De Chuke Sanam. Rumors already existed claiming that Khan had physically abused a former girlfriend, Pakistani actress Somy Ali. Now the Rai family's rumored displeasure fueled similar tales regading his behavior with Aishwarya. The media gleefully featured reports about Salman's late night visits to Aishwarya's apartment: neighbors claimed he pounded on Aishwarya's door for hours, screaming futile, furious demands to be let inside.
Still, rumormongers had no proof until early 2002, when Aishwarya's parents filed a complaint with the Mumbai police, alleging that an intoxicated Khan broke windowpanes and furniture in Aishwarya's home and made threats against the Rai household in general.
After watching Hassan be raped, Amir tries to atone for his cowardice. According to Hosseini, “‘Get up! Hit me!’ I said. Hassan did get up, but he just stood there, looking dazed like a man dragged into the ocean by a riptide when, just a moment ago, he was enjoying a nice stroll on the beach.” (Hosseini 92). Hassan still does not want to hurt Amir, so Amir did not get any chance to atone. At last, Amir decide to frame Hassan to make him angry, so that Hassan may do something bad on Amir to make Amir feels better. According to Hosseini, “Baba cam right out and asked. ‘Did you steal that money? Did you steal Amir’s watch, Hassan?’ Hassan’s reply was a single word, delivered in a thin, raspy voice: ‘Yes.’” (Hosseini 92). Amir was shocked when Hassan said that. He can not believe Hassan still chooses to protect him when he did such bad thing to Hassan. Hassan knows all the cause and effect of what Amir does. He knows if he tells Baba that Amir is framing him, Baba will believe him and start to accuse Amir. Since Ali and Hassan decided to leave, Baba may also attribute their leaving to Amir’s fault. So Hassan chooses to be the scapegoat for Amir’s mistake again. Leaving from Baba means Hassan and Ali’s fate is good to change, but Hassan still thinks about Amir at that
The story of how young Cassius Marcellus Clay wound up in boxing has been told time and time again. It reads as if it a movie script. However, this story is better than fiction. Clay was born on January 17, 1942 in Louisville, Ky. Growing up, Clay understood his place in the framework of the country he was a black child of the middle class. But Toni Morrison, who worked on Ali's autobiography as a young editor, noted that was not the best situation in which to be raised. Because not only was he middle class, "but black middle class, black southern middle class, which is not white middle class at all." (1)
As a result, when Rahim Khan had told Amir that Hassan and him were brothers and that it was Baba that was Hassan real father. It had hurt him especially since Amir is a grown man now and just finding out, it had hurt him because now that he looks at it he pushed away his brother. “How could you hide this from me? From him?” I bellowed.
Amir had mistreated Hassan in some ways, for example, when he threw pomegranates at the latter, in hopes to receive the same treatment back. He had always thought that since Hassan was a Hazara, he should be looked down upon because he is of a lower class. After the kite running event and when Hassan was raped, Amir spoke to Ali about Hassan’s condition. He did not mention how Hassan was raped, but rather said that he was sick instead. From the way he spoke to Ali, it was noticeable that he was pushing the blame onto Hassan, freeing himself from all castigations he would receive. ““Like I said, how should I know what’s wrong with him?” I snapped. “Maybe he’s sick. People get sick all the time, Ali. Now, am I going to freeze to death or are you planning on lighting the stove today?”” (Hosseini 86) This line displays how Amir used excuses to maneuver his way from the topic of Hassan that day, in order to keep his image and mind clean. In addition to this idea of keeping the image clean towards society and believing in delusions, Baba had taught himself to think that he was a good man. When Amir and Baba were on the truck ride from Kabul, there was a part where a Russian soldier had threatened to kill Baba for protecting the woman. ““Tell him I’ll take a thousand of his bullets before I let this indecency take place,” Baba said” (Hosseini 122). It was apparent from this line, and
Not only that, just two nights before, he’d asked me if I wanted to see El Cid with Charlton Heston at Cinema Aryana” (81). Amir seems to love this kind of treatment from Baba. The rape is still a lingering thought in the back of Amir’s mind that is trying to escape. Does Amir tell somebody about the rape and ruin his own reputation, or does he keep it a secret and let Hassan suffer from the pain he feels? Amir chooses the latter. Some would say that this decision was brought on by Baba’s treatment of Amir. If Baba would have treated Amir like a son and not favored Hassan throughout his childhood, he might not yearn for Baba’s approval so deeply. Not only does Amir keep the rape a secret, he also tries to completely remove Hassan and Ali from his life by getting them fired as servants. Amir tries to get rid of his guilt by committing more immoral
in the way he speaks in a sly voice. He is the perfect actor to play
Just as Hassan is the primary juxtaposition for Amir, Rahim Khan is the primary juxtaposition for Baba. During Amir’s childhood, Rahim Khan is the fatherly, caring figure that Baba should have been. Rahim Khan encourages Amir’s writing and is the reason that Amir pursues writing in the end. However, this should have been Baba because it is a father’s job to always love his son unconditionally. Even more than this though, Rahim Khan also seems to be an all-knowing figure in the household. He knew about the rape and that Amir witnessed it and yet did nothing. However, this knowledge could be used for anything. Instead of using it to take advantage of Amir, he uses this knowledge to sympathize with Amir. Just as a father should do, he takes Amir’s side and supports him even though Amir does not deserve it. He writes Amir a letter and tells him not to feel guilty about what he has done. Even in person Rahim Khan says to Amir “[insert quote here].” Rahim Khan has no reason to care about Amir and be nice to Amir and yet unlike Baba, he does. He shows that love and care do not need a reason. This is something that both Amir and Baba seem to struggle with throughout the book. It is only after drastic life changes that they begin to realize that they should care about other people around
Muhammad Ali, whose birth name was Cassius Marcellus Clay, was born in Louisville, Kentucky January 17, 1942. He was named for a white, Kentucky abolitionist, Cassius M. Clay, and received the name Marcellus from his father’s name. Ali’s father, Marcellus Clay was a mural painter who did a lot of work for many churches in the community and his mother Odessa (Grady) Clay was a domestic worker. As a young boy, Cassius Clay was full of energy and carried a loud mouth wherever he went. One day when Ali discovered that someone stole his bicycle, he became enraged and made loud threatening comments by exclaiming that he would “whup whoever stole it.” Upon hearing these threats, Louisville police officer Joe Martin persuaded Ali to take out his frustration in the boxing ring rather than on the dangerous streets of Louisville. At age 12, Ali’s boxing career had officially begun.
Much like Amir has a friend who is as loyal as Hassan, Baba actually has a friend who is just as loyal to him and his name is Rahim Khan. Rahim Khan is Baba’s best friend and has been with Baba for as long as he can remember and one can see that he values their friendship through his loyalty to Baba through his word. One example is when Rahim Khan finally tells Amir the truth about the relationship between Hassan and Baba where we see Rahim’s Khans true loyalty. Rahim states, “Please think, Ami Jan. It was a shameful situation people would talk. All that a man had back then, all that he was, was his honour, his name, if people talked… we couldn’t tell anyone, surely you can see that” (Hosseini 233). Rahim Khan shows his loyalty to Baba by not proclaiming Baba’s misfortunate actions to the public. Rahim knew that if people were to find out about what Baba had done, all that he has worked for would be of no use anymore. The Orphanage, Baba’s name and the respect he receives from the people of Afghanistan would be worthless. A second example to present Rahim Khan’s loyalty is when Baba “sells” the house to Rahim Khan before him and Amir leave for Pakistan and eventually to America. Here Amir narrates, “Baba had ‘sold’ the house to Rahim Khan shortly before he and I fled Kabul… So he’d given the house to Rahim Khan to keep watch over until that day”
Cassius Marcellus Clay Jr. later known as Muhammad Ali, was a black boxer, and was proud of it. Many African Americans were ashamed of their color, but Ali was different. He was the first boxer to win the Heavyweight Championship 3 different times. He had a great personality and was liked by the people. During his life, he made big decisions that changed the course of his life completely. Muhammad Ali's journey through life was a great inspiration for African American people, but Ali himself deserves the admiration of everyone.
In doing so, he has established a signature mark. Both his films mix drama and comedy in a way that does not diminish the other. He exaggerates his characters for comedic effect but makes sure that they never crossover into being too slapstick. His films are short, around ninety minutes, and use montages to move quickly through narrative. His films contain both causal and episodic narratives. All his scenes are relatively short so his characters have lots of opportunities for different interactions. And he uses nature to reveal how a character is feeling. The way he tells a story is unique and constantly fascinating. His style and brand of humor is instantly recognizable, whether you 're watching one of his features, shorts, or advertisements. He still has the opportunity for a long career ahead of him and as he moves into more mainstream Hollywood, it will be important to see how he changes. His films may not have won any Oscars, but they have received acclaim in New Zealand and abroad. His effectiveness as a director and writer is impressive and his talent undeniable. Because he has been able to carve out this auteur identity in such a crowded industry, his films are surely worthy of study in the future. At the very least, they 'll always be highly
He would do anything, even as a small child, to please Amir. Even after he grew up and had a son, he told his son about his love for Amir. “And, under the same roof, we spoke our first words. Mine was Baba. His was Amir. My name.” (Hosseini, 12). If this was a teenage romance novel this would be a love triangle. Between Amir, Hassan and Baba. Amir spent his entire life trying to make Baba like him, to forgive him for killing his wife, to understand him, and get that special father to son bonding. Baba instead gave his attention to the servant’s son, Hassan. Later the story we find out that Hassan is Baba’s son too, but this is after both have died and Amir is a grown man. During his childhood Amir would have done anything to gain his father attention like Hassan had. Baba, feeling guilty, gave his attention to Hassan, and treated him kindly, out of guilt for not being able to recognise Hassan as his son. Yet Baba never treated Amir diskindly, other than the fact they never got along. Hassan did not go to school, and spent his time helping Ali with household chores, but got respected by Baba, and given gifts during holidays and a kite for flying season. Amir and Baba did not click in the way both of them wanted too. Amir tried to fake interests in sports for Baba, but after watching a rider get trampled by his horse, and started crying during the one and only sport event Baba took him too. “I cried all the way back home. I remember how Baba’s hands clenched around the steering wheel. Clenched and unclenched. Mostly, I will never forget Baba’s valiant efforts to conceal the disgusted look on his face as he drove in silence.” (Hosseini, 23) This was Amir memory of the sporting event. Amir need for love from Baba, led him standing in the alley watching Hassan get raped, knowing that when he brought that blue kite to Baba he will earn his love. Hassan on the other hand could not love Amir any less. To
A perfect movie character is one that the audience can form a complex, personal relationship with in the short time that a movie is viewed, displaying the art of acting and drama perfectly. When the thought of lovable movie characters is brought up, Johnny Depp will almost always be apart of the discussion. With his quirky, lively attitude which blends perfectly into roles that should not have soul, Johnny Depp is truly a one-of-a-kind actor. With a spectrum of characters Depp has played, ranging from Edward Scissorhands in the movie Edward Scissorhands (1990), to playing his role in 21 Jump Street (1987), up until the recent Pirates of the Caribbean (2003), he is involved in roles that “only the likes of Depp can pull off” (“Johnny Depp”, 1). Although coming from rebellious teenage years and many “ups and downs of his personal life” (“Johnny Depp Biography”, 2), the actor has become one of the great faces of the movie scene of his generation. Depp's success, which some could contribute to luck, was carved out of his pure talent for expressing raw emotion through the characters he played and his free-bird, wild attitude in his early years. His talent and spirit changed the face of acting and of rebelling. Johnny Depp's early life, countless classic works, and personal actions created a persona that molded a new face of acting and of free-spirit for his generation.
This incident was a mishap that occurred in the life of Harshada, my beautiful, gifted and most intellectual young cousin, ...
In this way, Salman Rushdie presents the derogatory picture of India throughout the novel preferring the superiority of what is European and inferiority of what is not. By presenting the orientalist perception of India, Rushdie attempts to attract the western readership. In spite of the fact that he himself is an Indian, he could not avoid the attraction of western readership. For this reason, sometimes, his position becomes ambivalent.