Romeo & Juliet: A 'Dramedy' to Remember

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During the English Renaissance, William Shakespeare, wrote plays within three distinct genres: tragedy, comedy, and history. While his historical plays occasionally borrow dramatic elements from his tragedies, Shakespeare set a clear division between the lighthearted ambiance found in A Midsummer Night's Dream and the heart wrenching despair that pervades Hamlet. However, Folger Theatre has cleared this divide with fervor. Romeo & Juliet, a play that was once the epitome of tragic theatre, is no longer pigeonholed to the tight confines of tragedy in regards to mood and tone. While the original dialogue and themes are unchanged, and the show is still classically categorized as a tragedy, the first act of Folger’s adaptation plays out like a comedy, with lively characterizations not typically recognized in the original text. Then, the second act reverts to the highly anticipated misery, starkly reminding audiences that the show is, indeed, a tragedy. This sharp, sudden transformation of tone has earned the production the title of “dramedy.” Romeo & Juliet successfully brews an atmosphere where laughter and sorrow can coexist, an environment that the Bard could not have anticipated.
The plot of Shakespeare’s original play remains untouched in Folger’s adaptation; Romeo & Juliet is still a story of star-crossed lovers, whose secret romance defies the heinous conflict that plagues their respective families and ultimately ends with the couple’s demise. But while the plot itself is unchanged, the speed at which the plot progresses is streamlined and accelerated. As scenic designer Megan Raham described, there is in the show a driving force that continuously advances the plot. This forward momentum is achieved by using multiple parts of...

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...tracting from actors or the actions occurring onstage.
Folger Theatre’s Romeo & Juliet may run for “two hours traffic,” but its dynamic storytelling and alluring characters create the illusion of fast-paced action, especially in Act I, where the interplay of multiple scenes is most prominent. Some audience members may appreciate the contrast in tone between Act I and Act II and embrace it. Shakespearean purists may detest the comedic antics of Act I and the immaturity used to characterize the titular characters. Nevertheless, the production, inarguably, interprets Shakespeare’s play in an original context while maintaining the most important themes and plot events. Considering many adaptations of Romeo and Juliet simply reinforce archaic representations of the story or distort the underlying significance of the entire play, this production is one worth remembering.

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