Romantic Love in Stories from Medieval Times

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Romance can be defined as a medieval form of narrative which relates tales of chivalry and courtly love. Its heroes, usually knights, are idealized and the plot often contains miraculous or superatural elements. According to Tony Davenport the central medieval sense of romance is ' of narratives of chivalry, in which knights fight for honour and love.' The term amour coutois ( courtly love) was coined by the French critic Gaston Paris in 1883 to categorise what medieval French lyricists or troubadours referred to as ' fin armors'. Romances and lyrics began to develop in the late fourteenth century England, author like Chaucer or Hoccleve produced some of the first english medieval narratives. But how does medieval literature present the expericence of romantic love. In order to answer this question this essay will focus on two tales from Chaucer's Canterbury Tales: the Knight's Tales and the Franklin's Tales. It will show that medieval romance can be used as a vehicle to promote chivalric behaviour as well as exploring a range of philosophical, political, and literary question.

The Knight's tale, tells the story of Palamon and Arcite who are kinsmen and brother, they are both taken prisoner during the siege and destruction of Thebes by Theseus, the ruler of Athens. While in prison they both fall in love with Emily, Theseus sister-in-law, who is taking a morning walk in the garden below their window. After a bitter rivalry, they are reconciled through a tournemant in which Emily is the prize. Arcite wins the tournament but he lies dying after being thrown by his horse, before his death a makes a noble speech which encourage Palamon to marry Emily. The Knight's Tale might be one of the more complex tale of the Canterb...

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...does not see knighthood honours as abiding laws 'love is a greeter lawe,by mypan than be yeve to any erthley man. This unchivalriac behaviour disrupts the peace and order that chivalric values had brought. 'Medieval romance can therefore asks question about the world or to quote Arcite 'what is this world?' Chaucer's world was indeed a 'tormented century . . . Rules crumbled, institutions failed in their functions. Knighthood did not protect; the towns, once agents of progress and the commonweal, were absorbed in mutual hostilities and divided by class war; the populations, depleted by the Black Death, did not recover. The war of England and France and the brigandage it spawned revealed the emptiness of chivalry’s military pretensions and the falsity of its moral ones. It was a declining world, that Chaucer described through the rivalry of Acricte and Palamon.

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