Silenus And The Limitations Of The Roman Catholic Church

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In 1509 Desiderius Erasmus had just returned from Rome, where he refused to join the Roman Curia and instead wrote an essay detailing the exploitations of the Roman Catholic Church. Praise of the Folly is a satirical panegyric work by Erasmus in which he speaks through Folly using the metaphor of Silenus as a focal point to address the church and its allies. Erasmus uses this metaphor of Silenus and the image of the Silenus box as a vehicle to shape the entire novel in order to respond and discourse the underlying madness in Roman Catholic Church’s doctrine and practices.
Throughout the work Erasmus references Silenus a Greek figure renowned for his wisdom. As a companion to the wine God Dionysus, or Bacchus to the Romans, Silenus are recognized for appearing unattractive with a broad flat face and a portly belly. In Greek mythology and literature the wisdom of Silenus and his prophetic powers was significant. Erasmus mentions this in his work Adages when he wrote, “But once you have opened out this Silenus, absurd as it is, you find a God rather than a man, a great, lofty and truly philosophic soul, despising all those other things …show more content…

Folly states, “But just as Socrates taught in Plato’s dialogue that we should make two Venuses by cutting the one apart. … It behooves dialecticians to distinguish one madness form another” (Erasmus 38). This disillusioned madness is what Erasmus has been targeting through Folly through the entire text. The Roman Catholic Church leaders are the “most illustrious disciples of Folly” (Erasmus 87). Erasmus makes a point to point out the “first founders of the religion were great admirers of simplicity” (Erasmus 83). What does this have to do with Silenus? Simple. The point Erasmus is trying to make is that the Roman Catholic Church is much like a Silenus where it can look ugly and grotesque on the outside but inside you may find a rare inner truth that can lead to something

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