The events that lead to the capture of Eman cast a sense of disgust across the village. During this time, the community feels remorseful for the need to kill an innocent man, but that remorse is outweighed by the presumed beneficial effect the killing will have on the community as a whole. Villagers abandon their sense of morality when the annual cleansing of the community occurs, suffusing the village with a tone of moral disgust. The carrier, typically a stranger, carries the burden of the community’s sin willingly or unwillingly, damaging the ritual’s purpose. The new village assigns t...
... middle of paper ...
Hepburn, Joan. "Mediators of Ritual Closure." Black American Literature Forum
22.3 (1988): 577-614. JStor. Web. 23 Feb. 2014.
Johnson, Lemuel A. "Strong Breeds: Wole Soyinka and the Head of the Head of
State in A Play of Giants." Callaloo 27 (1986): 354-70. JStor. Web. 23 Feb.
McDowell, Robert E. "African Drama, West and South." Africa Today 15.4 (1968):
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Soyinka, Wole. "The Strong Breed." 1963.
Tucker, Martin. "West African Literature: The Second Decade." Africa Today 13.5
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