`` Rite Of Spring `` And Picasso 's Les Demoiselles D ' Avignon Essay

`` Rite Of Spring `` And Picasso 's Les Demoiselles D ' Avignon Essay

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Before the turn of the 20th century, art and music have gone through radical evolutions to express the environment, politics, and beliefs of both the artist and the composer. After the rediscovering of creating art and music in the Renasassiance Period, each individual try to reinterpret and recreate work of arts from their prospective point of views. In the Impressionism era, art and music once again makes a radical evolution for others to view and listen. Among these individuals, Russian composer Igor Stravinsky and Spanish artist Pablo Picasso would make such changes that even longtime fans of their works would find them both shocking and offensive during their time. In this paper, we will view specifically Stravinsky 's “Rite of Spring” and Picasso 's “Les Demoiselles d 'Avignon”. We will also cover the world reaction to these two unique pieces that has changed the world and the impact it has on us today. While their work may have offended others, it has brought change in how we view art and music from a different perspective.
It was around before the turn of the 20th century, European artist started to get interested in a movement called Primitivism. In this movement, they barrow visual forms from primitive societies (i.e. African, Micronesian, Native American) or non-Western (Asia) and integrate them into their art. This movement was inspired by such artist as Paul Gauguin and Henri Matisse. This was the case with Pablo Picasso, where he combined European prostitutes of cubism with African masks and Iberian features in his art piece. According to Joachim Pissarro, curator at the Museum of Modern Art in New York City, “...it was like an earthquake in the art world. It shook the foundation [that] everything that was accepted....


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... was opposition since man fans were use of seeing something innocent and conventional from these figures or the arts in general. This brings back to the idea of culture-epoch theory: chaos, adjustment, and balance. According to Lamm, “... [it 's] founded upon whatever conception of reality is held by the great majority of its people over a considerable period of time.” (P. 3 Lamm) Meaning whenever there 's change, there 's always tolerance over time that eventually leads to acceptance. In a way, these artists of the early 20th century were very much like their predecessors of the Renasassiance era whom they look back on ancient Greek and Roman works. By looking back, they bring back to inspire newer works that will have an impact for future ideas for their successors. Which brings back to the purpose of the Dada movement, how do you define and consider a work of art?

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