Lyrical Ballad In The Rime Of The Ancient Mariner

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The Rime of the Ancient Mariner An Analysis “The Rime of the Ancient Mariner” is a tale of crime and penance on the high seas. Written by Samuel Taylor Coleridge, the poem takes place on a vast and unforgiving sea, where an old mariner must come to terms with his sins and the folly of humankind. Although, the core story of the poem is agreed upon, its finer details and intricacies remain a highly debated topic among literary critics. In my opinion, it is the story of the heavy price one must pay for disrupting the order of nature. Others debate that the tale is about the penance one must pay after committing a crime against God himself. Regardless, the tale remains that of a man who spent his life atoning for his crimes. Samuel Taylor …show more content…

The term lyrical ballad was actually coined by Coleridge and Wordsworth as they were the first to combine the genres. Lyrical ballads are typically composed of four line stanzas and an alternating iambic rhythm of tetrameter and trimeter. In a lyrical ballad, lines one and two rhyme with lines three and four respectively; however, Coleridge does not always adhere to this pattern. In addition, Coleridge also has some stanzas which are up to six lines instead of four and will at times use internal and visual rhyme instead of, or in addition to, external rhyme. As for the archaic script of the writing, it invokes a feeling that the story and in turn the mariner, are much older than they actually are. “Though Rime of the Ancient Mariner doesn’t strictly adhere to the perfect ballad structure, these slight technical manipulations at places, have created beautiful and miraculous effects, which adds to Coleridge’s achievement.” (Khullar …show more content…

After the death of the albatross which “In this case…stands for all animals.” (Hochman 148), their ship is left stranded on a barren, windless sea. The shooting itself is senseless, the act without meaning. “That is, killing an animal apart from the purpose of survival, Coleridge seems to say, is a crime, i.e., murder, notably against the animal but against all of nature, especially one policed by spirits.” (Hochman 148). After drifting for days or perhaps even weeks, the crew is visited by the spirits of death and living-death. The spirit of death claims the lives of the crew while the spirit of living-death curses the ancient mariner to spend eternity on the windless sea. Lost and now alone on an endless ocean, the ocean mariner gives up hope of ever knowing anything else, and in his effort to shut out the blistering sun and taunting waves, he begs for a chance to repent. “Ironically, it is the “slimy”, “rotten” creatures themselves that finally comfort the Ancient Mariner and allow him to pray.” (GradeSaver, 4). Although, the Ancient Mariner experiences an interlude or of peace with the sounds of the skylark and gentle whispers of the wind, this “…does not transform him in the way the blessing of the water snakes did. The act of blessing

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