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Character development introduction
Character development introduction
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Narrative criticism serves to help us make meaning out of our daily human experience and how different elements of our experience are connected. It is a means by which we comprehend how we impose order on our experiences and actions by giving them narrative form. Narratives help us interpret and construct our reality and “establish coherence for ourselves” (Foss 307). It is “both a way of knowing about and a way of participating in the social world” (Foss 307). There are four main characteristics of narratives, as outlined in Rhetorical Criticism: Exploration and Practice by Sonja K. Foss. The first characteristic is that they are comprised of at least two events. These events can either be active (expressing action) or stative (expressing …show more content…
Miranda uses the characters and the set in order to show this. The set of Hamilton is very minimalistic. It is very simple and there are very few props used, as the story is told through the music and the choreography. The set does, however, incorporate revolving floor that is used throughout the musical for certain effects. “The turntable is essential,” director Thomas Kail told Charlie Rose on 60 Minutes. “It allows the propulsion of the show to continue, to continue this insistence of movement that Hamilton had in his life” (Thomas Kail). The minimization of the set also allows for the characters to be their truest and most complex selves without having the distractions of the …show more content…
He meets his rival, Aaron Burr, and the people who would become some of his most trusted friends, Hercules Mulligan (Okieriete “Oak” Onaodowan), John Laurens (Anthony Ramos), and Marquis de Lafayette (Daveed Diggs) (“Alexander Hamilton”/ “Aaron Burr, Sir”) . Deciding that he does not want to waste any time (“My Shot”), he immediately joins in the revolution where he gets noticed by General George Washington and assigned to be his aide-de-camp (“Right Hand Man”). Hamilton begrudgingly accepts his new role, but he continuously asks Washington to give him lead of a
Chernow always writes Hamilton as a victim in times of conflict, which, at times, doesn’t make sense. Hamilton was a very aggressive man who had an incessant need to defend his honor. He would often challenge other men to duels and write scuttlebutt about his political rivals in newspapers using pseudonyms. Chernow makes these activities sound acceptable when Hamilton did them, but if one of his rivals committed the same acts, Chernow makes them sound immoral. This bias can be very distracting from the biography. For example, when Hamilton has an affair with Maria Reynolds, it is leaked by James Monroe. Chernow makes Hamilton sound like an innocent victim, despite the fact that Hamilton put himself in the situation. Also, when Eliza forgives his adultery, Chernow makes it sound as if Hamilton deserved to be forgiven. After the Reynolds Affair, Chernow seems to attempt to write Hamilton as a family man, which is strange because he really didn’t seem to care about his family until after his sex scandal. It is possible that Hamilton’s guilt led him to care for his family more, but, based on the obvious bias in this biography, it is also possible that Chernow uses this as a strategy to coax the reader into forgiving Hamilton. All in all, Chernow’s bias is just distracting and it seems to weaken the biography as
Narrative is a form of writing used by writers to convey their experiences to an audience. James Baldwin is a renowned author for bringing his experience to literature. He grew up Harlem in the 1940’s and 1950’s, a crucial point in history for America due to the escalading conflict between people of different races marked by the race riots of Harlem and Detroit. This environment that Baldwin grew up in inspires and influences him to write the narrative “Notes of a Native Son,” which is based on his experience with racism and the Jim-Crow Laws. The narrative is about his father and his influence on Baldwin’s life, which he analyzes and compares to his own experiences. When Baldwin comes into contact with the harshness of America, he realizes the problems and conflicts he runs into are the same his father faced, and that they will have the same affect on him as they did his father.
“Short Stories." Short Story Criticism. Ed. Jelena Krstovic. Vol. 127. Detroit: Gale, Cengage Learning, 2010. 125-388. Literature Criticism Online. Gale. VALE - Mercer County Community College. 28 February 2014
Narratives are an important part of an essay as they create a sense of tone needed to describe a story or situation with ease. If the narrative is not correct, it can leave a false impact on the readers or viewers because it lacks the main tone of the story. Having a perfect narrative can not only enhance a story, but it can also prove evidence. In her essay, “An Army of One: Me”, Jean Twenge provides some of the best examples of how narratives enhance a story and she also emphasizes on how the tone of storytelling matters on the impact that the story would have on its readers or listeners. Apart from Twenge, Tim O’Brien also focuses on how the narrative of the story can help in understanding the truth and falsity of the story in his essay, “How to Tell a True War Story.” In addition to O’Brien, Ethan Watters also emphasizes on the narrative of cultural progress in his essay, “The Mega-Marketing of Depression in Japan”, when he talks about the anti-depressants to be sold in Japan. All three authors agree to the fact that narrative, the art of telling a story or explaining a situation, has a major impact on the story and on how it is taken by the audience.
As an orphan, he worked as clerk, a position that enabled him to master several business skills that he would later use to transform America’s finances in the midst of a brutal war. When his native island was devastated by a hurricane, Hamilton “penned his way out of absolute poverty” by capturing a profound description of the event that the local merchants fundraised for his schooling at the King’s College. In the Musical, the narrator wonders how an orphan who grew up in squalor could become a hero and a prominent scholar. This crucial question is answered by Hamilton himself when he tells his future wife “All I have’s my honor, a tolerance for pain…and my top-notch brain.” (III,
I believe Hamilton was trying to show that stubborn people with different ideas can over come one another’s differences. She shows how kindness and letting someone know that your care, and to be able to let the past go can bring even the worst of enemies together.
His performance was a launch of complex lyrics, which compressed the initial twenty years of Hamilton into only a four minutes performance. His initial Hamilton performance kindled a rising delight murmur among the audience. This encouraged him to continue his composition journey. It took Miranda about six years to compose and develop Hamilton album, demonstrating different events or periods in Hamilton life (Runcie, 2017). This was done with about 48 musical. On February the 17th 2015, Hamilton musical made its Off-Broadway debut at The Public Theater where its engagement was completely sold out. Miranda played the leading actor Hamilton in the musical performance. The album was founded on hip-hop, though it encompasses R. & B., Tin Pan Alley, pop, jazz, and contemporary Broadway choral strains. This show was a cultural and historical reimagining achievement, as Miranda narrated the headlong rise of a single, self-made immigrant, who eventually made history in American politics (Mead, 2015). Within a few months, on July 2015 the musical was released on Broadway for previews and it was officially opened on Broadway by August 2015. The opening took place at the Richard Rodgers Theatre, which was selected because of Lin-Manuel Miranda past success at this theatre. On Broadway, it received enthusiastic critical reception and unprecedented advance box office sales. In
A traditional method assumes that the criticism involves both explication of what actually went on when the speaker engaged his or her audience, and an evaluation of how well the speaker performed the task of changing the audiences’ perspective of reality. It is also assumed that the traditional method will create a feeling of identification and sense of relatedness between the speaker or writer and the
The play Hamilton tells of Hamilton’s prolific writing achievements, his written thoughts about the duel with Aaron Burr, and
Perkins, Wendy. “Criticism.” Short Stories for Students. Ed. Carol Ullmann. Vol. 15. Detroit: Gale, 2002. N. pag. Gale Virtual Reference Library. Web. 23 Mar. 2011.
Storytelling’s impact on people who use it has been life saving in certain cases. By asserting the existence of different perspectives, writers get to suppress their own opinions in order to sympathize with others. (insert thing about meta-fiction) With this idea in mind, author Kate Taylor wrote the novel Serial Monogamy, a meta-fiction of a writer recalling the story of her husband’s affair and her deal with terminal breast cancer, all through her telling of Dickens’ secret life and tales of the Arabian Nights. In Serial Monogamy, storytelling makes people more understanding as they explore new perspectives.
In Hamilton, a musical written by Lin-Manuel Miranda about the first Treasury Secretary of the United States, Miranda’s portrayal and interpretation of Alexander Hamilton is one that conveys many messages and teaches many lessons to the audience. In this play, Hamilton’s ambition and pride are what drives him to all of his accomplishments. He has the need to prove himself worthy to his fellow founding fathers and, much like Atticus, does not like to admit his mistakes or listen to others. The opening number of this musical begins with Hamilton telling the audience “There’s a million things I haven’t done, just you wait, just you wait.” His achievements throughout the play reflect this statement as he goes on to become George Washington’s aide-de-camp in the Revolutionary War, become the first Treasury Secretary of the newfounded America, and single-handedly create a new form of government and financial plan for the United States. These were results of his ambition and his belief in himself, which brings one to realize the importance of those two things. Self confidence is something that many lack and Lin’s written portrayal of Hamilton is one that shows the importance of that very thing. Though his ambition is a defining quality of his, his political partner, Aaron Burr warns him of the dangers of this as he questions “Why do you assume
A narrative is specified to amuse, to attract, and grasp a reader’s attention. The types of narratives are fictitious, real or unification or both. However, they may consist of folk tale stories, mysteries, science fiction; romances, horror stories, adventure stories, fables, myths and legends, historical narratives, ballads, slice of life, and personal experience (“Narrative,” 2008). Therefore, narrative text has five shared elements. These are setting, characters, plot, theme, and vocabulary (“Narrative and Informational Text,” 2008). Narrative literature is originally written to communicate a story. Therefore, narrative literature that is written in an excellent way will have conflicts and can discuss shared aspects of human occurrence.
Some of the characteristics of Modernism are: a desire to break conventions and established traditions, reject history, experiment, remove relativity, remove any literal meaning, and create an identity that is fluid. The rejection of history sought to provide a narrative that could be completely up for interpretation. Any literal meaning no longer existed nor was it easily given; essence became synonymous. Narrative was transformed. Epic stories, like “Hills Like White Elephants”, could occur in the sequence of a day. Stories became pushed by a flow of thoughts. The narrative became skeptical of linear plots, preferring to function in fragments. These fragments often led to open unresolved inconclusive endings. This echoes in the short story’s format. The short story functions in fragmented dialogue. Focusing on subjectivity rather than objectivity. Creating characters with unfixed, mixed views to challenge readers.
Starting with “A collectors piece indeed,” this motif is accompanied by a series of eerie and mysterious chords played at a soft dynamic by very few instruments. Along with the minor tonality of this phrase this motif establishes a mysterious and ominous atmosphere and in doing so it eludes and foreshadows the coming events of the musical. Furthermore, whilst the audience may not yet identify this theme with the phantom, Lloyd Webbers uses the above techniques and the excruciatingly slow tempo to associate this motif with a sense of danger and mystery. This early establishment of a key motif proves essential, as this recurring motif later signifies the presence of The Phantom, and thus a great sense of danger and