Rhetorical Analysis Of ' Unburied : Tamerlan Tsarnaev And The Lessons Of Greek Tragedy

Rhetorical Analysis Of ' Unburied : Tamerlan Tsarnaev And The Lessons Of Greek Tragedy

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To better a story or emphasize a point, authors sometimes use allusions that involve references to myths or classical texts. Allusion is an imperative part of understanding literature because they give us an unfathomable understanding of an author 's message. An author can carefully draw upon allusions to give a story, poem, or other works of literature from more meaning or to provide clues about the author 's message. The most familiar are Greek and Roman myths. The Greeks and Romans had an abundance of gods and goddesses in common, but the Roman name often differed from the Greek name. Gods and goddesses are often alluded to in other pieces of literature. Writers sometimes condense big ideas or intricate emotional issues by referring to a piece of art, literature, or a real event. By using allusions to convey their messages, writers or speakers enable us to feel more connected to what is being read or heard.
The article written by Daniel Mendelsohn titled “Unburied: Tamerlan Tsarnaev and the Lessons of Greek Tragedy”, compares the burial of Boston marathon bomber to those of the ancient world. Mendelsohn began his article with the quote “bury this terrorist on US soil and we will unbury him” to show the anger of the Worcester residents as they protested at the funeral home- where Tamerlan Tsarnaev body was held. At this time, no funeral home would take his body, no cemetery would bury it and his own widow did not claim his body. As protests continued, cemetery officials and community leaders grew concerned that a local burial would jolt civil unrest. It continued on like this until Martha Mullen, a Christian woman intervened and stated Jesus’s injunction “love our enemies” as her encouragement. Martha’s action was able to trans...


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...ascinated her fiance, Haemon is. Labdacid in the stanza, who was at a time, the king of Thebes, whose son was Laius, who fathered Oedipus; Oedipus ' children were Polynices, Eteocles, Antigone, and Ismene. Further on in the poem, Mendelsohn has moved on to Euripides ' Medea, “Medea, there are some who snort maternity just ain’t your forte; if you’ll be mine I’ll stop their naggin’—we’ll fly away! xo, ur Dragon”. In the original play, Madea stated “ i would very much rather stand. Three times in the front of battle than bear one child” (Eur. Med.249-50). Mendelsohn has taken that concept and twisted it into a laughable statement where the “Dragon” is stating if she were to be with him he would be able to stop her nagging and take her away. In a sense, he would be able to turn her into a woman society could accept or change her into a woman they would not recognized.

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