Rhetorical Analysis Of ' A Library Is Both A Hallowed Sanctuary And The Darkest, Dankest, Dungeon

Rhetorical Analysis Of ' A Library Is Both A Hallowed Sanctuary And The Darkest, Dankest, Dungeon

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A library is both a hallowed sanctuary and the darkest, dankest, dungeon. With this in mind, an angle of vision is being created. An angle of vision is not simply written; it is carefully and deliberately constructed through the proper use of five rhetorical strategies. Word choice, sentence structure, overt statements, figurative language, and selection and omission of details are the strategies used by writers to create the angle of vision. To understand these strategies I have written two paragraphs that are similar in description yet carry vastly different angles of vision.
The first rhetorical strategy I used in my paragraphs is word choice. Word choice is the intentional use of certain vocabulary that carries certain connotations that enhance the angle of vision of the writer. Certain words are plainly neutral while others evoke strong emotion, due to the attached connotation. The connotation that is carried by word choice is how I built my sentences. To quote, "In the backdrop, the soft glow of the glorious flare is allowed to fill the room as the breeze ruffles the branches of the trees through the life-sized glass." The use of "glorious flare" is a sublime example of word selection due to the uplifting feeling that is carried with the word glorious. I could have chosen to write "the sun" with no other description. However, the tone of this particular sentence would begin to feel rather neutral. Glorious implies that the sun is truly wonderful and powerful. Making my description of the library quite inviting for students. I could have also chosen the word "star," in place of glorious flare. Albeit, the selection of star would leave the sentence decidedly vague. This choice would imply that the scene is at night, the ligh...


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...s gives the glass a certain positive outlook. The angle of vision is achieved through this description of the glass. However, in the negative paragraph the detail of life-sized is conveniently left out. Instead, I chose to emphasize “old windows.” This detail in my negative paragraph achieves its negative goal by likening the glass to something old. In the west, being old carries many negative connotations. Another example of selection and omission of details is “dusty old books”. When I selected this detail to emphasize, I wanted the reader to understand that this library was old, dusty, unused, and most importantly a place in which they would not want to work. This reinforces what I want the reader to believe. Selection and omission of details is a powerful strategy that will select only certain details and leave out others to reinforce the desired angle of vision.

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