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Modern adaptations from shakespeare plays
The impact of Shakespearean drama on young audiences today: a study of film scenes
The importance of films shakespeare
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Recommended: Modern adaptations from shakespeare plays
Performance Review
The 1995 release of the film ‘Clueless’, based on Jane Austen’s
‘Emma’, saw a new trend emerge in Hollywood. By adapting classic
literary texts into modern day ‘Teen Dramas’, the film industry and
those working in education may argue that such films allow youngsters
an insight into plays and novels written hundreds of years ago. In
effect, the work of Shakespeare and others is made accessible to the
young, and in a world where reading is now perhaps considered
secondary, many may well relish the fact that classic stories are
still being presented and enjoyed in this ever evolving and advancing
society. As Lynda E. Boose and Richard Burt argue: “…this shift to a
cultural studies approach opens new possibilities for a kind of
Shakespeare criticism with wider appeal to a non-academic public
(which presumes, of course, that the Shakespearean academic
necessarily wants such a popular audience).[1]
It could be argued that this new trend in making Shakespeare
accessible to teens through film, is merely a moneymaking commodity.
Indeed many of these adaptations pay little respect to the script they
are supposedly based upon. However, because the tag line of the film
hails itself as being, for example: “an exceptionally intelligent and
powerful contemporary adaptation,’’[2] youngsters, in fear of tackling
the original, flock to the cinemas substituting filmic text for
literary text while assuming satisfactory understanding. However, when
one has been fortunate enough to study a literary text in full, it
becomes clear that these supposed reworks neglect to convey many of
the details found in the original. And perhaps, th...
... middle of paper ...
...4. Internet.
http://sunflower.signet.com.sg/~yisheng/notes/shakespeare/othello_b.htm.
12/3/05
[11] Shakespeare, W. Othello. Heinemann Advanced Shakespeare, 2000.
Heinemann. P 288
[12] A C Bradley. Shakespearean Tragedy 1904. Internet.
http://sunflower.signet.com.sg/~yisheng/notes/shakespeare/othello_b.htm.
12/3/05
[13] A C Bradley. Shakespearean Tragedy 1904. Internet.
http://sunflower.signet.com.sg/~yisheng/notes/shakespeare/othello_b.htm
[14] Shakespeare, W. Othello. Heinemann Advanced Shakespeare, 2000.
Heinemann. P59.
[15] Shakespeare, W. Othello. Heinemann Advanced Shakespeare, 2000.
Heinemann. p19
[16] [16] Lynda E. Boose and Richard Burt. Shakespeare the Movie II:
Popularizing the plays on Film, TV, Video and DVD. Routledge, 2003.
P96-97. Essay by, Barbara Hodgdon. ‘. Racing Othello.’
Warren, Roger. Shakespeare Survey 30. N.p.: n.p., 1977. Pp. 177-78. Rpt. in Shakespeare in the Theatre: An Anthology of Criticism. Stanley Wells, ed. England: Oxford University Press, 2000.
Vickers, Brian. 1993. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven and London: Yale University Press.
The crime drama, “Beyond a Reasonable Doubt”, was produced in 2009 by Faisal Al-Saud, Mark Brooke, and Stephanie Caleb and directed by Peter Hyams. The two lead male actors were C.J. Nicholas as Jesse Metcalfe and Michael Douglas as District Attorney Mark Hunter. The lead female actor was Amber Tamblyn as Assistant District Attorney Ella Crystal.
Vickers, Brian. 1993. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven and London: Yale University Press.
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare. Second ed. New York: W.W. Norton, 1997. Print.
William Shakespeare has become landmark in English literature. One must be familiar with the early days of English literature in order to comprehend the foundation of much of more modern literature’s basis. Shakespeare’s modern influence is still seen clearly in many ways. The success of Shakespeare’s works helped to set the example for the development of modern dramas and plays. He is also acknowledged for being one of the first writers to use any modern prose in his writings.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Although William Shakespeare is considered to be one of the most revered and well-renowned authors of all time, controversy surrounds the belief that he actually produced his own literary works. Some rumors even go so far as to question the reality of such a one, William Shakespeare, brought on by paralleling the quality of his pieces with his personal background and education. With such farfetched allegations, it persuaded others to peek into the person we all are taught to learn as “Shakespeare”, but who is actually the person behind these genius works of literary promise and enlightenment? To some, Shakespeare is as much accredited to his works as frequently as you see his name placed. To others, Shakespeare is a complex enigma into which we the people are supposed to unravel; the true author behind a falsely-given pseudonym. The debate pertaining to the true authorship of William Shakespeare’s works are still questioned in today’s society.
Vickers, Brian. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven and London: Yale University Press. 1993.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Vickers, Brian. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven and London: Yale University Press. 1993.
William Shakespeare has provided some of the most brilliant plays to ever be performed on the stage. He is also the author of numerous sonnets and poems, but he is best known for his plays such as Hamlet, Macbeth, A Midsummer Night's Dream, and Romeo and Juliet. In this essay I would like to discuss the play and movie, "Romeo and Juliet", and also the movie, Shakespeare in Love.
The name most associated with excellence in theatre is William Shakespeare. His plays, more than any other playwright, resonate through the ages. It may be safe to say that he has influenced more actors, directors, and playwrights than any thespian in the history of the stage. But what were his influences? During the Middle Ages theatre was dominated by morality, miracle, and mystery plays that were often staged by the church as a means to teach the illiterate masses about Christianity. It wasn’t until the early sixteenth century that Greek tragedy experienced a revival, in turn, inspiring a generation of renaissance playwrights.
Authentic assessment, though sometimes referred to as performance-based assessment is not a new idea, in fact its history dates back to the 1950’s. With more than half a century of debate on the subject in varying branches of thought, this paper will focus on a few of the key concepts of authentic assessment as seen through the lens of an artist. An investigation of the literature begins with a brief look at the historical concept of mastery as was practiced through the ancient system of patronage, workshops, and guilds. The discussion that follows will examine the theoretical thought on authentic assessment and the implications for practice.