Game of Thrones is a fantasy piece, set during the medieval times, which takes place in a country called Westeros. Although it is set in a different time and place than where we are today, the show still has the same constructs, and built by the same fabrics that define our gender roles here in America. This show is a great example of gender roles, and what happens when people follow these rules or stray from them. Taking an in depth view of the season one opener, “Winter is Coming” helps reveal many of the social constructs not typically thought of that build our daily lives. This episode also portrays that gender roles are not just dependent on sex, but on social class, and physical characteristics. Men fulfilling their gender role in …show more content…
This is evident in the very first scene in the opening episode by a “Man of the Knights Watch” who ran away from his duties at the wall. The man is seen as a coward, and sentenced to death by Ned Stark. According to Devor “Children’s developing concepts of themselves as individuals are necessarily bound up in their need to understand the expectations of the society of which they are a part” (28). The man of the nights watch did not meet the expectations of his society, and he was killed for it. Women who step outside their gender role are often ridiculed in Game of Thrones, but don 't suffer the same consequence. This echoes Devor when she stated “There almost seems to be a guarded respect for girls who enjoy some of the privileges and skills which are usually reserved for the socially dominant gender” (40). For example Arya is shown growing bored of sewing with her sister in the episode, and sneaks off to shoot a bow and arrow. Arya hits a bullseye which embarrasses her brother because he is not as good as a girl, so he chases her off. Some men possess masculine qualities, but are not seen as men because of their looks. For example Tyrion, who goes to brothels, and drinks wine in excessive amounts. Tyrion is able to live this lifestyle, because of his wealthy family. Devor states that “Economic achievement, bureaucratic power, physical strength, aggression, and emotional toughness are major indicators of masculinity” (38). Tyrion exudes all of these characteristics throughout Game of Thrones, but is seen as less than manly because he is a
Realistically, when someone is more powerful, they have the ability to set the rules. Men have historically held power in society, which means that women did not have as much stance or freedoms as men have had in the past. For example, Canadian women did not have the right to vote until the year 1916. This factor has continued to trail into the present day, creating the ‘weak’ image towards women, overall forcing and pushing men to become the opposite of this factor. Thus, cultural ideals of masculinity rely on the ideas of femininity through patriarchy and gender binaries. The emphasis on characteristics of men are being exaggerated, as society is pressuring men with unattainable standards of masculinity such as being tough, muscular and buff. Men continue to conform to these characteristics, in the fear of being oppressed through exclusion, which only strengthens society’s standards even more. This leads to more societal pressures on men, thus leading men to experience more societal pressures in the fear of feeling excluded. These “systems of inclusion and exclusion are divisions or barriers that prevent people from joining and belonging.” (50). For example, if a man wears nail polish, they may be oppressed and excluded through facing ridicule and bullying, because wearing nail polish is considered “girly”, therefore this boy is rebelling against society’s socially
The media is a powerful tool and has the ability to influence and change one’s overall perspective of the world and the position they play in it. Although Television shows such as Friday Night Lights are seen as entertainment by consumers, its storyline contributes to the social construction of reality about class in the United States.
Men are allegedly competitive, aggressive, dominant, and strong and if these attributes are not acquired a man is not a man. When other men recognize a man failing in those four areas of “manliness” they compare him to a female with negative connotation as expressed in the following quote, “The worst insult one man can hurl at another-whether its boys on the playground or CEOs in the boardroom-is the accusation that a man is like a woman.” These actions create perceptions that women are unworthy and pitiful. Jensen mentions that because of masculinity men are thought to seek control over women resulting in an increase of physical violence towards women. However, masculinity has harsh effects on men as well. Men are constantly trying to prove their dominance to each other, while competing against one another for ultimate dominance. This creates a never ending cycle of competition and unease for
“Women have been taught that, for us, the earth is flat, and that if we venture out, we will fall off the edge,” verbalizes Andrea Dworkin. Gender-roles have been ingrained in the every-day life of people all around the world since the beginnings of civilization. Both One Flew Over the Cuckoo’s Nest and Hamlet portray typical female stereotypes in different time periods. Due to the representation of women in literature like Hamlet by William Shakespeare and One Flew Over the Cuckoo’s Nest by Ken Kessey, and pop-culture, evidence of classic gender-based stereotypes in a consistently patriarchal world are still blatantly obvious in today’s societies.
The fictional world of Grendel has great divides between male and female characters. While the novel is written in a fairly contemporary society, the world that Gardner constructs still follows under the same logic and principle as the ancient writings of Beowulf. The men are overtly masculine and tough, and the women are constructed with extreme passivity; there is marginal middle ground in both worlds. The constructions of how certain genders act are crucial to interrogate in order to understand one’s bias and become cognizant of the variety of gender roles men and women can endorse. The world of Grendel is full of symbols that construct men as violent, sexual creatures and women as passive objects.
Suzanne Collins’s novel The Hunger Games features a strong female protagonist that frequently defies gender norms and blurs the lines between femininity and masculinity. Katniss Everdeen, the heroine of the story, is initially depicted in what many would consider a more masculine role. She hunts, cares little about her physical appearance, and becomes the protector and provider for her family. However, when she volunteers as a tribute for the Hunger Games, her survival demands that she learn to embrace both feminine and masculine traits. To gain support from the Capitol and have a chance at winning the Games, Katniss must not only present herself as a fierce killer but also as a beautiful, romantic, and vulnerable girl. Likewise, A gender critique of The Hunger Games reveals that Katniss’s expression of femininity and masculinity is not based on
of, as well as the activities appropriate to, men or women” (160). These stereotypes were supposed to be adhered to sternly. Obviously, the stereotypes for men and women were polar opposites. This patriarchal society viewed the male as the head of the household. They were expected to be the workers in the family. Men were expected to be powerful, brave, worldly, rational, independent, and sexual.
Women in different societies around the world, during the Middle Ages, experienced different hardships and roles. These hardships and roles helped shape how they were viewed in their society. Some women were treated better and more equal than others. In Rome, Medieval England, and Viking society, women’s legal status, education, marriage and family roles were considered diverse, but also similar. In certain nation’s women have more or less power than women in other nations, but none equal to the power that women have in America today.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
In the following essay I will seek to establish the construction of feminine gender roles in ‘Game of Thrones’, the HBO television adaptation of George R. R. Martin’s series of novels ‘A Song of Ice and Fire’, which is played out in the fictional kingdom of Westeros. Consequently I will analyse these feminine gender roles from a materialistic viewpoint and discuss how a number of characters, principally female (since we will see how patriarchy is the favoured practice in Westeros), both conform to and reject preconceived ideas of gender performance and representation. To begin with it is necessary to establish an understanding of what ‘gender’ is. “Gender is the range of physical, biological, mental and behavioral characteristics pertaining to, and differentiating between, masculinity and femininity. Depending on the context, the term may refer to biological sex (i.e. the state of being male, female or intersex), sex-based social structures (including gender roles and other social roles), or gender identity” (Urdy 1994). Martin himself acknowledges De Beauvoir’s (1973) suggestion that gender is unnatural, ‘a social construction’, “I regard men and women as all human- yes there are differences, but many of those differences are created by the culture that we live in, whether it is the medieval culture of Westeros, or 21st century western culture” (Salter 2013). The characters portrayed and developed in ‘Game of Thrones’ are no different in that they too are subject to the culture that has been created around them and the experiences by which they progress “as De Beauvoir puts it, consciousness exists one’s body, which, in the context of ...
Media surrounds an individual in the form of platforms including television, advertisments and film. These are accessible in the majority of places in current culture. As a result it plays a large role in creating social norms, as they are so wide spread. Gender roles exist soley because society as a whole chooses to accept them, however, they can be encouraged by the media. Gender representation in television is an important aspect in encouraging or discouraging these roles. An example of gender roles, in terms of femininty and masculinity, is men who are generally expected to be strong showing little emotion; whilst women are more submissive and are expected to stay at home attending to household
Traditional gender roles exist in Gabriel Garcia Marquez’ novel One Hundred Years of Solitude, but traditional distribution of power between the genders does not. In analyzing each character and their life, it’s easy to see how Marquez presented each in terms of his own view on gender constructs. Marquez portrays femininity and masculinity very differently. But why would Marquez choose to make such a clear distinction between the roles of each gender? Marquez sees women as spiritual and overpowered by traditional standards, and men doomed by their own obsessions. Men are wily and therefore vulnerable, whereas women are dignified and durable, and survive for much longer.
Gender roles refer to theoretical construction about how people who belong to different genders should speak, think, dress, act and interact within the context of community they live in. Moreover gender roles divided into two main elements, which are dependent on the cultural context as well as the personal preferences or tendency of someone. Gender representations in “The Hunger Games” represents classical shifts away from mainstream gender roles with some elements and reinforces established gender roles in others. Girls are presented as the fairer gender, with an inclination towards being emotional and kind and rarely have characteristics of toughness and strength as is characterized by boys. On the other hand,
Another masculine characteristic is to be athletic, have economic success power and possession. Women are seen as objects and not humans. How women are human too and they should be treated the same way as men do. Just because women have different features than they do doesn 't mean they aren 't capable of the same things. You can also see this in the media they go along with the generalization that Society has placed rolls upon women and men. Media has a major effect on how we portray men and women. Our generation is persuaded by media. If a boy or girl acting a certain they want to copy their action. Whatever they see their gender the most common to enforce that it what they can see to the norms for their
Masculinity and femininity are two terms, which have been interpreted differently throughout history. Both the males and the females have responsibilities and duties but these duties differ based on one’s gender. Gender has played a prodigious role in the economy, politics, and the society. Everyone starts making interpretations of the strengths and weaknesses based on one’s gender. These interpretations are not always based on his or her ability but is usually based on his or her gender. Males tend to be judged as extremely strong and unfashionable in terms of appearance. Whereas, females are judged as expensive and very fashionable. Males and females both differ in their abilities and their enjoyments. Fashion, entertainment, and strength are three topics, which are used to define masculinity and femininity in the 21st century.