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Essays on the process of creativity
Reflection on creativity
Essays on creativity
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Sitting alone in a garden in Paris, surrounded by Rodin’s statues, I watch the world pass me by, as I have for hundreds of years. Just over the hedge, I can see the gold dome marking the place where Napoleon is buried. All sorts of people pass by, some marveling at my creator’s talent, others wondering why he represented the hands and feet so unnaturally large. It is easy to recognize the American tourists, in blue jeans, who gawk at nude statues, and the Britons, in slightly more formal clothes, gawking just the same. Young couples have passed me by, hand-in-hand, enjoying the weather and the garden and each other’s company. And still, here I sit, in a lonely haze, separated by my very existence from everyone passing by. Completely alone, I look down as the people live their lives. The...
In the chapter “Peasant of the Pavements” from the autobiography The Long Loneliness, the narrator, Dorothy Day discusses the first time she met Peter Maurin. As a result of the chapters focus on Peter, the thesis of this chapter is about him. Day argues that Peter taught her that no matter how different one may seem to be from another, all people are each others “brother’s keeper and the unit of society is the family; that we must have a sense of personal responsibility to take care of our own, and our neighbor, at a personal sacrifice” (179).
But then something happened—Pemberton Park became popular. Especially among couples. Lovers would walk holding hands and the young man would sit silently, jealous and mad that they were invading his space. It happened more and more, but he did nothing. Nothing…nothing…until one night, almost twenty-five years ago, when his old girlfriend came to Pemberton Park with her new lover. When he saw her, he was filled with rage. He could not take it any more. Night fell, and his old girlfriend kissed her new boyfriend. It was her last kiss.
New experiences shock and captivate readers consequently prompting a reassessment of their perceptions of respect, truth and friendship. Tim Wintons short story “Neighbours” confronts individual stereotypes through exploring the multicultural context in which the story is set. Winton explores the transition of a “young couple” into a new phase of life by describing their move to a lower socio economic suburb full of “European migrants”. The composer does not name the characters, rather calls them the “Macedonian Family” and the “Polish man”, in order to show their cultural differences and highlight multiculturalism. Through the development of the short story, Winton shows how the young couple transition and develop their societal perspectives
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
Steven Herrick’s 2001 free verse novel The Simple Gift and the 2009 film The Blind Side directed by John Lee Hancock effectively highlight the importance of stability of place, which could offer comfort, security, and validation. This is reflected both Billy and Michael who had negative experiences within their formative contexts and seek belonging elsewhere in an effort to find the comfort and security of a place, showing that connection to place is a significant factor in achieving belonging.
In the Enseigne, art is also shown to serve a function that it has always fulfilled in every society founded on class differences. As a luxury commodity it is an index of social status. It marks the distinction between those who have the leisure and wealth to know about art and posses it, and those who do not. In Gersaint’s signboard, art is presented in a context where its social function is openly and self-consciously declared. In summary, Watteau reveals art to be a product of society, nevertheless he refashions past artistic traditions. Other than other contemporary painters however, his relationship to the past is not presented as a revolt, but rather like the appreciative, attentive commentary of a conversational partner.
The speaker in “Five A.M.” looks to nature as a source of beauty during his early morning walk, and after clearing his mind and processing his thoughts along the journey, he begins his return home feeling as though he is ready to begin the “uphill curve” (ln. 14) in order to process his daily struggles. However, while the speaker in “Five Flights Up,” shares the same struggles as her fellow speaker, she does little to involve herself in nature other than to observe it from the safety of her place of residence. Although suffering as a result of her struggles, the speaker does little to want to help herself out of her situation, instead choosing to believe that she cannot hardly bare recovery or to lift the shroud of night that has fallen over her. Both speakers face a journey ahead of them whether it be “the uphill curve where a thicket spills with birds every spring” (ln. 14-15) or the five flights of stares ahead of them, yet it is in their attitude where these two individuals differ. Through the appreciation of his early morning surroundings, the speaker in “Five A.M.” finds solitude and self-fulfillment, whereas the speaker in “Five Flights Up” has still failed to realize her own role in that of her recovery from this dark time in her life and how nature can serve a beneficial role in relieving her of her
Therefore, analysis of ‘The Simple Gift’ and ‘The River that wasn’t ours’ reveals belonging as an essential aspect to the human condition. One can feel connections to people and place through the varied nature of belonging. However, the consequences of not belonging can be detrimental to the individual or group and can result in feelings of displacement and distress.
Thornton Wilder’s Our Town is a work of “sentimental fiction” because it connects all the people living in the small town of Grover’s Corners. In a small town like Grover’s Corners everybody knows each other within the town, so there is a deeper connection of companionship, friendship, and love within the town. The residents of Grover’s Corners constantly take time out of their days to connect with each other, whether through idle chat with the milkman or small talk with a neighbor. So when love and marriage or death happens in the town, it will affect the majority Grover’s Corners residents. The most prominent interpersonal relationship in the play is a romance—the courtship and marriage of George Gibbs and Emily Webb. Wilder suggests that
A key use of propaganda in Versailles was the depiction of Louis XIV in paintings. Often, artwork in Versailles depicted him as handsome and god-like, he was even portrayed as gods themselves, such as “Apollo or Jupiter” (Constans 109). This god-like image affected Loui...
All in all, Chris McCandless is a contradictory idealist. He was motivated by his charity but so cruel to his parents and friends. He redefined the implication of life, but ended his life in a lonely bus because of starvation, which he was always fighting against. Nevertheless, Chris and the readers all understand that “happiness only real when shared.” (129; chap.18) Maybe it’s paramount to the people who are now alive.
The primary function of monumental portraits in Ancient Rome was to honor political figures of power through repeating social and political themes. The Romans expressed these themes through a form of “realism”. Relics of this era were found depicting the elderly conservative nobility that lived through civil disruptions and war, elaborately individualized through detail of the face expression. Through the features of grimacing heaviness, wrinkles, and effects of old age, the Romans were able to express the reality of their political situation felt by the people whose faces were sculptured into stone. Furthermore, Nodelman discusses the use of sculpture portraits to depict the ideology behind Roman conservative aristocracy. Artists would portray the virtues of gravitas, dignities, and fides, through the use to physical expression and symbolic meaning, rather than through words. A statue of Augustus, for instance, displays the militaristic, powerful, godly perception of the conservative ideology through the use of symbolic detail. The decorative, rich, military outfit on Augustus, represents the power of the military and Augustus’s role as imperator in it. The freely held masculine arm and pointing gesture towards the horizon are Rome’s expanding dreams, clashing with the overall powerful and sturdy stance of the body. The bare feet bring about the impression
Across cultures, continents, and worlds, the majority of things within the scope of our very own humanity can be boiled down to two things: those who are dominant, and those who get dominated. Within these statuses lie stories of power struggles, rebellion, the rising and falling of those with influence, and the interconnection between a being with power and the people under his ruling. Through the visual works catered to this subject, we will discuss themes such as the power of immortalization, divinity amongst humans, what it really means to be a ruler, and many other details making up the ever-present, multifaceted relationship between rulers and their subject. With the assistance of the Blanton Museum of Art, I will be able to showcase
from the society can cause loneliness in ones life. In “A Rose For Emily”, William
“The finest tax-deductible minds were brought in to address the Project’s Co-ordinating Committee. The French intellectual was a slight, neat figure in an English tweed jacket half a size too big for him; with it he wore a pale blue button-down shirt of American cotton, an Italian tie of flamboyant restraint, international charcoal wool trousers, and a pair of tasselled French loafers” (54).