The first statue of David was depicted by Donatello in the 1440s of the Early Renaissance. The Medici family, the most prominent family in Florence, commissioned Donatello to sculpt the statue. Since Florence adopted David as the icon of their city, the Medici family desired to bestow the city a representation of their leadership and pride. The Florentine people felt very much identified with David because they had also defeated their enemy, the Duke of Milan, in the early 14th century (Harris and Zucker). David, who is a biblical hero, and the underdog in the fight, defeated his enemy, the Goliath. Donatello’s David had introduced many distinctive classical themes, such as “the return of the nude.” Until his time period, nude
Figure 1. The bronze sculpture of David created by Donatello of the Early Renaissance in the mid-15th century. (Krén and Marx)
artwork had been created centuries ago in ancient Greece and Rome. Donatello portrays the re...
... middle of paper ...
...ead at his feet and the powerful sword in his hand, but portrays the youth in the phase immediately preceding the battle” (Krén and Marx). Michelangelo and Donatello have had a few techniques in common between their sculptures. The first would be the contrapposto stance their statues are in. Another would be how their sculptures are free standing. This means that they are both able to stand without any extra support. As a result, the two have prevailed as artists and gave true significance to the Renaissance. Donatello and Michelangelo, both being the great artist they are, have portrayed a new way to depict the biblical hero David. Donatello brought back the concept of nude artworks. Michelangelo studied the human body and embraced its characteristics in his work. Using their unique styles, the two artists were able to create very prominent sculptures in art history.
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