Tintoretto's Life
Tintoretto, a working independent professional artist that was known for his captivating religious paintings. His art was very fond of in the 16th century and will be remembered for many years to come. Tintoretto resided from Venice,Italy around 1518. Not much is known of tintoretto early life he wasn't really recorded then, but we do know the little things. Tintoretto is actually a nickname given to the artist
,his actual name was Jacopo Robusti.
He took the name Tintoretto after his father, which had a profession at being a dyer. Tintoretto was born to be a painter, when he was little he covered walls with dye. His father noticed he had a skill so he brought him with him to a studio owned by a master painter named Tintian to see how long he would be trained as an artist. Titian would not be friends with Tintoretto, Titian said,”he could be able to be a professional artist but not a pupil of his”. Tintoretto was able to view Titian's paintings and see what his other work was.
Since not much is known we know that he was well aware about what he was doing and what he wanted to do, and that was to be a painter. He was very fond of the artwork of venice and he liked Michelangelo's work. Tintoretto had sought to combine Michelangelo's work and the artwork of Titian. Tintoretto Growing up he worked independently on his artwork. He became a professional artist by 1539.
Tintoretto was well known in Italy as a Venetian painter, one of the most well known artist at that time also. When he painted he used oil painting, and very dynamic colours. Tintoretto received assignments for church altarpieces, civic buildings, and portraits of Venetian nobleman and statesman. One things that makes tintoretto unique is that even...
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...veness was already being done by people of Rome, Florence and other major cities. This did not change the ways of the town and other improvements,it changed things like people ideas and ways of thinking about things. Commissions from private roots,churches,and institutions came in to the picture. There were a unequaled amount of painters in venice so there was a sense of harmony of sharing the commission's. Tintoretto received his good share of commissions that centered around 1570s and onward. On May 31,1594 Tintoretto died. Him and his wife had eight children,three of them trained with there father to carry on his artistic legacy.
This is some art of Tintoretto's Featured in Churches.
The “Renaissance” was an important time following the Middle Ages. Ancient Greek and Ancient Roman art styles and ideas were revived during this period of time. Extravagant and detailed paintings were commissioned and featured mythological creatures from Greek and Roman culture. It was similar to an artistic revolution. One of the most famous painters from this period was Sandro Botticelli. Known for his detail included in his paintings, Botticelli went on to create paintings for influential figures of the Renaissance and a few frescos for the Sistine Chapel. Sandro Botticelli is the Renaissance Idol because he created a unique art style that was widely imitated by the time of his death.
Giorgione or Giorgio Barbarelli da Castelfranco was born in 1477 or 1478, the exact date is not known, in Castelfranco. Even though there were no more than about twenty paintings officially associated with him, of which only about six are attributed to him without doubt, his originality was so powerful that these few works have come to represent not only the first stage in the Venice High Renaissance, but a new trend in Italian art as well. Surviving documentation of his life and work is sparse.
Michelangelo Amerigi, known in the art world as Caravaggio, was born in Caravaggio, in Lombardy, Italy. He was born into a somewhat successful family, in which his father worked as a mason. Growing up in Lombardy was not the most superlative place for a young artist. Luckily for him, Milan, Italy was nearby, and he took up studying art there. Shortly after that he moved to Rome, which was the center of the art world at the time, and began what was a most masterful career. Many of Caravaggio's paintings reflected his personality and character. As a young boy up until he was an old man, Caravaggio had a terrible temper, and was not afraid of confrontation or death. Many times it seemed as though he went out looking for a confrontation. In one instance, over a difference in a game of ball, he challenged another young man to a fight in which resulted in Caravaggio killing him with his sword. This was not the only confrontation though; there are several more documented throughout his life, in several different courts. Caravaggio’s attitude and character allowed himself to express some of the darker and naturally gruesome scenes of religion, mythology, and history. Unlike anyone else, his paintings captured an audience with his use of natural looking figures, dramatic situations, and with a powerful sense of immediacy.
A painter of the late Baroque School of Venice, Sebastiano Ricci was born in Belluno, Italy in 1659. In 1673, at the age of fourteen, he moved to Venice and began learning from the artist Frederico Cervelli, a Milanese painter, who helped him in establishing a solid foundation for his career as an artist. In 1681, he departed for Bologna in 1681 to study art extensively for fifteen years, where he learned to decorate, color, and integrate light effects in his works. In his return to Venice, Ricci mastered the art of color, light, outfits, and textures, having been heavily influenced by the artist Giovanni Gioseffo dal Sole. After 1700, Sebastiano’s works became so famous that he was summoned to execute several commissions in Vienna and Florence,
Michelangelo Buonarroti was one of the top three Italian artists. His work are examples of how great the art was in the High Renaissance Era. Michelangelo’s chalk drawing, Study of a Man, was his analysis of the way he saw the body and the way it was shaped and saw the different positions. By using critical thinking as he created his art, he had the ability to study the way a man looks. He was able to process how the way the body moves and sits.
Vittore Carpaccio was born around the year 1460 near Venice, Italy. They didn’t keep birth records then, so this date is an estimate. Vittore knew from a very young age that he wanted to be a painter when he was older. He couldn’t pay attention in school because he was always drawing or sketching on his papers. As a young man, Carpaccio was greatly influenced by two Venetian painters. These two painters were Gentile Bellini and Giovanni Bellini. Carpaccio was influenced greatly by these artists, but he also admired the work of other artists of the Venitian art period.
Botticelli’s real name was: Alessandro Filipepi. He was born in 1445 in Florence, Italy. This was the time of the Renaissance. Botticelli was the youngest of five children. He got his nickname when working with a goldsmith. The goldsmith named him Botticelli, meaning, “Little barrel”. Many other people of the Renaissance said he had a deep-set of eyes and flowing locks. But they also said he was a jokester and a prankster to his friends (“WebMuseum” par 2). By the time he was 15, he had his own workshop to show off his work. (“Historylink” par 2). In addition, when he was 15 years old he already was training with a very popular painter from the Renaissance. His name was Fra Filippo Lippi (Historylink). Fra Filippo Lippi taught him how to mix colors and how to paint pictures. In 1465 Botticelli made his own studio (“WebMuseum” par 3).
As his career continued, Bellini became known for his landscapes and naturalistic depiction of light. Giovanni founded the Venetian school of painting, and lived to see his students succeed and even some of them become more famous than he himself was. His life ended in Venice in 1516, but his contributions to Renaissance art would live forever. Bellini brought a new level of realism and nature to art, innovative subject matter, and a new sensuousness in both form and color. Giovanni’s personal attitudes and styles predetermined the special nature of Venic...
No one knows exactly when the Italian artist, Tiziano Vecellio, was born. Over the centuries, there has been a great deal of confusion concerning the date, due to a misprint in his biography by sixteenth century art historian, Girgio Vasari. Vasari recorded the date as 1480, but the progress of Tiziano Vecellio’s work, as well as other documented sources, announce his date of birth to be sometime between 1488 and 1490. (Magill 2310) The place of his birth was Pieve de Cadore, in the Alps north of Venice. Tiziano Vecellio, also known as Titian, was a great master of religious art, a portraitist, and the creator of mythological compositions, which have been so decorative and inventive that no other artist has yet surpassed them. People such as his wife, Cecilia, Giovanni Bellini, and the Holy Roman Emperor, Charles V, influenced Titian. (Magill 2311) Titian is considered to be one of the greatest artists of the Italian High Renaissance. Titian developed an oil-painting technique during his time as an artist of successive glazes and broad paint application that influenced many generations of artists to follow along with his other various important accomplishments.
The High Renaissance (1490-1527) was a period of Italian painting that had the qualities of harmony and balance with dignified, calm movement. It was also a time when painterly techniques of linear perspective, vanishing points, shading (chiaroscuro and sfumato) and other methods of realism were mastered. There were significant changes in the development of early sixteenth century Venetian paintings, in particular, Titian’s paintings during the High Renaissance. I’ve chosen Gallery 607 at the Metropolitan Museum of Art because it has the works of Titian, who was one of the greatest Venetian artists, well known for his remarkable use of color and for his appealing renderings of the human form. Titian created rich, luminous images by layering
As time went on Michelangelo goes on the create some of the best Statues and paintings known to man today. Aside from his “artistic” life Michelangelo was also an architect and a poet, he designed buildings such as the Laurentian Library and the Medici Chapel, but his biggest accomplishment came in 1546, became the head architect of Peter’s Basilica. For him when it came it poetry, he wrote over 300 poems that have come to be known as “Michelangelo's sonnets,” which are still read by people to this day. Even Though, he is known for his memorable sculptures and paintings, Michelangelo did not have the best personality. He was short-tempered, so he did not really work well with others, when Michelangelo painted the ceiling of the Sistine Chapel, he fired all of his workers, because he wanted everything to the peak of perfection. A lot Michelangelo’s works did remain unfinished, but the ones that he did complete are still some of the best in history; from Pieta, David, The Last Judgement, to the ceiling
Michelangelo Buonarroti is arguably one of the most inspired creators in the history of art and the most potent force in the Italian High Renaissance. As a sculptor, architect, painter, and poet, he exerted a tremendous influence on his contemporaries and on subsequent Western art in general.
One of the ways he did this was by crafting a lot of works: “The world remained so full of his works, that it may be affirmed right truly that no craftsmen ever worked more than he did.” (377) Vasari praises Donatello’s various works throughout the biography. The collection of works that Vasari mentions, suggests that Donatello was more than just a sculptor because he produced and sold many designs. This was similar to a baker or merchant in Renaissance Florence that was constantly selling his or her own product to others. Furthermore, Donatello’s many works were studied and praised by future Renaissance artists. One of the most influential and well known is Michelangelo Buonarroti. At the end of the biography, Vasari leaves the reader with an intriguing quote by Don Vincenzo Borghini that Borghini stated in a book where he collected drawings from esteemed artists. Borghini states that “Either the spirit of Donato works in Buonarroto, or that of Buonarotto began by working in Donato.” (378). Donatello also had other students such as Bertoldo who “he left all his work to be completed by” (377). Donatello inspired and had other students work under him and taught them his craft. Therefore, Donatello inspired Michelangelo and other artists that became famous and excellent artists in their own right. This shows that Donatello left a lasting
Lorenzo De Medici can be considered as one of the most influential men of the 13th century. His work in political affairs and administration were renowned in all Italy and his family could count on him in every aspect. Lorenzo was also a promoter of a new period called Renaissance. He was one of the first “mecenate” to explore this new way of art. In this project, I will concentrate how he developed art in Florence, giving a clear example through an Artist of that period that was working for him: Sandro Botticelli. His work “The Spring” is a well-defined example of what we can call “art in the Renaissance”, in particular for the Italian Renaissance.
The first, and most obvious, difference between the two is the color. The work done by da Vinci is bright with lighter colors, and you can tell it takes place during the day. On the other hand, the work done by Tintoretto is dark-lightened only by fire, and the time of day is not as obvious. The painting's surrounding is almost in a bar-like place, and the picture is not as intimate as da Vinci's.