In terms of the claim mentioned before it is noteworthy to understand the functions of both modern art museums and churches and cathedrals of the past. By focusing on (1) the modern art museums vs. cathedrals and churches of the past (2) the ritual of experience museums and churches (3) secular knowledge that art museums provide and (4) why I think art museums are the new platform for artist. In this essay I will use examples such as the Louvre in Paris and The National Gallery in London along with St. Pauls Cathedral in London and the Sistine Chapel in Vatican City to support my argument.
Looking at John Updike’s article ‘Invisible Cathedral’ in the New Yorker where he examines the construction and architecture of the new Museum of Modern Art...
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...suggests visitors of art museums undertake a ritual experience. I believe this experience is something that had once occurred in churches and cathedrals: devotion and worship. In the course of this essay I focused on three main areas (1) the modern art museums vs. cathedrals and churches of the past (2) the ritual of experience museums and churches (3) and secular knowledge that art museums provide. Along with this I provide my opinion on why I believe art museums became a platform for artist to stand on over cathedrals and churches. While the primary goal of this essay was to establish my opinion on the aforesaid claim I also introduce ideas of my own. In the end, I do agree with the claim but only in the context of secular views that art museums have because they are not entirely religious in there view of art.
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