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How language relates with national identity
How language relates with national identity
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The poem A Different History was written by Sujata Bhatt, and is about how the culture, language and identities of the colonisers have affected India’s values, culture, religion and spirituality. The first stanza focuses on respect for religion and education, and on India’s culture, whereas the second stanza emphasises how the language and the colonisers destroy this culture and values. This poem also focuses on the fact that language plays a crucial part in establishing national identity, linking people of the same nation together through common history, and a shared culture (which language is a part of). The poem contains various literary techniques, and explores multiple themes, the main one being the significance of language.
In the first stanza, the poem depicts India’s culture as spiritual and religion-orientated, and its attitude to books and knowledge sacred and respectful. In the opening line of the poem, “Great Pan”, the Roman god of nature and fertility, is mentioned in order to introduce us to India’s beliefs in multiple deities and to set the scene for the natural/spiritual theme of the first stanza. In Indian culture, spirituality and religion are much more prominent than Western countries, and Bhatt emphasised this by the line “Here, the gods roam freely”, where the use of the word “here” suggests that this is not the case in other countries. Also, the poem tells us that in India, animals are considered close to heaven, and the gods are said to take every shape/form, hence “[the gods are] disguised as snakes or monkeys; every tree is sacred and it is a sin to be rude to a book”, as the gods are present in both living and inanimate objects. Everything has a spiritual connection, and therefore to harm an object means...
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...poet explores the significance of language in this poem by using India as an example. The significance of language as an art and a weapon, as a medium of sharing culture and identity is portrayed in this poem in many ways, mainly by describing India’s spiritual culture and values, and the negative effect that removing India’s language has on its culture, history and on removing its national identity, in combination with using descriptive language as well as literary techniques, to convey the overall message of the poem better. I believe that the significance of language is explored in depth in A Beautiful History, and that this poem captures the impact that language has on culture in an interesting way with a historical touch of seriousness, and provides a wide ground for further deliberation about its significance.
Works Cited
A Different History - Sujata Bhatt
As this poem characterizes the view of a native woman expressing feelings of passion relating to her culture, it also criticizes society, in particular Christianity, as the speaker is experiencing feelings of discontent with the outcome of residential schools. It does not directly criticize the faith, but through the use of a heavy native dialect and implications to the Christian faith it becomes simple to read the speakers emotions.
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In its entirety, this poem describes how a language can evolve or die, and how things said in this language can change or die with it. Boundaries between languages may not be clear. Like rivers they can travel close together, or merge completely. All languages, however, act as rivers. They start at a source and travel. They then travel, merge, or fade away. Upon closer examination, the poem also says why languages are difficult to label. The reason is that they change with time. The English language of today is not the same English language spoken hundreds of years ago. As all languages evolve similarly, this applies to all languages. Subtle changes in gestures, writing, or spoken language eventually add up. After a long enough period of time it is as though an entirely new language has formed, but kept the same name as the previous language.
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The structure of “The Wish to Be a Red Indian” manifests the narrator’s wish for physical freedom. The majority of the vignette consists of short clauses that give the story a rhythm when it is read aloud. Repetitions of words, such as “quivering jerkily...quivering ground,” “no spurs...the spurs,” “no reins...the reins,” contribute the production of this rhythm. The repeating beat conveys a sense of rush, excitement, and freedom. Being the shortest of all of the vignettes in “Meditations,” “The Wish to Be a Red Indian” omits several pieces present in a conventional sentence. The sole sentence in “The Wish to Be a Red Indian” contains no independent clause, being merely a collection of descriptive dependent clauses. Additionally, clauses tended to omit their subjects, and parallelism between clauses is not preserved. The last section, “the land before one was smoothly shorn heath when horse’s neck and head would be already gone,” shows Kafka’s usage of unorthodox style. This diversion from conventional writing reveals narrator’s wish for escape.
Ramazani, Jahan. Richard Ellmann, Robert O’Clair, ed. The Norton Anthology Of Modern And Contemporary Poetry. Vol 1 Modern Poetry. Third Edition. Norton. 2003.
Throughout ‘To the Welsh Critic Who Doesn’t Find Me Identifiably Indian’, Arundhati Subramaniam argues that the “the business of language”, or the language that one speaks, should not dictate one’s identity. This becomes crucial in her poem as she uses this argument in response to a Welsh Critic, who does not identify her as being Indian. The poem substantiates her perspective of language through various techniques. For instance: Subramaniam reinforces the critic’s cultural assumptions in a defiant tone; she questions him, repeatedly, about language and eventually she challenges him, insisting he should explain to her how he would receive her as “Identifiably Indian”.
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Many authors use experience in their lives to influence their writing. In the cases of Seamus Heaney and Arundati Roy, the experiences in their life and the experience that their countries went through shape their poems and stories in unimaginable ways. For example, Heaney puts into his poetry many experiences that his country, Ireland, went through. These experiences include the rise of war in Ireland between the Catholics and the Protestants and also the influence that England has on the situation in Ireland. Roy on the same note brings into her story, The God of Small Things, experiences that India went through after British rule and the fear of communism that arose in certain parts of India after the British made India a free nation. Through both of these authors’ writings, readers can see the effect that English rule had upon both of the different nations and the aftermath of the English influence on both India and Ireland.
‘Collected Poems of Rudyard Kipling’. Kipling born on 30 December 1865 and died 18 January 1936 was a British author and poet. Born in Bombay, in British India he is well known for his works of fiction The Jungle Book (1894) and his poems, including Mandalay (1890), Gunga Din (1890), and If (1910). Kipling came to be recognized by George Orwell as a "prophet of British imperialism."(1) Orwell statement show Kipling as a literature Genious. The poems that will be discussed in this essay are from a Selected Poems by Rudyard Kipling are ‘Mandalay’, ‘This is England’, ‘Gunga Din’ and ‘The White Man’s Bur...
Kubla Khan, however, offers no firm conclusion to the many universal questions that its narrator plants and cultivates within his audience. The audience is left to turn away from the poem frightened – frightened by the poem’s promise that man can control neither the progression of the “sacred river” that is his own mind nor the horrific explosions of his own ‘icy caves’ of unconscious being. The symbolic images of Kubla Khan, therefore, appear truthful and relevant and frightening. Moreover, the audience is never truly able to escape these images and symbols, for the poem itself provides no firm or reassuring conclusion. Perhaps the ambiguous ending of Kubla Khan will serve as a firm beginning for another poet’s unconscious journey, much as Purchas’s Pilgrimage did so for Coleridge.
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