So what’s a cri-de-coeur, cunt? Can’t yo...
... middle of paper ...
...h working class voices tended to appear as comedians (). A production of V. would run counter to this notion as it would mean the curse words, to which may took offence (Eyre 37), would be broadcast. As discussed previous, the language of the working class heavily focuses on words which are stigmatise which reveal frustrations over social inequality and marginalisation. However, the outcry of the poem and its broadcast highlight a need to suppress minority languages such as the working class by the elites who control the media. In a similar way, the media seeks to marginalise the working class representation by censoring the poems language which is heavily based within class structures. By doing this, it allows for the continued dominant language of elitist Standard English, furthering the silencing of the working class through homogenising culture and education ().
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