This perspective is rivaled by Moralism. The Moralist theory emphasizes that the aesthetic value of an artwork is determined, or at least influenced, by its ethical premise. This school of thought formed the foundation of the modern philosophical study of art, making the discipline of recurring interest and debate since Plato’s aesthetics. To reference his “Parable of the Cave,” Plato interprets the arts not as shining indications of the enlightened world beyond the ...
... middle of paper ...
...and ethics remain modernly relevant, still intersecting in our popular culture.
Peek, Ella. "Ethical Criticism of Art" Internet Encyclopedia of Philosophy, ISSN 2161-0002, Martin: University of Tennessee, 2005. Art, Ethical Criticism of. Web. 19 Jan. 2013.
Kant, Immanuel. Critique of the Power of Judgment. Trans. Paul Guyer. Cambridge: Cambridge Univ., 2009. Print.
Devereaux, Mary. "The Philosophical Status of Aesthetics." 1997 Annual Meeting of the American Society of Aesthetics. New Mexico, Santa Fe. 1997. Speech.
Plato. Plato, Complete in Twelve Volumes. Trans. Harold N. Fowler et al. Cambridge, MA: Harvard Univ., 1978. Print.
Simon Schama’s Power of Art. Dir. Clare Beavan. Perf. Simon Schama. BBC, 2006. DVD.
Maritain, Jacques. “The Responsibility of the Artist.” The Responsibility of the Artist. University of Notre Dame, 2010. Web. 21 Dec. 2013.
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