The lives we live today encompass many moral aspects that would not have been socially acceptable fifty or more years ago. John Updike’s short story, A&P, addresses these issues of societal changes through a 1960’s teenager point of view. This teenager, Sammy, spends a great deal of his time working at a local supermarket, observing customers, and imagining where his life adventures will take him. Through symbolism and setting, Updike establishes the characters and conflicts; these, in turn, evolve Sammy from an observational, ignorant teenager, promoting opposition to changing social rules, into an adult who must face reality. This short story, first published in 1961, stirs up controversy and still continues to be debated today. Although Updike intends for his writing to be simple and enjoyable, he also includes literary and cultural knowledge of the time period for readers to analyze more deeply (Saldivar N. pag.). As with A&P, Updike injects religious faith, which few Non-Catholic writers attempted during this time, in a seemingly effortless way. The supermarket A&P, the main setting of the story, was positioned “right in the middle of town” (Updike 983); a prime position accessible to all, although, generally this position was reserved for the town’s place of worship. In a way, Updike implanted this detail to be ironic. The supermarket in his story represented a “temple of modern consumerism” and was replacing a temple of worship (Wells N. pag.). To create a story that was relevant to the 1960’s, yet still encompasses issues society currently faces, demonstrates Updike’s genius ability to engage in the enthralling world around him. The story begins through Sammy, the narrator, working at the local A&P supermarket. He not... ... middle of paper ... ..., 1994. Literature Resource Center. Web. 15 Apr. 2012. • Porter, M. Gilbert. "John Updike's 'A & P': The Establishment and an Emersonian Cashier." English Journal 61 (Nov. 1972): 1155-1158. Rpt. in Short Story Criticism. Ed. Anna J. Sheets. Vol. 27. Detroit: Gale Research, 1998. Literature Resource Center. Web. 15 Apr. 2012. • Saldivar, Toni. "The Art Of John Updike's "A & P." Studies In Short Fiction 34.2 (1997): 215. Academic Search Premier. Web. 14 Apr. 2012. • Thompson, Corey Evan. "Updike's A & P." Explicator 59.4 (2001): 215. Academic Search Premier. Web. 14 Apr. 2012. • Updike, John. "A&P." Thinking and Writing About Literature. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 2001. 981-86. Print. • Wells, Walter. "John Updike's `A&P': A Return To Araby." Studies In Short Fiction 30.2 (1993): 127. Academic Search Premier. Web. 14 Apr. 2012.
Updike, John. "A & P" Bedford Introduction to Literature. Ed. Michael Meyer. 6th Edition. Boston: Bedford/St. Martin's, 2002.
Updike, John. "A & P." Literature (4th ed). Ed. Robert DiYanni. New York: McGraw-Hill, 1998.
William Peden once called John Updike’s “A&P” “deftly narrated nonsense...which contains nothing more significant than a checking clerk's interest in three girls in bathing suits” (Peden). While Peden’s criticism may be harsher than necessary, it is hard to find fault with his analysis. Sammy’s tale offers little more than insight into an egocentric and self-motivated mind, and while Updike may disagree with that conclusion, a close reading of the text offers significant evidence to support this theory. In “An Interview with John Updike”, Updike describes how Sammy quit as a “feminist protest” (153). However, I would argue that Sammy’s act of defiance was selfishly motivated and represents his inner struggle with his social class as demonstrated through his contempt for those around him and his self-motivated actions.
Interpretation of A & P This story takes place in 1961, in a small New England town's A&P grocery store. Sammy, the narrator, is introduced as a grocery checker and an observer of the store's patrons. He finds himself fascinated by a particular group of girls. Just in from the beach and still in their bathing suits, they are a stark contrast, to the otherwise plain store interior.
Sammy starts the story seeming as an ordinary grocery cashier in a small store, but it seems as if he has a little something to say about every person he sees or talks to, although he does not say anything out loud to the customers (or his boss for that matter). When three girls walk in the store wearing
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
In "A&P" Sammy changes from an immature teenager to a person who takes a stand for what he believes is wrong which is reflected in Sammy's words and actions. This paper is composed of three paragraphs. The first paragraph deals with the immature Sammy, the second concentrates on Sammy's beginning his maturing process, and the last focuses on his decision to take a stand no matter what the consequences are.
The main character in John Updike's short story “A&P” is Sammy. The story's first-person context gives the reader a unique insight toward the main character's own feelings and choices, as well as the reasons for the choices. The reader is allowed to closely observe Sammy's observations and first impressions of the three girls who come to the grocery store on a summer afternoon in the early 1960s. In order to understand this short story, one must first recognize the social climate of the era, the age of the main character, and the temptation this individual faces.
In, “A&P,” Updike depicts an unusual day for Sammy working in the A&P store. Sammy’s days are usually mundane but his day is changed when a group of scantily dressed girls walk into the store and they leave an everlasting influence on his life. Updike’s demonstrates these events through colloquial language and symbolism, allowing the reader to connect with Sammy and see his growth as a character.
Sammy’s Sophomoric Adolescent Transition into Adulthood The transition from childhood to adulthood is not only a physical challenge but, psychological and socially exhausting. John Updike who wrote “A & P” recognized this and used it characterize the main character. The protagonist Sammy was developed around the concept of the journey into adulthood. Sammy is a nineteen years old boy who works at the A&P grocery store in a small New England town. It is not until three young girls walk into the store in just their bathing suits that Sammy is faced with the realization that he undoubtedly has to face the harsh truth of growing up.
Updike, John. "A&P." The Bedford Introduction To Literature. Ed. Editor's Name(s). Boston, MA: Bedford/St. Martin, 2005.
John Updike’s “A&P” is a short story about a nineteen year old boy during the 1960’s that has a summer job at the local A&P grocery. The main character in the story, Sammy, realizes that life isn’t always fair and that sometimes a person makes decisions that he will regret. Sammy sees that life doesn’t always go as planned when three young girls in bathing suits walk in and his manager Lengel gives them a hard time, and he comes to term with that sometimes you make bad decisions.
The first short story in which Updike delineates the conflict of individualism and societal standards is “A & P.” Set in an A & P grocery store, the story follows the struggle of a young man named Sammy who spits on the standards of a grocery store in a seaside town and turns instead to his newfound individual freedom (Porter, 320). Initially Sammy observes the behaviors of people in the store. “They just want to get along, follow the cart in front of them up and down the aisles without incident... It is as if they are praying, “Get me through life without incident, Lord. Let me feel no pain and,...
Updike, John. "A&P." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 1991.1026-1030.
Before the girls enter the store, Sammy is unaware that the setting he is so judgmental of reflects his own life. Sammy feels that he is better than the rest of people at the A&P, referring to them as "sheep" and "house-slaves" because they never break from their daily routines. He also condescendingly talks about "whatever it is they[the customers]...mutter." Reinforcing his superiority above the people in the store, Sammy sees himself as a person that can seldom be "trip[ped]...up." Although he sees himself being superior to the store, the reality is that the store closely reflects Sammy's life. He seems to have a long-term commitment to the store since his apron has his name stitched on it, and he has been working at the store long enough to have memorized the entire contents of the "cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-crackers-and-cookies." His day is also filled with the routine of working at the register, a routine that is so familiar that he has created a cash register song. Sammy also identifies with his co-worker Stokesie, "the responsible married man," and therefore wishes to someday be the manager of the store, like Lengel. Even the "checkerboard" floor represents a game of checkers, a simple one-directional game that closely models Sammy's life. Although Sammy is nineteen ...