Realism uses sensitive issues like hypocrisy or failing marriages to show audiences true life. It sought to make morality and immortality indistinguishable, and dramatize touchy subjects like religion and beliefs (Wilson & Goldfarb 416). Realism is an invitation for the topic of the spiritual world because these subjects could not be addressed without bringing issues of faith and the supernatural God onto the stage. Even when scrutinizing the subject, it is still creating a place for it in realistic theatre.
The teachings of Stanislavski, a pioneer of the realism movement in theatre, in a sense, promote faith and the supernatural. The book The Living Theatre, by Edwin Wilson and Alvin Goldfarb is a history textbook that investigates many important movements in theatre such as realism. When discussing Stanislavski’s goals for actors it states that an ac...
... middle of paper ...
...e a part of reality to many characters in realist theatre. There is a place for God in realistic theatre, among characters and actors and scripts. It is an important aspect of realism because faith in a supernatural God is an aspect of humans and their everyday life. For a theatre that mirrors “true life, it is unthinkable to not incorporate faith in the supernatural.
Chekhov, Anton Pavlovich. Uncle Vanya. Google Books. Forgotten Books. Web. 03 Feb. 2011.
The Bible. New Living Translation. Web. 03 Feb. 2011.
Wilson, Edwin, and Alvin Goldfarb. Living Theatre: a History. Boston: McGraw-Hill, 2004. Print.
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