In Nathanial Hawthorne’s short story “Rapaccini’s Daughter” the theme of dangerous knowledge is acknowledge through his detailed explanation of the stories setting. The central idea of dangerous knowledge makes this story still popular in today’s culture because it is still a relevant worry among humankind. “Rapaccini’s Daughter” is about two lovers from a metaphorically separated world who cannot be together because Beatrice, the woman in the garden, is literally poisonous to everything she touches except for Rapaccini’s plants. By the end of the story the main character Giovanni becomes poisonous himself and tragedy befalls the lovers as Giovanni gives Beatrice what he thought was an antidote to cure them both but ends up being a sort of poison due to her nature of being a poison herself. Hawthorne wrote “Rapaccini’s Daughter” in the early 1800’s and he used it to warn about the dangers of the Industrial Revolution and how unchecked scientific experimentation and technology could bring about the downfall of humanity. Hawthorne wrote “Rapaccini’s Daughter” as a romantic gothic story to bring the elements of love and tragedy to explain how tragedy comes of greed, lust for power and selfishness. He was a writer of some renown and by the style of “Rapaccini’s Daughter” had always tried to tie his stories with a moral lesson to ponder once read. What makes the story so powerful is Hawthorne’s detail of the garden which is where most of the story takes place and holds all the symbolism readers must understand to grasp the theme of the story.
. Hawthorne had put much work in his detailing of Rapaccini’s garden to help guide the reader to his main theme of dangerous knowledge. First Hawthorne put a lot of symbols in the story to help r...
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...trying to create perfect clones of animals with no increase of success and the day that it is perfected leaves a thought if it will be used for good or evil such as the cloning of soldiers. Genetics is another modern worry of how science will be used since it can discriminate society and be used for evil purposes such as eugenics to make a “master race”. The mass destruction of nuclear weapons truly proves Hawthorne’s message of dangerous knowledge that should have never been tapped. This is why Hawthorne’s story about dangerous knowledge is still popular after almost two centuries of being written, the simple fact that humans will always pursue things they should not understand or should ever know.
Works Cited
Kolata, Gina. “Researchers Find Big Risk of Defect in Cloning Animals.” The New York Times. The
New York Times, 24 Mar. 2001. Web. 27 Mar. 2014
"Women Beware Science: 'The Birthmark.'." Short Story Criticism, edited by Rachelle Mucha and Thomas J. Schoenberg, vol. 89, Gale, 2006. Literature Resource Center, link.galegroup.com/apps/doc/H1420071520/LitRC?u=troy25957&sid=LitRC&xid=268bd900. Accessed 8 Dec. 2017. Originally published in Critical Essays on Hawthorne's Short Stories, edited by Albert J. von Frank, G. K. Hall & Co., 1991, pp. 164-172.
On the surface, a beautiful, poisonous girl and a preacher shadowed by a black veil share no similar characteristics. However, in the works of Nathaniel Hawthorne, these characters share two remarkably comparable stories. The Minister’s Black Veil and Rappaccini's Daughter both share the symbolic use of colors, yet the characters’ relation to the outside world deviates. Hawthorne expertly contrasts colors to illustrate the battle of good against evil. In The Minister’s Black Veil, Mr. Hooper’s black veil contrasts sharply against the pale-faced congregation, just as Beatrice’s likeness to the purple flowers, described as being able to, “...illuminate the garden,” contrasts the darkness of Dr Rappaccini’s black clothing. These clashes of colors
Even though natural born animals present a higher survival rate, cloned sheep and cows show different results. Even if the cloned cows and sheep show a positive sign of survival, most of the cloned animals’ die either in the womb or after the clone exits the womb. (Anthes 63). Through this example, death dominates the choices of these cloned animals, and scientists continue the experiments for the benefits of humans. By focusing on human needs, the scientists pretend that animal welfare means absolutely nothing, but animals deserve safety just like humans. If scientists truly believe that cloning meets moral standards, than how come scientists cannot find a more effective way to decrease the failure rate of
Deadly and helpful, science is a dual-edged sword. Nathaniel Hawthorne is one of the first to emphasize this through his literary works. “Rappaccini's Daughter” and “The Birthmark” are two of his works where he teaches this lesson through the trials of his characters. Focusing on the motif of the “mad scientist”, Hawthorne brings to light the points that people struggle with humanity, learning to love themselves and others, and that science can be more harmful then helpful.
Stoehr, Taylor. Hawthorne's Mad Scientists. Hamden: Shoe String Press, 1978. Weinstein, Cindy. "The Invisible Hand Made Visible: 'The Birthmark'." Nineteenth Century Literature 48 (1993): 44-73.
Lang, H.J.. “How Ambiguous Is Hawthorne.” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
In Nathaniel Hawthorne's classic The Scarlet Letter, nature plays a very important and symbolic role. Hawthorne uses nature to convey the mood of a scene, to describe characters, and to link the natural elements with human nature. Many of the passages that have to do with nature accomplish more than one of these ideas. All throughout the book, nature is incorporated into the story line. The deep symbolism conveyed by certain aspects of nature helps the reader gain a deeper understanding of the plight and inner emotions of the characters in the novel.
Nathaniel Hawthorns short stories, such as, Dr. Heidegger’s Experiment, Rappaccini’s Daughter and The Birthmark all have an underlying meaning and demonstrate a similar recurring theme. Hawthorne uses his stories to clarify his beliefs on the competition between nature, religion, and science in everyday life. In all three of his short stories he refuses the concept of science coming before religion or nature. Hawthorne clearly thought if nature or religion was tampered with using science it could only end badly, but more specifically with death. In each of his stories there is a scientific experiment that defies both nature and religion ending harmfully. Nathaniel Hawthorne’s beliefs conclude that God and nature to ultimately be more powerful then science.
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Hawthorne’s stories young goodman and rappaccini's daughter both compare to the biblical tale of the garden of eden. in the next few paragraphs you will see how they are alike.
In Rappaccini 's Daughter, it is full of symbols and symbolic allusions. Its setting is a fantastic garden filled with vegetation and poisonous flowers and in the center is a broken fountain. Hawthorne's focus is on Beatrice as she is seen by Giovanni. Hawthorne presents a trapped and poisonous Beatrice who needs a special kind of redemption. She is a prisoner in the garden and her body is full of poison.
Science is not inherently evil and never will become evil. Though the knowledge gained from science can be used toward producing evil, intended or not, and can be dangerous. The story of Victor Frankenstein shows the irresponsibility possible in the advancement of science and furthers the caution which humanity must take when it attempts to master its environment or itself. The proponents of cloning humans today should remind themselves of the lesson which Victor Frankenstein before they have to deal with the products of their research and learn the hard way.
Two boys stare at an unfamiliar girl sitting by herself and whisper, “She must be new,” to each other. They walk over to her, wanting to know about her, and ask her where she is from. The human tendency of wanting to know about the unknown is an idea writers such as Nathaniel Hawthorne use in their works. Hawthorne uses the style of Romanticism, which was most prominent during the early nineteenth century and includes specific traits such as devotion to nature, feelings of passion, and the lure of the exotic. It also emphasizes traits including the idea of solitary life rather than life in society, the reliance on the imagination, and the appreciation of spontaneity. “Rappaccini’s Daughter” by Hawthorne is about Doctor Rappaccini's garden and daughter Beatrice who live in Italy. A man named Giovanni living near the garden falls in love with Beatrice, but Beatrice is infused with poison and unintentionally kills living things that touch or go near her. “Rappaccini’s Daughter” by Nathaniel Hawthorne is a work of Romanticism because it includes Giovanni’s lure to the exotic, solitary life as a theme, and appreciation of nature in descriptions.
In Frankenstein, Mary Shelley tests the motives and ethical uncertainties of the science in her time period. This is a consideration that has become more and more pertinent to our time, when we see modern scientists are venturing into what were previously unimaginable territories of science and nature, through the use of things like human cloning and genetic engineering. Through careful assessment, we can see how the novel illustrates both the potential dangers of these scientific advancements and the conflict between that and creationism.
Shaw, Myles. “Animal Cloning—How Unethical Is It?- Draft 1.” UTSA: WRC 1023, 3 Mar 2014. Print.