The narrator is not always invisible, “I, like other men, was visible”, but something without a doubt changed (Ellison 5). The college-age man in the opening of the novel is substantially divergent from the one introduced in the prologue. The man in the prologue is resentful and unstable. In an inaugural of the prologue scene, after the chaos of Harlem has settled, the narrator engages in an irrational grotesque act of violence...
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...It identifies identity in three segments. The first is the loss of ambition. The narrator struggles with this repeatedly as he tries to promote a better world than his is a member of, only to be silenced by those with a higher power. The second phase occurs because the narrator surrendered to his superiors, he no longer could find himself as a person. These two processes lead to invisibility. A period in life when no matter what direction one looks in there is no hope. Thankfully, Invisible Man does not say the story ends without hope. Instead, although it appears to be an extensive process, one gain create a new dream, redefine who they are as a person, and become visible in the world. Invisible Man is not about invisibility, but about insight on how individuals view themselves.
Ellison, Ralph. Invisible Man. New York: Vintage, 1989. Print.
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