In Alfred Hitchock’s Rear Window, the rain commences in one of the most pivotal sequences in the film. The scene begins with Jeff being awoken in his wheelchair by a roll of thunder and the first drops of rain. The sound of the raindrops splattering against the pavement overlaps a mysterious sting music selection. Up until this point in the film, most of the music played has either come from a radio or the composer’s apartment. For this sequence in the rain however, the music comes from an unknown source, making the scene even more unique and offsetting. Soundtrack during this scene is interesting as the randomized rain splattering with this mysterious music mirrors the mysterious actions of character Lars Thorwald.
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...st the time, but an obsession which puts those he loves into danger.
Outside of the actual rain sequence, the rain also creates the setting and characters as real representations for the drama to unfold. In Hitchcock’s Rear Window, the entire set was built indoors. With the illusion of the natural rain created by the mechanical rain sprinklers, the outside conditions are brought inside and create the apartment complex from more than just a movie set to an actual complex in the village. Additionally, these instances in which the viewer is connected to Jeff, such as the distorted view through the rain drops and highlighting the suspicious behavior of Thorwald, James Stewart is pulled from being a character in a movie, to being a real, relatable person. By making him more than just a character, Hitchcock is able to create concern or compassion for his character.
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